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100%: Fei, Faye Chunfang (Editor): Chinese Theories of Theater and Performance From Confucius to the Present (ISBN: 9780472109746) 1999, University of Michigan Press, in Englisch, Broschiert.Nur diese Ausgabe anzeigen…
100%: Foreword: Richard Schechner, Editor: Faye Chunfang Fei: Chinese Theories of Theater and Performance from Confucius to the Present (Paperback) (ISBN: 9780472089239) 2002, The University of Michigan Press, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Chinese Theories of Theater and Performance From Confucius to the Present
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Bester Preis: Fr. 22.28 (€ 22.78)¹ (vom 16.10.2016)1
Chinese Theories of Theater and Performance from Confucius to the Present (2002)
EN PB USISBN: 9780472089239 bzw. 0472089234, in Englisch, 232 Seiten, University of Michigan Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, BetterWorldBooksUK.
Through the writings of noted Chinese philosophers, scholars, artists, and critics from the time of Confucius to the present, this rich compendium provides a fascinating guided tour of China's evolving conceptions of theater and performance. The book's more than sixty selections are arranged chronologically to provide a historical overview of four major periods: antiquity to the Song dynasty (fourth century B.C.E.-1279 C.E.); the Yuan dynasty (1271-1368) and Ming dynasty (1368-1644); the Qing dynasty (1644-1911); and the rest of the twentieth century. The writings collected here treat the origins, aesthetic principles, and functions of theater. Some are virtual manuals on playwriting and performance techniques; some describe the practices, conditions, and government policies concerning theatrical performance. Many of the selections forcefully dispute the myth that Chinese theater is valuable in performance but lacking in literature--the fact is that there is an equal, if not more prominent, emphasis on theme and content. What emerges from the writings in Chinese Theories of Theater and Performance from Confucius to the Present is a highly evolved and sophisticated aesthetic. The texts are enhanced by Faye C. Fei's extensive introductions and annotative notes that provide essential background and contextual information. She has provided accurate and engagingly written translations of the texts, making the majority of them available in English for the first time. The anthology will appeal to teachers and students of theater and performance, artists interested in Chinese theater and arts, and scholars and historians of Asia. Literary critics, aestheticians, philosophers, and social scientists will also find the volume of interest, since Chinese conceptions of the theater and performance are closely connected to China's general outlook on the humanities. Faye C. Fei is Assistant Professor of Dramatic Arts, Macalester College. , Paperback, Label: University of Michigan Press, University of Michigan Press, Produktgruppe: Book, Publiziert: 2002-12-20, Studio: University of Michigan Press, Verkaufsrang: 2929327.
Von Händler/Antiquariat, BetterWorldBooksUK.
Through the writings of noted Chinese philosophers, scholars, artists, and critics from the time of Confucius to the present, this rich compendium provides a fascinating guided tour of China's evolving conceptions of theater and performance. The book's more than sixty selections are arranged chronologically to provide a historical overview of four major periods: antiquity to the Song dynasty (fourth century B.C.E.-1279 C.E.); the Yuan dynasty (1271-1368) and Ming dynasty (1368-1644); the Qing dynasty (1644-1911); and the rest of the twentieth century. The writings collected here treat the origins, aesthetic principles, and functions of theater. Some are virtual manuals on playwriting and performance techniques; some describe the practices, conditions, and government policies concerning theatrical performance. Many of the selections forcefully dispute the myth that Chinese theater is valuable in performance but lacking in literature--the fact is that there is an equal, if not more prominent, emphasis on theme and content. What emerges from the writings in Chinese Theories of Theater and Performance from Confucius to the Present is a highly evolved and sophisticated aesthetic. The texts are enhanced by Faye C. Fei's extensive introductions and annotative notes that provide essential background and contextual information. She has provided accurate and engagingly written translations of the texts, making the majority of them available in English for the first time. The anthology will appeal to teachers and students of theater and performance, artists interested in Chinese theater and arts, and scholars and historians of Asia. Literary critics, aestheticians, philosophers, and social scientists will also find the volume of interest, since Chinese conceptions of the theater and performance are closely connected to China's general outlook on the humanities. Faye C. Fei is Assistant Professor of Dramatic Arts, Macalester College. , Paperback, Label: University of Michigan Press, University of Michigan Press, Produktgruppe: Book, Publiziert: 2002-12-20, Studio: University of Michigan Press, Verkaufsrang: 2929327.
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Chinese Theories of Theater and Performance from Confucius to the Present (2002)
EN PB NWISBN: 9780472089239 bzw. 0472089234, in Englisch, 232 Seiten, University of Michigan Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 24 hours.
Von Händler/Antiquariat, Amazon.com.
Through the writings of noted Chinese philosophers, scholars, artists, and critics from the time of Confucius to the present, this rich compendium provides a fascinating guided tour of China's evolving conceptions of theater and performance. The book's more than sixty selections are arranged chronologically to provide a historical overview of four major periods: antiquity to the Song dynasty (fourth century B.C.E.-1279 C.E.); the Yuan dynasty (1271-1368) and Ming dynasty (1368-1644); the Qing dynasty (1644-1911); and the rest of the twentieth century. The writings collected here treat the origins, aesthetic principles, and functions of theater. Some are virtual manuals on playwriting and performance techniques; some describe the practices, conditions, and government policies concerning theatrical performance. Many of the selections forcefully dispute the myth that Chinese theater is valuable in performance but lacking in literature--the fact is that there is an equal, if not more prominent, emphasis on theme and content. What emerges from the writings in Chinese Theories of Theater and Performance from Confucius to the Present is a highly evolved and sophisticated aesthetic. The texts are enhanced by Faye C. Fei's extensive introductions and annotative notes that provide essential background and contextual information. She has provided accurate and engagingly written translations of the texts, making the majority of them available in English for the first time. The anthology will appeal to teachers and students of theater and performance, artists interested in Chinese theater and arts, and scholars and historians of Asia. Literary critics, aestheticians, philosophers, and social scientists will also find the volume of interest, since Chinese conceptions of the theater and performance are closely connected to China's general outlook on the humanities. Faye C. Fei is Assistant Professor of Dramatic Arts, Macalester College. , Paperback, Label: University of Michigan Press, University of Michigan Press, Produktgruppe: Book, Publiziert: 2002-12-20, Studio: University of Michigan Press, Verkaufsrang: 2929327.
Von Händler/Antiquariat, Amazon.com.
Through the writings of noted Chinese philosophers, scholars, artists, and critics from the time of Confucius to the present, this rich compendium provides a fascinating guided tour of China's evolving conceptions of theater and performance. The book's more than sixty selections are arranged chronologically to provide a historical overview of four major periods: antiquity to the Song dynasty (fourth century B.C.E.-1279 C.E.); the Yuan dynasty (1271-1368) and Ming dynasty (1368-1644); the Qing dynasty (1644-1911); and the rest of the twentieth century. The writings collected here treat the origins, aesthetic principles, and functions of theater. Some are virtual manuals on playwriting and performance techniques; some describe the practices, conditions, and government policies concerning theatrical performance. Many of the selections forcefully dispute the myth that Chinese theater is valuable in performance but lacking in literature--the fact is that there is an equal, if not more prominent, emphasis on theme and content. What emerges from the writings in Chinese Theories of Theater and Performance from Confucius to the Present is a highly evolved and sophisticated aesthetic. The texts are enhanced by Faye C. Fei's extensive introductions and annotative notes that provide essential background and contextual information. She has provided accurate and engagingly written translations of the texts, making the majority of them available in English for the first time. The anthology will appeal to teachers and students of theater and performance, artists interested in Chinese theater and arts, and scholars and historians of Asia. Literary critics, aestheticians, philosophers, and social scientists will also find the volume of interest, since Chinese conceptions of the theater and performance are closely connected to China's general outlook on the humanities. Faye C. Fei is Assistant Professor of Dramatic Arts, Macalester College. , Paperback, Label: University of Michigan Press, University of Michigan Press, Produktgruppe: Book, Publiziert: 2002-12-20, Studio: University of Michigan Press, Verkaufsrang: 2929327.
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Chinese Theories of Theater and Performance From Confucius to the Present (1999)
EN HC USISBN: 9780472109746 bzw. 047210974X, in Englisch, University of Michigan Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Verandgebiet: DOM.
Von Händler/Antiquariat, 5Boros Books, NJ, SUMMIT, [RE:4].
Some may have high-lighting or writings, some are ex-library. Hard cover.
Von Händler/Antiquariat, 5Boros Books, NJ, SUMMIT, [RE:4].
Some may have high-lighting or writings, some are ex-library. Hard cover.
4
Chinese Theories of Theater and Performance from Confucius to the Present
EN HC NWISBN: 9780472109746 bzw. 047210974X, in Englisch, University of Michigan Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Chinese Theories of Theater and Performance from Confucius to the Present
EN PB NWISBN: 9780472089239 bzw. 0472089234, in Englisch, The University of Michigan Press, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Chinese Theories of Theater and Performance from Confucius to the Present
EN PB NWISBN: 9780472089239 bzw. 0472089234, in Englisch, Univ of Michigan Pr, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, Nicht lagernd, zzgl. Versandkosten.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Chinese Theories of Theater and Performance from Confucius to the Present (2002)
EN PB NWISBN: 9780472089239 bzw. 0472089234, in Englisch, 232 Seiten, The University of Michigan Press, Taschenbuch, neu.
Neu ab: £19.15 (11 Angebote)
Gebraucht ab: £17.30 (11 Angebote)
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Chinese Theories of Theater and Performance from Confucius to the Present (1999)
EN HC USISBN: 9780472109746 bzw. 047210974X, in Englisch, 232 Seiten, University of Michigan Press, gebundenes Buch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
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