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100%: Ikegami, Hiroko: The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (The MIT Press) (ISBN: 9780262526111) in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (The MIT Press)
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1
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (2010)
~EN HC US FEISBN: 9780262014250 bzw. 0262014254, vermutlich in Englisch, The MIT Press, gebundenes Buch, gebraucht, guter Zustand, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, art longwood books.
Cambridge: The MIT Press, 2010. hard cover in dust jacket. no flaws or wear. clean. no writing, markings, labels. tight binding. appears unused.; xiii-277pp., illustrated throughout in color, b/w.. First Edition /First Printing. Hard Cover. Fine/Fine. 8vo - over 7¾" - 9¾" tall.
Von Händler/Antiquariat, art longwood books.
Cambridge: The MIT Press, 2010. hard cover in dust jacket. no flaws or wear. clean. no writing, markings, labels. tight binding. appears unused.; xiii-277pp., illustrated throughout in color, b/w.. First Edition /First Printing. Hard Cover. Fine/Fine. 8vo - over 7¾" - 9¾" tall.
2
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (The MIT Press)
~EN USISBN: 9780262526111 bzw. 0262526115, vermutlich in Englisch, The MIT Press, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, GreatDeals4You.
The MIT Press. Used - Very Good. *This book is in A Good Condition. .** ACCESS CODES WITH USED BOOKS ARE NEVER GUARANTEED ** Some Natural wear and tear can occur. Some writing/highlighting/stickers expected.
Von Händler/Antiquariat, GreatDeals4You.
The MIT Press. Used - Very Good. *This book is in A Good Condition. .** ACCESS CODES WITH USED BOOKS ARE NEVER GUARANTEED ** Some Natural wear and tear can occur. Some writing/highlighting/stickers expected.
3
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (2010)
~EN HC US FEISBN: 9780262014250 bzw. 0262014254, vermutlich in Englisch, The MIT Press, Cambridge, gebundenes Buch, gebraucht, akzeptabler Zustand, Erstausgabe, mit Einband.
Von Händler/Antiquariat, art longwood books [3322842], Gloucester, MA, U.S.A.
hard cover in dust jacket. no flaws or wear. clean. no writing, markings, labels. tight binding. appears unused.; xiii-277pp., illustrated throughout in color, b/w. Size: 8vo - over 7¾" - 9¾" tall, Books.
hard cover in dust jacket. no flaws or wear. clean. no writing, markings, labels. tight binding. appears unused.; xiii-277pp., illustrated throughout in color, b/w. Size: 8vo - over 7¾" - 9¾" tall, Books.
4
The Great Migrator (1964)
EN NWISBN: 9780262526111 bzw. 0262526115, in Englisch, MIT Press, Vereinigte Staaten von Amerika, neu.
Robert Rauschenberg on tour in 1964 and the early globalization of the art world. In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world?prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.
5
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The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (The MIT Press) (2014)
~EN PB USISBN: 9780262526111 bzw. 0262526115, vermutlich in Englisch, The MIT Press, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Powell's Bookstores Chicago.
The MIT Press. Used - Very Good. 2014. Paperback. Pbk. Some shelf-wear. Else clean copy. Very Good.
Von Händler/Antiquariat, Powell's Bookstores Chicago.
The MIT Press. Used - Very Good. 2014. Paperback. Pbk. Some shelf-wear. Else clean copy. Very Good.
6
The Great Migrator: Robert Rauschenberg and the Global Rise of American Art Hiroko Ikegami Author (1964)
~EN PB NWISBN: 9780262526111 bzw. 0262526115, vermutlich in Englisch, MIT Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Robert Rauschenberg on tour in 1964 and the early globalization of the art world. In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator , Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world—prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.
Robert Rauschenberg on tour in 1964 and the early globalization of the art world. In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator , Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world—prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.
7
The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (2010)
EN HC US FEISBN: 9780262014250 bzw. 0262014254, in Englisch, 296 Seiten, The MIT Press, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Artemis Books, Apparel & Green Works.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international ***nce of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Hardcover, Ausgabe: First Edition, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2010-08-27, Studio: The MIT Press, Verkaufsrang: 104303.
Von Händler/Antiquariat, Artemis Books, Apparel & Green Works.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international ***nce of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Hardcover, Ausgabe: First Edition, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2010-08-27, Studio: The MIT Press, Verkaufsrang: 104303.
8
The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (2010)
EN HC NW FEISBN: 9780262014250 bzw. 0262014254, in Englisch, 296 Seiten, The MIT Press, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Bookish Corner Net.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international ***nce of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Hardcover, Ausgabe: First Edition, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2010-08-27, Studio: The MIT Press, Verkaufsrang: 104303.
Von Händler/Antiquariat, Bookish Corner Net.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international ***nce of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Hardcover, Ausgabe: First Edition, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2010-08-27, Studio: The MIT Press, Verkaufsrang: 104303.
9
The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (MIT Press) (2014)
EN PB NWISBN: 9780262526111 bzw. 0262526115, in Englisch, 296 Seiten, The MIT Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, PBShop US.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2014-02-14, Studio: The MIT Press, Verkaufsrang: 1253087.
Von Händler/Antiquariat, PBShop US.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2014-02-14, Studio: The MIT Press, Verkaufsrang: 1253087.
10
The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (MIT Press) (2014)
EN PB USISBN: 9780262526111 bzw. 0262526115, in Englisch, 296 Seiten, The MIT Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Wahi57.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2014-02-14, Studio: The MIT Press, Verkaufsrang: 1253087.
Von Händler/Antiquariat, Wahi57.
In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities.In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local., Paperback, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 2014-02-14, Studio: The MIT Press, Verkaufsrang: 1253087.
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