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100%: WEINBERG, H. BARBARA. BOLGER, DOREEN. CURRY, DAVID PARK, : American Impressionism and Realism : The Painting of Modern Life, 1885-1915 [Import] [Paperback] (ISBN: 9780870997013) 1994, Metropolitan Museum of Art, The 1994-01-01, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
74%: H Barbara Weinberg, Doreen Bolger, David Park Curry, N Mishoe Brennecke, Philippe de Montebello, Jan K Muhlert: American Impressionism and Realism : The Painting of Modern Life, 1885-1915 (ISBN: 9780810964372) 1994, Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
![American Impressionism and Realism [Subtitle]: The Painting Modern Life, 1885-1915](/c-9780870997006-1.jpg){kind=small}
64%: Bolger, Doreen; Weinberg, H. Barbara; Curry, David Park; Metropolitan Museum of Art (New York, N.Y.), .: American Impressionism and Realism [Subtitle]: The Painting Modern Life, 1885-1915 (ISBN: 9780870997006) 1994, New York The Metropolitan Museum Of Art 1994., Erstausgabe, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
63%: Weinberg, H. Barbara; Bolger, Doreen; Curry, David Park: American Impressionism and Realism The Painting of Modern Life 1885 1915 by and 2013 Paperback (ISBN: 9780300199505) 2013, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
American Impressionism and Realism : The Painting of Modern Life, 1885-1915 [Import] [Paperback]
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American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (1994)
~EN HCISBN: 9780810964372 bzw. 0810964376, vermutlich in Englisch, New York: Metropolitan Museum of Art and Harry N. Abrams, gebundenes Buch.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Eureka Books.
New York: Metropolitan Museum of Art and Harry N. Abrams, 1994. Hardcover. "A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionists and the Realists of the generation that succeeded them. The authors of the book, which accompanies a major exhibition, illuminate the continuities and differences between American Impressionism and Realism, two movements that are traditionally viewed as merely opposed. They explore the roots of American Impressionism in European art, especially in the French Impressionists' engagement with the contemporary scene. Also elucidated are the evolving responses of both the American Impressionists and Realists to the changing realities of life in the United States at the turn of the century, as the nation shifted rapidly from an agrarian to an increasingly industrialized urban society. In an examination of paintings that represent the country, the city, and the home - the triad of subjects that engaged the artists - these responses are shown to reflect a tension between enthusiasm for the new and a sense of loss of the rural past. Studying a wide range of painters, including John Singer Sargent, William Merritt Chase, Childe Hassam, John Sloan, William Glackens, and George Bellows, the authors offer new insights into the threads of nationalism, optimism, euphemism, and nostalgia that link the two movements. They demonstrate that these painters of modern life endowed their European-rooted art with a distinctly American inflection and produced a selective register of an energetic nation, revealing a complex commitmentto Robert Henri's assertion that "painting is the giving of evidence." The volume brings a new approach to this area of American art history, which has tended to be more descriptive than interpretive: it offers detailed historical and social contexts for the works and movements un.
Von Händler/Antiquariat, Eureka Books.
New York: Metropolitan Museum of Art and Harry N. Abrams, 1994. Hardcover. "A true historical painter ... is one who paints the life he sees about him, and so makes a record of his own epoch." This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionists and the Realists of the generation that succeeded them. The authors of the book, which accompanies a major exhibition, illuminate the continuities and differences between American Impressionism and Realism, two movements that are traditionally viewed as merely opposed. They explore the roots of American Impressionism in European art, especially in the French Impressionists' engagement with the contemporary scene. Also elucidated are the evolving responses of both the American Impressionists and Realists to the changing realities of life in the United States at the turn of the century, as the nation shifted rapidly from an agrarian to an increasingly industrialized urban society. In an examination of paintings that represent the country, the city, and the home - the triad of subjects that engaged the artists - these responses are shown to reflect a tension between enthusiasm for the new and a sense of loss of the rural past. Studying a wide range of painters, including John Singer Sargent, William Merritt Chase, Childe Hassam, John Sloan, William Glackens, and George Bellows, the authors offer new insights into the threads of nationalism, optimism, euphemism, and nostalgia that link the two movements. They demonstrate that these painters of modern life endowed their European-rooted art with a distinctly American inflection and produced a selective register of an energetic nation, revealing a complex commitmentto Robert Henri's assertion that "painting is the giving of evidence." The volume brings a new approach to this area of American art history, which has tended to be more descriptive than interpretive: it offers detailed historical and social contexts for the works and movements un.
2
American Impressionism Realism: The Painting of Modern Life, 1885-1915. (1994)
EN HC NW FEISBN: 9780870997006 bzw. 0870997009, in Englisch, 384 Seiten, New York The Metropolitan Museum Of Art 1994. gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, bojudbooks.
Colections of the paintings of modern life in 1885-1915. Hardcover, Ausgabe: First Edition, Label: New York The Metropolitan Museum Of Art 1994. New York The Metropolitan Museum Of Art 1994. Produktgruppe: Book, Publiziert: 1994, Studio: New York The Metropolitan Museum Of Art 1994. Verkaufsrang: 1889585.
Von Händler/Antiquariat, bojudbooks.
Colections of the paintings of modern life in 1885-1915. Hardcover, Ausgabe: First Edition, Label: New York The Metropolitan Museum Of Art 1994. New York The Metropolitan Museum Of Art 1994. Produktgruppe: Book, Publiziert: 1994, Studio: New York The Metropolitan Museum Of Art 1994. Verkaufsrang: 1889585.
3
Symbolbild
H Barbara Weinberg, Doreen Bolger, David Park Curry, N Mishoe Brennecke, Philippe de Montebello, Jan K Muhlert
American Impressionism and Realism: The Painting of Modern Life, 1885-1915 (1994)
EN HCISBN: 9780810964372 bzw. 0810964376, in Englisch, Metropolitan Museum of Art New York July 1994, gebundenes Buch.
Von Händler/Antiquariat, Hennessey + Ingalls [54522233], Santa Monica, CA, U.S.A.
'A true historical painter . is one who paints the life he sees about him, and so makes a record of his own epoch.' This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionists and the Realists of the generation that succeeded them. The authors of the book, which accompanies a major exhibition, illuminate the continuities and differences between American Impressionism and Realism, two movements that are traditionally viewed as merely opposed. They explore the roots of American Impressionism in European art, especially in the French Impressionists' engagement with the contemporary scene. Also elucidated are the evolving responses of both the American Impressionists and Realists to the changing realities of life in the United States at the turn of the century, as the nation shifted rapidly from an agrarian to an increasingly industrialized urban society. In an examination of paintings that represent the country, the city, and the home - the triad of subjects that engaged the artists - these responses are shown to reflect a tension between enthusiasm for the new and a sense of loss of the rural past. Studying a wide range of painters, including John Singer Sargent, William Merritt Chase, Childe Hassam, John Sloan, William Glackens, and George Bellows, the authors offer new insights into the threads of nationalism, optimism, euphemism, and nostalgia that link the two movements. They demonstrate that these painters of modern life endowed their European-rooted art with a distinctly American inflection and produced a selective register of an energetic nation, revealing a complex commitmentto Robert Henri's assertion that 'painting is the giving of evidence.' The volume brings a new approach to this area of American art history, which has tended to be more descriptive than interpretive: it offers detailed historical and social contexts for the works and movements un Book has minor shelf wear. Loose binding.
'A true historical painter . is one who paints the life he sees about him, and so makes a record of his own epoch.' This principle, voiced by the Impressionist Childe Hassam, was heeded by the artists whose contributions are the focus of this volume: the American Impressionists and the Realists of the generation that succeeded them. The authors of the book, which accompanies a major exhibition, illuminate the continuities and differences between American Impressionism and Realism, two movements that are traditionally viewed as merely opposed. They explore the roots of American Impressionism in European art, especially in the French Impressionists' engagement with the contemporary scene. Also elucidated are the evolving responses of both the American Impressionists and Realists to the changing realities of life in the United States at the turn of the century, as the nation shifted rapidly from an agrarian to an increasingly industrialized urban society. In an examination of paintings that represent the country, the city, and the home - the triad of subjects that engaged the artists - these responses are shown to reflect a tension between enthusiasm for the new and a sense of loss of the rural past. Studying a wide range of painters, including John Singer Sargent, William Merritt Chase, Childe Hassam, John Sloan, William Glackens, and George Bellows, the authors offer new insights into the threads of nationalism, optimism, euphemism, and nostalgia that link the two movements. They demonstrate that these painters of modern life endowed their European-rooted art with a distinctly American inflection and produced a selective register of an energetic nation, revealing a complex commitmentto Robert Henri's assertion that 'painting is the giving of evidence.' The volume brings a new approach to this area of American art history, which has tended to be more descriptive than interpretive: it offers detailed historical and social contexts for the works and movements un Book has minor shelf wear. Loose binding.
4
American Impressionism Realism: The Painting of Modern Life, 1885-1915 (1994)
EN HC NW FEISBN: 9780810964372 bzw. 0810964376, in Englisch, 400 Seiten, Metropolitan Museum Of Art, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Any Book.
The American Impressionists, who came of age during the 1890s, and the Realists - especially the group known as the Ashcan School - who challenged them after 1900, were allied in their commitment to portraying the everyday experiences of modern life. The book explores these artists' responses to the world around them, and their simultaneous embrace and elision of their era's perplexing novelties. It presents in thematic groups their portrayals of burgeoning cities, which they tended to view through "rose-colored glasses"; the countryside abroad, where they found respite in an old-fashioned rural existence and in camaraderie afforded by art colonies; and the countryside back in the United States, particularly in New England, rural Pennsylvania, and other locales redolent of tradition. Also included in the exhibition are depictions of people pursuing leisure-time recreation at the beach, on picnics, or in other hospitable settings; artfully concocted studio setups and portraits; and vignettes of the lives of women and children. A final section includes several paintings by James McNeill Whistler, Winslow Homer, and Thomas Eakins, who also flourished about 1900 and influenced the American Impressionists and Realists. Hardcover, Ausgabe: 1st Edition, Label: Metropolitan Museum Of Art, Metropolitan Museum Of Art, Produktgruppe: Book, Publiziert: 1994, Studio: Metropolitan Museum Of Art, Verkaufsrang: 1996312.
Von Händler/Antiquariat, Any Book.
The American Impressionists, who came of age during the 1890s, and the Realists - especially the group known as the Ashcan School - who challenged them after 1900, were allied in their commitment to portraying the everyday experiences of modern life. The book explores these artists' responses to the world around them, and their simultaneous embrace and elision of their era's perplexing novelties. It presents in thematic groups their portrayals of burgeoning cities, which they tended to view through "rose-colored glasses"; the countryside abroad, where they found respite in an old-fashioned rural existence and in camaraderie afforded by art colonies; and the countryside back in the United States, particularly in New England, rural Pennsylvania, and other locales redolent of tradition. Also included in the exhibition are depictions of people pursuing leisure-time recreation at the beach, on picnics, or in other hospitable settings; artfully concocted studio setups and portraits; and vignettes of the lives of women and children. A final section includes several paintings by James McNeill Whistler, Winslow Homer, and Thomas Eakins, who also flourished about 1900 and influenced the American Impressionists and Realists. Hardcover, Ausgabe: 1st Edition, Label: Metropolitan Museum Of Art, Metropolitan Museum Of Art, Produktgruppe: Book, Publiziert: 1994, Studio: Metropolitan Museum Of Art, Verkaufsrang: 1996312.
5
American Impressionism Realism: The Painting of Modern Life, 1885-1915 (1994)
EN HC US FEISBN: 9780810964372 bzw. 0810964376, in Englisch, 400 Seiten, Metropolitan Museum Of Art, gebundenes Buch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, NevermoreBooks.
The American Impressionists, who came of age during the 1890s, and the Realists - especially the group known as the Ashcan School - who challenged them after 1900, were allied in their commitment to portraying the everyday experiences of modern life. The book explores these artists' responses to the world around them, and their simultaneous embrace and elision of their era's perplexing novelties. It presents in thematic groups their portrayals of burgeoning cities, which they tended to view through "rose-colored glasses"; the countryside abroad, where they found respite in an old-fashioned rural existence and in camaraderie afforded by art colonies; and the countryside back in the United States, particularly in New England, rural Pennsylvania, and other locales redolent of tradition. Also included in the exhibition are depictions of people pursuing leisure-time recreation at the beach, on picnics, or in other hospitable settings; artfully concocted studio setups and portraits; and vignettes of the lives of women and children. A final section includes several paintings by James McNeill Whistler, Winslow Homer, and Thomas Eakins, who also flourished about 1900 and influenced the American Impressionists and Realists. Hardcover, Ausgabe: 1st Edition, Label: Metropolitan Museum Of Art, Metropolitan Museum Of Art, Produktgruppe: Book, Publiziert: 1994, Studio: Metropolitan Museum Of Art, Verkaufsrang: 1996312.
Von Händler/Antiquariat, NevermoreBooks.
The American Impressionists, who came of age during the 1890s, and the Realists - especially the group known as the Ashcan School - who challenged them after 1900, were allied in their commitment to portraying the everyday experiences of modern life. The book explores these artists' responses to the world around them, and their simultaneous embrace and elision of their era's perplexing novelties. It presents in thematic groups their portrayals of burgeoning cities, which they tended to view through "rose-colored glasses"; the countryside abroad, where they found respite in an old-fashioned rural existence and in camaraderie afforded by art colonies; and the countryside back in the United States, particularly in New England, rural Pennsylvania, and other locales redolent of tradition. Also included in the exhibition are depictions of people pursuing leisure-time recreation at the beach, on picnics, or in other hospitable settings; artfully concocted studio setups and portraits; and vignettes of the lives of women and children. A final section includes several paintings by James McNeill Whistler, Winslow Homer, and Thomas Eakins, who also flourished about 1900 and influenced the American Impressionists and Realists. Hardcover, Ausgabe: 1st Edition, Label: Metropolitan Museum Of Art, Metropolitan Museum Of Art, Produktgruppe: Book, Publiziert: 1994, Studio: Metropolitan Museum Of Art, Verkaufsrang: 1996312.
6
Symbolbild
American Impressionism Realism: The Painting of Modern Life, 1885-1915 (1994)
EN US FEISBN: 9780810964372 bzw. 0810964376, in Englisch, Metropolitan Museum Of Art, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, Better World Books [51315977], Mishawaka, IN, U.S.A.
Great condition for a used book! Minimal wear.
Von Händler/Antiquariat, Better World Books [51315977], Mishawaka, IN, U.S.A.
Great condition for a used book! Minimal wear.
7
American Impressionism and Realism; The Painting of Modern Life 1885-1915 (1994)
EN PB US FEISBN: 9780870997013 bzw. 0870997017, in Englisch, 384 Seiten, Metropolitan Museum of Art, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, cmcgeary2bye.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, cmcgeary2bye.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
American Impressionism and Realism; The Painting of Modern Life 1885-1915 (1994)
EN PB US FEISBN: 9780870997013 bzw. 0870997017, in Englisch, 384 Seiten, Metropolitan Museum of Art, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Lion's Books.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Lion's Books.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
9
American Impressionism and Realism; The Painting of Modern Life 1885-1915 (1994)
EN PB NW FEISBN: 9780870997013 bzw. 0870997017, in Englisch, 384 Seiten, Metropolitan Museum of Art, Taschenbuch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, Any Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Any Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
American Impressionism and Realism : The Painting of Modern Life, 1885-1915 (1994)
EN PBISBN: 9780870997013 bzw. 0870997017, in Englisch, Metropolitan Museum of Art, The 1994-01-01, Taschenbuch.
Von Händler/Antiquariat, Harvest Book Company LLC [1186], Fort Washington, PA, U.S.A.
Oversized Paperback. Book, 384 pp Very good condition. ISBN: 0870997017.
Oversized Paperback. Book, 384 pp Very good condition. ISBN: 0870997017.
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