Eric Fischl: Paintings and Drawings 1979-2001 - 8 Angebote vergleichen

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
Ostfildern-Ruit, Germany: Hatje Cantz, 2003. Hardcover. As New. Light beige paper over boards. color illus. dj.; 136 pp.; 30 bw, 63 color plates and figures. Published in conjunction with the exhibition of the same name, held at the Kunstmuseum Wolfsburg in 2003 and 2004. Includes five essays, as well as an interview with Fischl. Also includes biographical and exhibition information. In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: "...That is always what I am doing now when I paint: making meaning." Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001. Contents as follows: Portrait of the artist as a young man / Peter Schjeldahl -- Touched : Eric Fischl, body, space and light / Annelie Lütgens -- Plates -- A dialogue with Eric Fischl : New York, May-June 2003 / Frederic Tuten -- The tribunal of modernism vs. Eric Fischl / Jörg S. Garbrecht -- Fragile overlays : thoughts on the technique of Eric Fischl's works on paper / Carolin Bohlmann -- Narratives of the sacred : an American in Rome / Victoria von Flemming. Signed by Fischl.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Mullen Books, Inc. ABAA / ILAB.
Ostfildern-Ruit, Germany: Hatje Cantz, 2003. Hardcover. As New. Light beige paper over boards. color illus. dj.; 136 pp.; 30 bw, 63 color plates and figures. Published in conjunction with the exhibition of the same name, held at the Kunstmuseum Wolfsburg in 2003 and 2004. Includes five essays, as well as an interview with Fischl. Also includes biographical and exhibition information. In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: "...That is always what I am doing now when I paint: making meaning." Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001. Contents as follows: Portrait of the artist as a young man / Peter Schjeldahl -- Touched : Eric Fischl, body, space and light / Annelie Lütgens -- Plates -- A dialogue with Eric Fischl : New York, May-June 2003 / Frederic Tuten -- The tribunal of modernism vs. Eric Fischl / Jörg S. Garbrecht -- Fragile overlays : thoughts on the technique of Eric Fischl's works on paper / Carolin Bohlmann -- Narratives of the sacred : an American in Rome / Victoria von Flemming.

Von Händler/Antiquariat, Mullen Books, ABAA [4572], Marietta, PA, U.S.A.
Light beige paper over boards. color illus. dj.; 136 pp.; 30 bw, 63 color plates and figures. Published in conjunction with the exhibition of the same name, held at the Kunstmuseum Wolfsburg in 2003 and 2004. Includes five essays, as well as an interview with Fischl. Also includes biographical and exhibition information. In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: ".That is always what I am doing now when I paint: making meaning." Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001. Contents as follows: Portrait of the artist as a young man / Peter Schjeldahl -- Touched : Eric Fischl, body, space and light / Annelie Lütgens -- Plates -- A dialogue with Eric Fischl : New York, May-June 2003 / Frederic Tuten -- The tribunal of modernism vs. Eric Fischl / Jörg S. Garbrecht -- Fragile overlays : thoughts on the technique of Eric Fischl's works on paper / Carolin Bohlmann -- Narratives of the sacred : an American in Rome / Victoria von Flemming. Signed by Fischl.

Von Händler/Antiquariat, Left Coast Books [2985969], Oxnard, CA, U.S.A.
136 pp., illus. (some col.), biblio., indexes; 30 cm. Essays by Carolin Bohlmann, Jörg S. Garbrecht, Annelie Lütgens, Peter Schjeldahl and Victoria von Flemming. Interview by Frederic Tuten. Preface by Gijs van Tuyl. Published in conjunction with the exhibition held at the Kunstmuseum Wolfsburg, Wolfsburg, Germany, 13 Sept. 2003 - 4 Jan. 2004. Near fine. Gently browsed, clean copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. Richly illustrated with colour plates of Fischl's realist psycho***ual paintings. "In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: '.That is always what I am doing now when I paint: making meaning.' Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001." - Publisher. Size: 4to - over 9¾" - 12" tall.

Von Händler/Antiquariat, Mullen Books, ABAA [4572], Marietta, PA, U.S.A.
Light beige paper over boards. color illus. dj.; 136 pp.; 30 bw, 63 color plates and figures. Published in conjunction with the exhibition of the same name, held at the Kunstmuseum Wolfsburg in 2003 and 2004. Includes five essays, as well as an interview with Fischl. Also includes biographical and exhibition information. In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: ".That is always what I am doing now when I paint: making meaning." Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001. Contents as follows: Portrait of the artist as a young man / Peter Schjeldahl -- Touched : Eric Fischl, body, space and light / Annelie Lütgens -- Plates -- A dialogue with Eric Fischl : New York, May-June 2003 / Frederic Tuten -- The tribunal of modernism vs. Eric Fischl / Jörg S. Garbrecht -- Fragile overlays : thoughts on the technique of Eric Fischl's works on paper / Carolin Bohlmann -- Narratives of the sacred : an American in Rome / Victoria von Flemming.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, high_country_books.
In the 1980s, American painter Eric Fischl mercilessly captured moments in the lives of the American middle classes. Among the painters of his generation, which most notably include David Salle and Julian Schnabel, Fischl is widely recognized as engaging particularly intensely with this typical national theme. As Fischl himself tells it, painting is a process that turns thoughts into feelings, and that uses form and color to create meaning: "...That is always what I am doing now when I paint: making meaning." Fischl's urge to go beyond formal painterly parameters and to allow subjectivity and content onto his canvases links him to younger painters like Luc Tuymans and Elizabeth Peyton, painters credited with a revival of the medium. In the 1990s, Fischl found new impulses and topics: foreign culture, religious rituals, age, and death now take center stage in his compositions. The motifs in his most recent series are based on digitally manipulated photographs of a sparsely furnished room. This catalogue presents an overview of Fischl's work, illustrating approximately 45 paintings and an equal number of drawings, all made between 1979 and 2001. Hardcover, Ausgabe: First Edition ~1st Printing, Label: Hatje Cantz Publishers, Hatje Cantz Publishers, Produktgruppe: Book, Publiziert: 2003-12-02, Freigegeben: 2003-12-02, Studio: Hatje Cantz Publishers, Verkaufsrang: 2033867.

Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Nearfine.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Deal DE.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen