Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande: Burgundica Series (BURG): 5
4 Angebote vergleichen
| Preise | Feb. 16 | Mai 16 | Juni 20 |
|---|---|---|---|
| Schnitt | Fr. 106.37 (€ 109.00)¹ | Fr. 106.37 (€ 109.00)¹ | Fr. 199.13 (€ 204.05)¹ |
| Nachfrage |
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Burgundica BURG 5 Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande (2004)
FR HCISBN: 9782503991290 bzw. 2503991297, in Französisch, Brepols Verlag 0, gebundenes Buch.
Von Händler/Antiquariat, Antiquariat-Versandbuchhandel Löb [1368562], Heppenheim, Germany.
Burgundica BURG 5 Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande D. Eichberger 527 p., 139 b/w Ill. + 12 colour Ill., 180 x 250 mm, 2002 ISBN: 978-2-503-99129-0 Languages: German Hardback The publication is available. Retail price: EUR 109,00 This study aims at reconstructing the courtly environment in which art was collected, studied and displayed during the first half of the sixteenth century, using the court of Margaret of Austria in Mechelen as a case study. "Schon länger, wenngleich alzu pauschal, war in der Kunstgeschichtlichen Literatur die herausragende Bedeutung der Sammlungstätigkeit Margaretes erkannt worden. Eichberger liefert nun erstmalig eine ebenso umfassende wie detaillierte Darstellung, die das in dem Fall ausserordentlich üppig vorhandene Quellenmaterial konsequent ausschöpft." (Sigrid Ruby, Humanities, Sozial- und Kulturgeschichte, Mai 2003) "Die Darstellung von Dagmar Eichberger überzeugt durch umsichtige Recherche, sorgfältige Analyse und stringende Argumentation." (Sigrid Ruby, Humanities, Sozial- und Kulturgeschichte, Mai 2003) "Dagmar Eichberger's seminal study on Margaret of Austria, regent of the Low Countries (1507 - 1530), as a collector, has set a new standard in the study of Netherlandish court art of the Early Modern Period." (Krista De Jonge 2004) "(.) Dagmar Eichberger's work should be required reading for all historians interested in the subject" (Krista De Jonge 2004) This study aims at reconstructing the courtly environment in which art was collected, studied and displayed during the first half of the sixteenth century. Much research has been undertaken to date on Netherlandish art and culture, however, little attention has been paid to the ways in which artefacts were arranged within noble residences. Where were paintings such as Jan van Eyck's Arnolfini Wedding and Jan Gossaert's Salamacis and Hermaphrodite kept? What can the reconstruction of the original location contribute to our understanding of such important works of art? The court of Margaret of Austria (1480-1530) in Mechelen is used as a case study for this new approach which combines the methods of art history, history and museum studies. Given the wealth of documentary evidence, including inventories, civic records, court accounts, ordinances, etc., it is possible to bring to life Margaret of Austria's encyclopaedic collection and to reconstruct the residence in which she lived and held court for more than twenty years. The regent owned an outstanding array of artefacts: Netherlandish art from the fifteenth and sixteenth centuries as well as Italian, Spanish, German and French paintings, sculptures and decorative art objects. By determining the original functions of the regent's personal chambers and cabinets, new light is shed on the context in which her collection was presented to visitors and high-ranking courtiers. In addition to her apartment on the first floor, Margaret set up a new collection cabinet on the ground floor. In this room, close to her palace garden, Margaret of Austria put on display a wide range of objects including Naturalia, Exotica, technical instruments and works of art. The so-called 'coral cabinet' is one of the first genuine display spaces north of the Alps which is well documented. Unser Wissen über burgundisch-niederländische Kultur ist im Laufe der letzten Jahrzehnte beträchtlich gewachsen. Dennoch ist bisher zu wenig über das räumliche Umfeld bekannt, in dem die Gemälde eines Jan van Eyck, Hieronymus Bosch oder Jan Gossaert aufgestellt und betrachtet wurden. Die hier vorliegende Studie hat es sich zum Ziel gemacht, das höfische Milieu zu rekonstruieren, in dem Kunstwerke und andere Wertgegenstände gesammelt und in Szene gesetzt wurden. Aus dem Blickwinkel neuzeitlicher Sammlungsgeschichte betrachtet, wird der Mechelner.
Burgundica BURG 5 Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande D. Eichberger 527 p., 139 b/w Ill. + 12 colour Ill., 180 x 250 mm, 2002 ISBN: 978-2-503-99129-0 Languages: German Hardback The publication is available. Retail price: EUR 109,00 This study aims at reconstructing the courtly environment in which art was collected, studied and displayed during the first half of the sixteenth century, using the court of Margaret of Austria in Mechelen as a case study. "Schon länger, wenngleich alzu pauschal, war in der Kunstgeschichtlichen Literatur die herausragende Bedeutung der Sammlungstätigkeit Margaretes erkannt worden. Eichberger liefert nun erstmalig eine ebenso umfassende wie detaillierte Darstellung, die das in dem Fall ausserordentlich üppig vorhandene Quellenmaterial konsequent ausschöpft." (Sigrid Ruby, Humanities, Sozial- und Kulturgeschichte, Mai 2003) "Die Darstellung von Dagmar Eichberger überzeugt durch umsichtige Recherche, sorgfältige Analyse und stringende Argumentation." (Sigrid Ruby, Humanities, Sozial- und Kulturgeschichte, Mai 2003) "Dagmar Eichberger's seminal study on Margaret of Austria, regent of the Low Countries (1507 - 1530), as a collector, has set a new standard in the study of Netherlandish court art of the Early Modern Period." (Krista De Jonge 2004) "(.) Dagmar Eichberger's work should be required reading for all historians interested in the subject" (Krista De Jonge 2004) This study aims at reconstructing the courtly environment in which art was collected, studied and displayed during the first half of the sixteenth century. Much research has been undertaken to date on Netherlandish art and culture, however, little attention has been paid to the ways in which artefacts were arranged within noble residences. Where were paintings such as Jan van Eyck's Arnolfini Wedding and Jan Gossaert's Salamacis and Hermaphrodite kept? What can the reconstruction of the original location contribute to our understanding of such important works of art? The court of Margaret of Austria (1480-1530) in Mechelen is used as a case study for this new approach which combines the methods of art history, history and museum studies. Given the wealth of documentary evidence, including inventories, civic records, court accounts, ordinances, etc., it is possible to bring to life Margaret of Austria's encyclopaedic collection and to reconstruct the residence in which she lived and held court for more than twenty years. The regent owned an outstanding array of artefacts: Netherlandish art from the fifteenth and sixteenth centuries as well as Italian, Spanish, German and French paintings, sculptures and decorative art objects. By determining the original functions of the regent's personal chambers and cabinets, new light is shed on the context in which her collection was presented to visitors and high-ranking courtiers. In addition to her apartment on the first floor, Margaret set up a new collection cabinet on the ground floor. In this room, close to her palace garden, Margaret of Austria put on display a wide range of objects including Naturalia, Exotica, technical instruments and works of art. The so-called 'coral cabinet' is one of the first genuine display spaces north of the Alps which is well documented. Unser Wissen über burgundisch-niederländische Kultur ist im Laufe der letzten Jahrzehnte beträchtlich gewachsen. Dennoch ist bisher zu wenig über das räumliche Umfeld bekannt, in dem die Gemälde eines Jan van Eyck, Hieronymus Bosch oder Jan Gossaert aufgestellt und betrachtet wurden. Die hier vorliegende Studie hat es sich zum Ziel gemacht, das höfische Milieu zu rekonstruieren, in dem Kunstwerke und andere Wertgegenstände gesammelt und in Szene gesetzt wurden. Aus dem Blickwinkel neuzeitlicher Sammlungsgeschichte betrachtet, wird der Mechelner.
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Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande: Burgundica Series (BURG): 5 (2002)
~DE HC NWISBN: 9782503991290 bzw. 2503991297, vermutlich in Deutsch, German Universitary, gebundenes Buch, neu.
Lieferung aus: Indien, frais de port.
Von Händler/Antiquariat, BookVistas.
German Universitary, 2002. Hardcover. New. Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
Von Händler/Antiquariat, BookVistas.
German Universitary, 2002. Hardcover. New. Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
3
Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande: Burgundica Series (BURG): 5 (2002)
~DE HC NWISBN: 9782503991290 bzw. 2503991297, vermutlich in Deutsch, German Universitary, gebundenes Buch, neu.
Lieferung aus: Indien, frais de port.
Von Händler/Antiquariat, A - Z Books.
German Universitary, 2002. Hardcover. New. Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
Von Händler/Antiquariat, A - Z Books.
German Universitary, 2002. Hardcover. New. Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
4
Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande: Burgundica Series (BURG): 5 (2002)
~DE HC NWISBN: 9782503991290 bzw. 2503991297, vermutlich in Deutsch, German Universitary, gebundenes Buch, neu.
Von Händler/Antiquariat, BookVistas [54483961], New Delhi, India.
Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
Printed Pages: 527, 139 b/w Ill. + 12 colour Ill.
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