New Poems, 1908: The Other Part - 4 Angebote vergleichen
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NEW POEMS, 1908 : THE OTHER PART (A BILINGUAL EDITION) (1987)
~EN HC US
ISBN: 9780865472716 bzw. 0865472718, vermutlich in Englisch, North Point Press, gebundenes Buch, gebraucht, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Verzendkosten naar: NLD.
Von Händler/Antiquariat, The Sensible Magpie.
San Francisco: North Point Press, 1987. Hardcover. Near Fine/Near Fine. A couple of random pen marks to text, else clean. Dustjacket near fine. Sunning to spine. Light shelfwear to jacket. Parallel translation. German on verso, English on recto. 221 pp. Bright and tight. Poems in this volume have been described as "thing-poems". "Rilke takes familiar figures -- from a sundial to a stained-glass Adam and Eve -- and refracts their presence into corporeality and spirituality," (front flap).
Von Händler/Antiquariat, The Sensible Magpie.
San Francisco: North Point Press, 1987. Hardcover. Near Fine/Near Fine. A couple of random pen marks to text, else clean. Dustjacket near fine. Sunning to spine. Light shelfwear to jacket. Parallel translation. German on verso, English on recto. 221 pp. Bright and tight. Poems in this volume have been described as "thing-poems". "Rilke takes familiar figures -- from a sundial to a stained-glass Adam and Eve -- and refracts their presence into corporeality and spirituality," (front flap).
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New Poems, 1908 : The Other Part by (1908)
~EN US
ISBN: 9780865472716 bzw. 0865472718, vermutlich in Englisch, North Port Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd, zzgl. Versandkosten.
Rilke's association with Rodin in 1902 inspired in him a new poetic method. 'Somehow, ' he wrote, 'I too must come to make things... realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything.' Until this work, Rilke's voice had come from the interior, expressing feelings and moods. New Poems represented a turning point, an intoxication with the materiality of the world.
Rilke's association with Rodin in 1902 inspired in him a new poetic method. 'Somehow, ' he wrote, 'I too must come to make things... realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything.' Until this work, Rilke's voice had come from the interior, expressing feelings and moods. New Poems represented a turning point, an intoxication with the materiality of the world.
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