The Visual Mind II - 9 Angebote vergleichen

Von Händler/Antiquariat, Pendleburys - the bookshop in the hills [94734], Llanwrda, United Kingdom.
hardback, quarto, 11 1/4" x 8 4/5", a near fine tightly bound copy in a well preserved pictorial dust wrapper and with a clean and unmarked text, illustrated, xvii + 273 pp. A heavy volume which may, if ordered from some locations outside the United Kingdom, attract a request for additional postage. Please enquire prior to placing an order. Books.

Lieferung aus: Australien, Versandkosten nach: CHE.
Von Händler/Antiquariat, Shiny Owl Books.
The MIT Press, USA, 1993. Hardcover. Very Good Condition/Very Good. Book Size: 4to (11 to 13 inches). Item Type: Book. Edges slightly foxed and browned.. Minor marks and wear to book and jacket. ISBN/EAN: 9780262050487.. 9780262050487.

Lieferung aus: Niederlande, 4 - 8 dagen.
De Gekroonde Mandril B.V.
Scientific visualization, higher-dimensional geometries, 3D computer modeling, computer animation, and imaginary and virtual environments are just a few of the areas in which artists and mathematicians are working together. These collected papers by mathematicians and artists introduce a new universe of mathematical images, forms, and shapes in media ranging from drawings to computer graphics, as well as discussion of the methods used to create these works. Numerous black and white illustrations and 12 pages of color plates are included. Annotation copyright Book News, Inc. Portland, Or.Taal: Engels;Verschijningsdatum: december 1993;ISBN10: 026205048X;ISBN13: 9780262050487; Engelstalig | Hardcover | 1993.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Better World Books.
MIT Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
The MIT Press, 1993-10-26. 2nd Printing. Hardcover. Used:Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, SKLBooks.
Scientific visualization, higher-dimensional geometries, 3D computer modeling, computer animation, and imaginary and virtual environments are just a few of the ground-breaking areas in which artists and mathematicians are exchanging ideas and working together. The Visual Mind introduces a new universe of mathematical images, forms, and shapes in media ranging from drawings to computer graphics, as well as discussion of the methods used to create these works. These 35 chapters are by mathematicians concerned with the visual fruits of their computations and by visual artists concerned with the mathematical origins and inspirations of their works. They are divided into sections covering Geometry and Visualization; Computer Graphics; Geometry and Art; Symmetry; and Perspective Mathematics and Art. The chapters are tied together by introductions to each of these sections and are richly illustrated in color and black and white. Michele Emmer is Professor of Mathematics at the Università ca' Foscari, Venice, Italy. Hardcover, Ausgabe: 2nd Printing, Label: The MIT Press, The MIT Press, Produktgruppe: Book, Publiziert: 1993-10-26, Studio: The MIT Press, Verkaufsrang: 1702537.

Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: USA.
Von Händler/Antiquariat, Ergodebooks.
The MIT Press, 1993-10-26. Hardcover. Good. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service.

Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Despatched same working day before 3pm.
Essays on mathematics and art as visual expression.Mathematical forms rendered visually can give aesthetic pleasure; certain works of art-Max Bill's Moebius band sculpture, for example-can seem to be mathematics made visible. This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993.Mathematicians throughout history have created shapes, forms, and relationships, and some of these can be expressed visually. Computer technology allows us to visualize mathematical forms and relationships in new detail using, among other techniques, 3D modeling and animation. The Visual Mind proposes to compare the visual ideas of artists and mathematicians-not to collect abstract thoughts on a general theme, but to allow one point of view to encounter another. The contributors, who include art historian Linda Dalrymple Henderson and filmmaker Peter Greenaway, examine mathematics and aesthetics; geometry and art; mathematics and art; geometry, computer graphics, and art; and visualization and cinema. They discuss such topics as aesthetics for computers, the Guggenheim Museum in Bilbao, cubism and relativity in twentieth-century art, the aesthetic value of optimal geometry, and mathematics and cinema.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
applied,arts music and photography,conceptual,mathematics,mixed media,other media,science and math, Scientific visualization, higher-dimensional geometries, 3D computer modeling, computer animation, and imaginary and virtual environments are just a few of the ground-breaking areas in which artists and mathematicians are exchanging ideas and working together. The Visual Mind introduces a new universe of mathematical images, forms, and shapes in media ranging from drawings to computer graphics, as well as discussion of the methods used to create these works. These 35 chapters are by mathematicians concerned with the visual fruits of their computations and by visual artists concerned with the mathematical origins and inspirations of their works. They are divided into sections covering Geometry and Visualization; Computer Graphics; Geometry and Art; Symmetry; and Perspective Mathematics and Art. The chapters are tied together by introductions to each of these sections and are richly illustrated in color and black and white. Michele Emmer is Professor of Mathematics at the Universit� ca' Foscari, Venice, Italy.