Bei Cowboys werd ich schwach : Stories. Aus dem Amerikan. von Carina von Enzenberg
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MEMORY AND ENTHUSIASM - ESSAYS 1975-1985 (1989)
~EN PB US FEISBN: 9780691014630 bzw. 0691014639, vermutlich in Englisch, Princeton University Press, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Italien, Versandkosten nach: DEU.
Von Händler/Antiquariat, Festina Lente.
Princeton/New Jersey: Princeton University Press, 1989. In this remarkable collection of essays, poet and translator W. S. Di Piero draws us toward fresh encounters with literary artists from both sides of the atlantic - Dante, Keats, Leopardi, Whitman, Pound, William Carlos Williams, Pavese, Sartre, William & Henry James, and others - as well as with filmmakers Robert Altman and Michelangelo Antonioni. Composed in Linotron Baskerville and Optima type. X + 258 pag.. 1st edition. Paperback. Good copy.. 21,5cmx13,5cm.
Von Händler/Antiquariat, Festina Lente.
Princeton/New Jersey: Princeton University Press, 1989. In this remarkable collection of essays, poet and translator W. S. Di Piero draws us toward fresh encounters with literary artists from both sides of the atlantic - Dante, Keats, Leopardi, Whitman, Pound, William Carlos Williams, Pavese, Sartre, William & Henry James, and others - as well as with filmmakers Robert Altman and Michelangelo Antonioni. Composed in Linotron Baskerville and Optima type. X + 258 pag.. 1st edition. Paperback. Good copy.. 21,5cmx13,5cm.
2
Memory and Enthusiasm: Essays, 1975-1985
EN USISBN: 0691014639 bzw. 9780691014630, in Englisch, Princeton University Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
classics,criticism and theory,history and criticism,literature and fiction,movements and periods, In this remarkable collection of essays, poet and translator W. S. Di Piero draws us toward fresh encounters with literary artists from both sides of the Atlantic--Dante, Keats, Leopardi, Whitman, Pound, William Carlos Williams, Pavese, Sartre, William and Henry James, and others--as well as with filmmakers Robert Altman and Michelangelo Antonioni. Di Piero is a skillful and fervent interpreter of the productive tension between Europe and America. He compels our attention not only to the "passionate interrogations of history and memory" but to enthusiasm--"the celebrative stare, the pause for revelation, the waiting." Di Piero's themes range from cultural estrangement and the nature of work to the political element in the life of the poetic imagination, the derangements peculiar to American consciousness, and the ambitions of contemporary American poetry. Constantly refining and questioning his own art, he has had as his aim during the ten-year period represented in this book the working out of "rough formulations of what it felt like to be an American poet" and the devising of "pieces of an autobiography which might be the matrix for a poetics." What mattered to him was "experience, specifically the felt intellectual experience of being an American two generations removed from Europe whose saturated Americanism yet retained a dim but certain afterimage of another place." One result of his search is this exceptionally unified collection in.
classics,criticism and theory,history and criticism,literature and fiction,movements and periods, In this remarkable collection of essays, poet and translator W. S. Di Piero draws us toward fresh encounters with literary artists from both sides of the Atlantic--Dante, Keats, Leopardi, Whitman, Pound, William Carlos Williams, Pavese, Sartre, William and Henry James, and others--as well as with filmmakers Robert Altman and Michelangelo Antonioni. Di Piero is a skillful and fervent interpreter of the productive tension between Europe and America. He compels our attention not only to the "passionate interrogations of history and memory" but to enthusiasm--"the celebrative stare, the pause for revelation, the waiting." Di Piero's themes range from cultural estrangement and the nature of work to the political element in the life of the poetic imagination, the derangements peculiar to American consciousness, and the ambitions of contemporary American poetry. Constantly refining and questioning his own art, he has had as his aim during the ten-year period represented in this book the working out of "rough formulations of what it felt like to be an American poet" and the devising of "pieces of an autobiography which might be the matrix for a poetics." What mattered to him was "experience, specifically the felt intellectual experience of being an American two generations removed from Europe whose saturated Americanism yet retained a dim but certain afterimage of another place." One result of his search is this exceptionally unified collection in.
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