Von dem Buch A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman haben wir 3 gleiche oder sehr ähnliche Ausgaben identifiziert!
Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
100%: Bagert, Brod: A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (ISBN: 9780806919560) in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
78%: Frances Schoonmaker: Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (ISBN: 2940012610560) vladislav sogan, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
62%: Schoonmaker, Frances: Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (ISBN: 2940011940804) 1937, Publisher of One, in Englisch, auch als eBook.Nur diese Ausgabe anzeigen…
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman
11 Angebote vergleichen
| Preise | 2015 | 2017 | 2019 | 2021 | 2022 |
|---|---|---|---|---|---|
| Schnitt | Fr. 28.54 (€ 29.41)¹ | Fr. 6.89 (€ 7.10)¹ | Fr. 17.44 (€ 17.97)¹ | Fr. 16.89 (€ 17.41)¹ | Fr. 65.81 (€ 67.81)¹ |
| Nachfrage |
1
COLORS OF LIFE MAX EASTMAN Author
~EN NW EB DLEAN: 2940012610560, vermutlich in Englisch, vladislav sogan, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
It is impossible for me, feeling and watching the eternal tidal currents of liberty and individual life against tyranny and the type, which are clashing and rearing up their highest crimsoned waves at this hour, to publish without some word of deprecation a book of poems so personal for the most part, and reflecting my own too easy taste of freedom rather than my share in the world's struggle towards an age and universe of it. That struggle has always occupied my thoughts, and often my energies, and yet I have never identified myself with it or found my undivided being there. I have found that rather in individual experience and in those moments of energetic idleness when the life of universal nature seemed to come to its bloom of realization in my consciousness. Life is older than liberty. It is greater than revolution. It burns in both camps. And life is what I love. And though I love life for all men and women, and so inevitably stand in the ranks of revolution against the cruel system of these times, I loved it first for myself. Its essence--the essence of life--is variety and specific depth, and it can not be found in monotonous consecration to a general principle. Therefore I have feared and avoided this consecration, which earnest friends for some reason always expect me to exemplify, and my poetry has never entered, even so deeply as it might, into those tempests of social change that are coloring our thoughts today.Poetry that has life for its subject, and untempered reality, is rather expected to manifest that irregular flow and exuberance of material over structure with which Walt Whitman challenged the world. In America at least the freedom and poignant candor of strong art is associated with the tradition that he founded, and little is granted to that other tradition which finds its original in Edgar Allan Poe. There existed in Europe, however, a succession of poets whose eyes turned back in admiration to Poe, and they were the poets of reality and those who touched the mood of social revolt. And for my part I think there is a modern validity in the attitudes of both these poets, and a certain adjudication between them which a perfectly impersonal science might propose.Every one who reads this book will be familiar, I suppose, with Walt Whitman's ideal of an American poetry so free and strong and untrammelled of ornamentation that it should go out of the books it was published in and stand up with the hills and forests on the earth. The Poetry of the future, he said.
It is impossible for me, feeling and watching the eternal tidal currents of liberty and individual life against tyranny and the type, which are clashing and rearing up their highest crimsoned waves at this hour, to publish without some word of deprecation a book of poems so personal for the most part, and reflecting my own too easy taste of freedom rather than my share in the world's struggle towards an age and universe of it. That struggle has always occupied my thoughts, and often my energies, and yet I have never identified myself with it or found my undivided being there. I have found that rather in individual experience and in those moments of energetic idleness when the life of universal nature seemed to come to its bloom of realization in my consciousness. Life is older than liberty. It is greater than revolution. It burns in both camps. And life is what I love. And though I love life for all men and women, and so inevitably stand in the ranks of revolution against the cruel system of these times, I loved it first for myself. Its essence--the essence of life--is variety and specific depth, and it can not be found in monotonous consecration to a general principle. Therefore I have feared and avoided this consecration, which earnest friends for some reason always expect me to exemplify, and my poetry has never entered, even so deeply as it might, into those tempests of social change that are coloring our thoughts today.Poetry that has life for its subject, and untempered reality, is rather expected to manifest that irregular flow and exuberance of material over structure with which Walt Whitman challenged the world. In America at least the freedom and poignant candor of strong art is associated with the tradition that he founded, and little is granted to that other tradition which finds its original in Edgar Allan Poe. There existed in Europe, however, a succession of poets whose eyes turned back in admiration to Poe, and they were the poets of reality and those who touched the mood of social revolt. And for my part I think there is a modern validity in the attitudes of both these poets, and a certain adjudication between them which a perfectly impersonal science might propose.Every one who reads this book will be familiar, I suppose, with Walt Whitman's ideal of an American poetry so free and strong and untrammelled of ornamentation that it should go out of the books it was published in and stand up with the hills and forests on the earth. The Poetry of the future, he said.
2
Lost Tale From H.P. Lovecraft: The Shunned House H. P. Lovecraft Author (1937)
~EN NW EB DLEAN: 2940011940804, vermutlich in Englisch, Publisher of One, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
A posthumous story of immense power, written by a master of weird fiction--a tale of a revolting horror in the cellar of an old house in New EnglandFrom even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street--the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette--and his favorite walk led northward along the same street to Mrs. Whitman's home and the neighboring hillside churchyard of St. John's, whose hidden expanse of Eighteenth Century gravestones had for him a peculiar fascination.Howard Phillips Lovecraft died in 1937, at the height of his career. Though only forty-six years of age, he had built up an international reputation by the artistry and impeccable literary craftsmanship of his weird tales; and he was regarded on both sides of the Atlantic as probably the greatest contemporary master of weird fiction. His ability to create and sustain a mood of brooding dread and unnamable horror is nowhere better shown than in the posthumous tale presented here: The Shunned House.Now the irony is this. In this walk, so many times repeated, the world's greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest fantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.
A posthumous story of immense power, written by a master of weird fiction--a tale of a revolting horror in the cellar of an old house in New EnglandFrom even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street--the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette--and his favorite walk led northward along the same street to Mrs. Whitman's home and the neighboring hillside churchyard of St. John's, whose hidden expanse of Eighteenth Century gravestones had for him a peculiar fascination.Howard Phillips Lovecraft died in 1937, at the height of his career. Though only forty-six years of age, he had built up an international reputation by the artistry and impeccable literary craftsmanship of his weird tales; and he was regarded on both sides of the Atlantic as probably the greatest contemporary master of weird fiction. His ability to create and sustain a mood of brooding dread and unnamable horror is nowhere better shown than in the posthumous tale presented here: The Shunned House.Now the irony is this. In this walk, so many times repeated, the world's greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest fantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.
3
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman
~EN USISBN: 9780806919560 bzw. 0806919566, vermutlich in Englisch, Sterling Publishing, Vereinigte Staaten von Amerika, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
This volume combines the poetry of Emily Dickinson, Longfellow, Poe, Carl Sandberg and Walt Whitman with specially commissioned illustrations, a biography of each poet, definitions of the harder vocabulary and a literary commentary. Classic poems to introduce young readers to poetry.
This volume combines the poetry of Emily Dickinson, Longfellow, Poe, Carl Sandberg and Walt Whitman with specially commissioned illustrations, a biography of each poet, definitions of the harder vocabulary and a literary commentary. Classic poems to introduce young readers to poetry.
4
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (1998)
EN HC USISBN: 9780806919560 bzw. 0806919566, in Englisch, 286 Seiten, Sterling Juvenile, gebundenes Buch, gebraucht.
Neu ab: $38.50 (13 Angebote)
Gebraucht ab: $3.86 (43 Angebote)
Zu den weiteren 56 Angeboten bei Amazon.com
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days, tatsächliche Versandkosten können abweichen.
Von Händler/Antiquariat, VikaSP.
This volume combines the poetry of Emily Dickinson, Longfellow, Poe, Carl Sandberg and Walt Whitman with specially commissioned illustrations, a biography of each poet, definitions of the harder vocabulary and a literary commentary. Classic poems to introduce young readers to poetry. Hardcover, Ausgabe: Second Printing, Label: Sterling Juvenile, Sterling Juvenile, Produktgruppe: Book, Publiziert: 1998-05-01, Studio: Sterling Juvenile, Verkaufsrang: 319671.
Von Händler/Antiquariat, VikaSP.
This volume combines the poetry of Emily Dickinson, Longfellow, Poe, Carl Sandberg and Walt Whitman with specially commissioned illustrations, a biography of each poet, definitions of the harder vocabulary and a literary commentary. Classic poems to introduce young readers to poetry. Hardcover, Ausgabe: Second Printing, Label: Sterling Juvenile, Sterling Juvenile, Produktgruppe: Book, Publiziert: 1998-05-01, Studio: Sterling Juvenile, Verkaufsrang: 319671.
6
Symbolbild
Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (2008)
~EN HC USISBN: 9780806919560 bzw. 0806919566, vermutlich in Englisch, Sterling, gebundenes Buch, gebraucht, akzeptabler Zustand.
Von Händler/Antiquariat, SN Books Ltd [6195978], Thetford, United Kingdom.
Orders shipped daily from the UK. Professional seller. Books.
Orders shipped daily from the UK. Professional seller. Books.
7
Symbolbild
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (1998)
~EN HC NWISBN: 9780806919560 bzw. 0806919566, vermutlich in Englisch, Sterling Juvenile Books, gebundenes Buch, neu.
Von Händler/Antiquariat, GF Books, Inc. [64674448], Hawthorne, CA, U.S.A.
A+ Customer service! Satisfaction Guaranteed! Book is in NEW condition. Books.
A+ Customer service! Satisfaction Guaranteed! Book is in NEW condition. Books.
8
Symbolbild
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman (1998)
~EN HC NWISBN: 9780806919560 bzw. 0806919566, vermutlich in Englisch, Sterling Juvenile Books, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, GridFreed LLC.
Sterling Juvenile Books, 1998-05-01. Hardcover. New. New.
Von Händler/Antiquariat, GridFreed LLC.
Sterling Juvenile Books, 1998-05-01. Hardcover. New. New.
9
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman: 0 (2008)
~EN NWISBN: 9780806919560 bzw. 0806919566, vermutlich in Englisch, 286 Seiten, Sterling Juvenile, neu.
Neu ab: 86,00 € (4 Angebote)
Gebraucht ab: 17,00 € (3 Angebote)
Zu den weiteren 7 Angeboten bei Amazon.es
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Envío en 3 a 4 días. zzgl. Versandkosten (wenn der Anbieter in Ihr Land liefert).
Von Händler/Antiquariat, The Everything Store Ltd.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, The Everything Store Ltd.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Symbolbild
A Treasury of Poetry for Young People: Emily Dickinson, Robert Frost, Henry Wadsworth Longfellow, Edgar Allan Poe, Carl Sandberg, Walt Whitman
EN HC USISBN: 9780806919560 bzw. 0806919566, in Englisch, Sterling Juvenile, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, ABC Books.
Sterling Juvenile. Hardcover. 0806919566 . Good.
Von Händler/Antiquariat, ABC Books.
Sterling Juvenile. Hardcover. 0806919566 . Good.
Lade…