Let truth be the prejudice. His life and photographs.
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1
Let Truth Be the Prejudice: W. Eugene Smith His Life and Photographs (1985)
~EN HC USISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht.
Lieferung aus: Niederlande, zzgl. Versandkosten.
Von Händler/Antiquariat, Klondyke, 1324 LB Almere.
240 Seiten, Sprache: Englisch Hardcover Gut Original grey cloth, dust jacket, richly illustrated with b/w photographs, 4to. Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric. Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history. After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his greatLife essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time. His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh, " virtually to the breaking point and along the way created photography's greatest urban landscape. His last great essay, "Minamata, " depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold." Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius. Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel, " author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject. Versand D: 4,95 EUR, Angelegt am: 06.01.2024.
Von Händler/Antiquariat, Klondyke, 1324 LB Almere.
240 Seiten, Sprache: Englisch Hardcover Gut Original grey cloth, dust jacket, richly illustrated with b/w photographs, 4to. Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric. Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history. After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his greatLife essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time. His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh, " virtually to the breaking point and along the way created photography's greatest urban landscape. His last great essay, "Minamata, " depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold." Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius. Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel, " author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject. Versand D: 4,95 EUR, Angelegt am: 06.01.2024.
2
Let Truth Be the Prejudice: W. Eugene Smith His Life and Photographs (1985)
~EN HC USISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, 240 Seiten, Aperture, gebundenes Buch, gebraucht, guter Zustand.
Lieferung aus: Niederlande, zzgl. Versandkosten.
Von Händler/Antiquariat, Klondyke, [6819631].
Original grey cloth, dust jacket, richly illustrated with b/w photographs, 4to. Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric. Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history. After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his greatLife essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time. His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape. His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold." Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius. Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject. 1985, Hardcover, Gut, 240, Internationaler Versand, Banküberweisung, Selbstabholung und Barzahlung.
Von Händler/Antiquariat, Klondyke, [6819631].
Original grey cloth, dust jacket, richly illustrated with b/w photographs, 4to. Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric. Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history. After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his greatLife essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time. His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape. His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold." Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius. Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject. 1985, Hardcover, Gut, 240, Internationaler Versand, Banküberweisung, Selbstabholung und Barzahlung.
3
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Let Truth Be the Prejudice: His Life and Photographs
~EN HC USISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: CHE.
Von Händler/Antiquariat, Kelseyskorner.
Aperture. Hardcover. Good. 13x10x0. Hardcover book in good condition.Good clean pages with no markings-just name on title page.Good clean dust jacket with minor wear.
Von Händler/Antiquariat, Kelseyskorner.
Aperture. Hardcover. Good. 13x10x0. Hardcover book in good condition.Good clean pages with no markings-just name on title page.Good clean dust jacket with minor wear.
4
Let truth be the prejudice. His life and photographs. (1985)
~EN HC US FEISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, New York Aperture Foundation 1985, gebundenes Buch, gebraucht, Erstausgabe.
Von Händler/Antiquariat, Dieter Eckert [54309839], Bremen, Germany.
4°, 240 S. mit zahlreichen s/w teilweise doppelseitigen Fototafeln, Orig.-Leinen mit Orig.-Umschlag. Erste Ausgabe, second printing. - Erschienen zur gleichnamigen Ausstellung im Museum of Art in Philadelphia 1985. - Gutes Exemplar.- PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Books.
4°, 240 S. mit zahlreichen s/w teilweise doppelseitigen Fototafeln, Orig.-Leinen mit Orig.-Umschlag. Erste Ausgabe, second printing. - Erschienen zur gleichnamigen Ausstellung im Museum of Art in Philadelphia 1985. - Gutes Exemplar.- PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Books.
5
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Let Truth Be the Prejudice: W. Eugene Smith, His Life and Photographs (1998)
~EN HC USISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Versandgebiet: DOM.
Von Händler/Antiquariat, Half Price Books Inc, TX, Dallas, [RE:4].
Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Hardcover.
Von Händler/Antiquariat, Half Price Books Inc, TX, Dallas, [RE:4].
Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Hardcover.
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Let Truth Be the Prejudice : - His Life and Photographs (1985)
EN USISBN: 0893811793 bzw. 9780893811792, in Englisch, Aperture Foundation, New York, gebraucht.
Von Händler/Antiquariat, Gerhard H.
OLeinen mit OSchutzumschlag, 33,8 x 26,2 cm 240 Seiten mit zahlreichen Abbildungen Leinen Sehr guter Zustand - leichte Gebrauchsspuren am Schutzumschlag. With an illustrated biography by Ben Maddow, and an afterward by John G. Morris. "This volume accompanied the major retrospective exhibition "W. Eugene Smith. Let Truth Be The Prejudice" organized by the Alfred Stieglitz Center at The Philadelphia Museum of Art....". Text in Englisch. William Eugene Smith (geboren am 30. Dezember 1918 in Wichita, Kansas; gestorben am 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf. Der junge Gene besuchte die Pfarrschule in seinem Heimatort. Bereits im Alter von 15 Jahren machte Smith seine ersten Aufnahmen und arbeitete schon bald gelegentlich f.
OLeinen mit OSchutzumschlag, 33,8 x 26,2 cm 240 Seiten mit zahlreichen Abbildungen Leinen Sehr guter Zustand - leichte Gebrauchsspuren am Schutzumschlag. With an illustrated biography by Ben Maddow, and an afterward by John G. Morris. "This volume accompanied the major retrospective exhibition "W. Eugene Smith. Let Truth Be The Prejudice" organized by the Alfred Stieglitz Center at The Philadelphia Museum of Art....". Text in Englisch. William Eugene Smith (geboren am 30. Dezember 1918 in Wichita, Kansas; gestorben am 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf. Der junge Gene besuchte die Pfarrschule in seinem Heimatort. Bereits im Alter von 15 Jahren machte Smith seine ersten Aufnahmen und arbeitete schon bald gelegentlich f.
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Let Truth Be the Prejudice : - His Life and Photographs (2009)
EN USISBN: 0893811793 bzw. 9780893811792, Band: 240, in Englisch, Aperture Foundation 1985, gebraucht.
Von Händler/Antiquariat, Gerhard H.
Unbekannter Einband 240 Seiten mit zahlreichen Abbildungen Seiten, OLeinen mit OSchutzumschlag With an illustrated biography by Ben Maddow, and an afterward by John G. Morris. "This volume accompanied the major retrospective exhibition "W. Eugene Smith. Let Truth Be The Prejudice" organized by the Alfred Stieglitz Center at The Philadelphia Museum of Art....". Text in Englisch. William Eugene Smith (geboren am 30. Dezember 1918 in Wichita, Kansas; gestorben am 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf. Der junge Gene besuchte die Pfarrschule in seinem Heimatort. Bereits im Alter von 15 Jahren machte Smith seine ersten Aufnahmen und arbeitete schon bald gelegentlich f.
Unbekannter Einband 240 Seiten mit zahlreichen Abbildungen Seiten, OLeinen mit OSchutzumschlag With an illustrated biography by Ben Maddow, and an afterward by John G. Morris. "This volume accompanied the major retrospective exhibition "W. Eugene Smith. Let Truth Be The Prejudice" organized by the Alfred Stieglitz Center at The Philadelphia Museum of Art....". Text in Englisch. William Eugene Smith (geboren am 30. Dezember 1918 in Wichita, Kansas; gestorben am 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf. Der junge Gene besuchte die Pfarrschule in seinem Heimatort. Bereits im Alter von 15 Jahren machte Smith seine ersten Aufnahmen und arbeitete schon bald gelegentlich f.
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Fotografie/Fotografen/Journalismus Presse/Reisen/2. Weltkrieg/Nachkriegszeit/USA/Japan/Biographien/Künstlermonographien/Werkübersicht/Ausstellungen - Maddow (Illustrated Biography), Ben, John G. Morris (Afterword) and W. Eugene Smith *
LET TRUTH BE THE PREJUDICE. HIS LIFE PHOTOGRAPHS Ausstellung in die USA 1985-1989. (1985)
~EN US FEISBN: 9780893811792 bzw. 0893811793, vermutlich in Englisch, Denville NJ, APERTURE, gebraucht, guter Zustand, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Schweiz.
Von Händler/Antiquariat, Antiquariat am Ungererbad, [3302935].
Bll. + 240 S. inkl. Biblographie u. mit zahlr. s/w./duotone Fotos. Gr.-4°, O(Grau)-GanzLnw. (cloth) mit rotfarbig.-Rückentitel u. OIll.-Umschlag. Geringf. Gebrauchsspuren (2 winzig. Druckspuren an die Kante vorn unten). Gut erhalten. * William Eugene Smith (Gebor. 30. Dezember 1918 in Wichita, Kansas, gest. 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf, Fotoreporter, Schallplattensammler... +++++ VORKASSE-VORBEHALT beim NEUKUNDE/BÜCHER AB 40 EURO SOWIE b. GRAFIKEN+++++, 1985. gebraucht; gut, 2150g, Erstauflage / First edition. Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung, Offene Rechnung (Vorkasse vorbehalten).
Von Händler/Antiquariat, Antiquariat am Ungererbad, [3302935].
Bll. + 240 S. inkl. Biblographie u. mit zahlr. s/w./duotone Fotos. Gr.-4°, O(Grau)-GanzLnw. (cloth) mit rotfarbig.-Rückentitel u. OIll.-Umschlag. Geringf. Gebrauchsspuren (2 winzig. Druckspuren an die Kante vorn unten). Gut erhalten. * William Eugene Smith (Gebor. 30. Dezember 1918 in Wichita, Kansas, gest. 15. Oktober 1978 in Tucson, Arizona) war ein US-amerikanischer Fotograf, Fotoreporter, Schallplattensammler... +++++ VORKASSE-VORBEHALT beim NEUKUNDE/BÜCHER AB 40 EURO SOWIE b. GRAFIKEN+++++, 1985. gebraucht; gut, 2150g, Erstauflage / First edition. Internationaler Versand, Banküberweisung, PayPal, Selbstabholung und Barzahlung, Offene Rechnung (Vorkasse vorbehalten).
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