Creating the "Divine" Artist: From Dante to Michelangelo: 19 (Cultures, Beliefs, and Traditions,) (Cultures, Beliefs & Traditions: Medieval & Early Modern Peoples)
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Preise | 2013 | 2014 | 2015 |
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Schnitt | Fr. 117.21 (€ 119.86)¹ | Fr. 108.13 (€ 110.57)¹ | Fr. 123.05 (€ 125.83)¹ |
Nachfrage |
1
Creating the Divine Artist from Dante to Michelangelo (Hardback) (2004)
EN HC NW
ISBN: 9789004137097 bzw. 9004137092, in Englisch, Brill, Netherlands, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository US [58762574], Gloucester, ., United Kingdom.
Brand New Book. Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet divino is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other uomini famossi. The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic ingegno in an appendix.
Von Händler/Antiquariat, The Book Depository US [58762574], Gloucester, ., United Kingdom.
Brand New Book. Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet divino is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other uomini famossi. The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic ingegno in an appendix.
2
Creating the "Divine" Artist: From Dante to Michelangelo
EN HC NW
ISBN: 9789004137097 bzw. 9004137092, in Englisch, Brill, gebundenes Buch, neu.
Von Händler/Antiquariat, THE SAINT BOOKSTORE [51194787], Southport, MSY, United Kingdom.
BRAND NEW, Creating the "Divine" Artist: From Dante to Michelangelo, P. Emison, Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet ''divino'' is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other ''uomini famossi.'' The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix.
BRAND NEW, Creating the "Divine" Artist: From Dante to Michelangelo, P. Emison, Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet ''divino'' is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other ''uomini famossi.'' The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix.
3
Creating the "Divine" Artist: From Dante to Michelangelo (Cultures, Beliefs and Traditions Medieval and Early Modern Peoples) (2004)
EN HC NW
ISBN: 9789004137097 bzw. 9004137092, in Englisch, 454 Seiten, Brill Academic Pub, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, BRILANTI BOOKS.
Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet ''divino'' is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other ''uomini famossi.'' The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix. Hardcover, Label: Brill Academic Pub, Brill Academic Pub, Produktgruppe: Book, Publiziert: 2004-05, Studio: Brill Academic Pub, Verkaufsrang: 5105131.
Von Händler/Antiquariat, BRILANTI BOOKS.
Turning a skeptical eye on the idea that Renaissance artists were widely believed to be as utterly admirable as Vasari claimed, this book re-opens the question of why artists were praised and by whom, and specifically why the language of divinity was invoked, a practice the ancients did not license. The epithet ''divino'' is examined in the context of claims to liberal arts status and to analogy with poets, musicians, and other ''uomini famossi.'' The reputations of Michelangelo and Brunelleschi are compared not only with each other but with those of Dante and Ariosto, of Aretino and of the ubiquitous beloved of the sonnet tradition. Nineteenth-century reformulations of the idea of Renaissance artistic divinity are treated in the epilogue, and twentieth-century treatments of the idea of artistic "ingegno" in an appendix. Hardcover, Label: Brill Academic Pub, Brill Academic Pub, Produktgruppe: Book, Publiziert: 2004-05, Studio: Brill Academic Pub, Verkaufsrang: 5105131.
4
Creating the "Divine" Artist: From Dante to Michelangelo (2004)
EN US
ISBN: 9789004137097 bzw. 9004137092, in Englisch, 454 Seiten, Brill, gebraucht.
Lieferung aus: Frankreich, Expédition sous 1 à 2 jours ouvrés.
Von Händler/Antiquariat, tousbouquins.
Relié, Label: Brill, Brill, Produktgruppe: Book, Publiziert: 2004-03-25, Studio: Brill, Verkaufsrang: 2026622.
Von Händler/Antiquariat, tousbouquins.
Relié, Label: Brill, Brill, Produktgruppe: Book, Publiziert: 2004-03-25, Studio: Brill, Verkaufsrang: 2026622.
5
Creating the "Divine" Artist: From Dante to Michelangelo: 19 (2004)
EN NW
ISBN: 9789004137097 bzw. 9004137092, in Englisch, 454 Seiten, Brill Academic Pub, neu.
Lieferung aus: Italien, Generalmente spedito in 1-2 giorni lavorativi.
Von Händler/Antiquariat, Wadie Shop ‘We deliver in 4 days’.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Wadie Shop ‘We deliver in 4 days’.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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