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Subcultures - Cultural Histories and Social Practice
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1
Subcultures
EN NWISBN: 9780415379526 bzw. 0415379520, in Englisch, Routledge, Vereinigtes Königreich Grossbritannien und Nordirland, neu.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's "Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as "those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on ? but they can also seem "immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the "street', the "hood', the club - rather than propertytheir movement away from home into non-domestic forms of "belonging'their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
2
Subcultures : cultural histories and social practice
~EN NW FEISBN: 9780415379526 bzw. 0415379520, vermutlich in Englisch, Routledge, Vereinigtes Königreich Grossbritannien und Nordirland, neu, Erstausgabe.
Lieferung aus: Niederlande, zzgl. Versandkosten.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with Londons Elizabethan underworld, taking the rogue and vagabond as subcultural prototypes: the basis for Marxs later view of subcultures as the lumpenproletariat, and Henry Mayhews view of subcultures as those that will not work. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem immersed or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminal their negative or ambivalent relation to class their association with territory - the street, the hood, the club - rather than property their movement away from home into non-domestic forms of belonging their ties to excess and exaggeration (as opposed to restraint and moderation) their refu.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with Londons Elizabethan underworld, taking the rogue and vagabond as subcultural prototypes: the basis for Marxs later view of subcultures as the lumpenproletariat, and Henry Mayhews view of subcultures as those that will not work. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem immersed or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminal their negative or ambivalent relation to class their association with territory - the street, the hood, the club - rather than property their movement away from home into non-domestic forms of belonging their ties to excess and exaggeration (as opposed to restraint and moderation) their refu.
3
Subcultures - Cultural Histories and Social Practice
~EN NW EB DLISBN: 9780203446850 bzw. 0203446852, vermutlich in Englisch, Taylor And Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Subcultures: This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London`s `Elizabethan underworld`, taking the rogue and vagabond as subcultural prototypes: the basis for Marx`s later view of subcultures as the lumpenproletariat, and Henry Mayhew`s view of subcultures as `those that will not work`. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem `immersed` or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminal their negative or ambivalent relation to class their association with territory - the `street`, the `hood`, the club - rather than property their movement away from home into non-domestic forms of `belonging` their ties to excess and exaggeration (as opposed to restraint and moderation) their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian. Englisch, Ebook.
Subcultures: This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London`s `Elizabethan underworld`, taking the rogue and vagabond as subcultural prototypes: the basis for Marx`s later view of subcultures as the lumpenproletariat, and Henry Mayhew`s view of subcultures as `those that will not work`. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem `immersed` or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminal their negative or ambivalent relation to class their association with territory - the `street`, the `hood`, the club - rather than property their movement away from home into non-domestic forms of `belonging` their ties to excess and exaggeration (as opposed to restraint and moderation) their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian. Englisch, Ebook.
4
Subcultures
EN NWISBN: 9780415379526 bzw. 0415379520, in Englisch, Routledge, Vereinigtes Königreich Grossbritannien und Nordirland, neu.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's "Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as "those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on ? but they can also seem "immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the "street', the "hood', the club - rather than propertytheir movement away from home into non-domestic forms of "belonging'their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
5
Subcultures
EN NWISBN: 9780415379526 bzw. 0415379520, in Englisch, Routledge, Vereinigtes Königreich Grossbritannien und Nordirland, neu.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's "Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as "those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on ? but they can also seem "immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the "street', the "hood', the club - rather than propertytheir movement away from home into non-domestic forms of "belonging'their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification. Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
6
Subcultures: Cultural Histories and Social Practice
EN NWISBN: 9780415379526 bzw. 0415379520, in Englisch, Routledge, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, 3-5 Days.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: * through their often negative relation to work: idle, parasitical, hedonistic, criminal * their negative or ambivalent relation to class * their association with territory - the 'street', the 'hood', the club - rather than property * their movement away from home into non-domestic forms of 'belonging' * their ties to excess and exaggeration (as opposed to restraint and moderation) * their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood: * through their often negative relation to work: idle, parasitical, hedonistic, criminal * their negative or ambivalent relation to class * their association with territory - the 'street', the 'hood', the club - rather than property * their movement away from home into non-domestic forms of 'belonging' * their ties to excess and exaggeration (as opposed to restraint and moderation) * their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
7
Subcultures - Cultural Histories and Social Practice
EN NW EB DLISBN: 9781134181278 bzw. 1134181272, in Englisch, Taylor And Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Free shipping.
Subcultures: This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London`s `Elizabethan underworld`, taking the rogue and vagabond as subcultural prototypes: the basis for Marx`s later view of subcultures as the lumpenproletariat, and Henry Mayhew`s view of subcultures as `those that will not work`. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem `immersed` or self-absorbed. This book identifies six key ways in which subcultures have generally been understood:through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the `street`, the `hood`, the club - rather than propertytheir movement away from home into non-domestic forms of `belonging`their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian. Englisch, Ebook.
Subcultures: This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London`s `Elizabethan underworld`, taking the rogue and vagabond as subcultural prototypes: the basis for Marx`s later view of subcultures as the lumpenproletariat, and Henry Mayhew`s view of subcultures as `those that will not work`. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem `immersed` or self-absorbed. This book identifies six key ways in which subcultures have generally been understood:through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the `street`, the `hood`, the club - rather than propertytheir movement away from home into non-domestic forms of `belonging`their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian. Englisch, Ebook.
8
Subcultures : Cultural Histories and Social.
EN PB USISBN: 9780415379526 bzw. 0415379520, in Englisch, Taylor & Francis, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780415379526,0415379520,subcultures,cultural,histories,social,gelder, Excellent Marketplace listings for "Subcultures : Cultural Histories and Social.." by Ken Gelder starting as low as $19.95! Paperback, Shipping to USA only!
9780415379526,0415379520,subcultures,cultural,histories,social,gelder, Excellent Marketplace listings for "Subcultures : Cultural Histories and Social.." by Ken Gelder starting as low as $19.95! Paperback, Shipping to USA only!
9
Subcultures : Cultural Histories and Social.
EN PB USISBN: 9780415379526 bzw. 0415379520, in Englisch, Taylor & Francis, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780415379526,0415379520,subcultures,cultural,histories,social,gelder, A hand inspected Used copy of "Subcultures : Cultural Histories and Social.." by Ken Gelder. Ships directly from Textbooks.com, Paperback, Shipping to USA only!
9780415379526,0415379520,subcultures,cultural,histories,social,gelder, A hand inspected Used copy of "Subcultures : Cultural Histories and Social.." by Ken Gelder. Ships directly from Textbooks.com, Paperback, Shipping to USA only!
10
Subcultures : Cultural Histories and Social Practice
EN NW EB DLISBN: 9781134181278 bzw. 1134181272, in Englisch, Taylor and Francis, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Despatched same working day before 3pm.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood:through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the ‘street’, the ‘hood’, the club - rather than propertytheir movement away from home into non-domestic forms of ‘belonging’their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies six key ways in which subcultures have generally been understood:through their often negative relation to work: idle, parasitical, hedonistic, criminaltheir negative or ambivalent relation to classtheir association with territory - the ‘street’, the ‘hood’, the club - rather than propertytheir movement away from home into non-domestic forms of ‘belonging’their ties to excess and exaggeration (as opposed to restraint and moderation)their refusal of the banalities of ordinary life and in particular, of massification.Subcultures looks at the way these features find expression across many different subcultural groups: from the Ranters to the riot grrrls, from taxi dancers to drag queens and kings, from bebop to hip hop, from dandies to punk, from hobos to leatherfolk, and from hippies and bohemians to digital pirates and virtual communities. It argues that subcultural identity is primarily a matter of narrative and narration, which means that its focus is literary as well as sociological. It also argues for the idea of a subcultural geography: that subcultures inhabit places in particular ways, their investment in them being as much imaginary as real and, in some cases, strikingly utopian.
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