Music in Contemporary French Cinema - 7 Angebote vergleichen
| Preise | 2017 | 2019 | 2023 |
|---|---|---|---|
| Schnitt | Fr. 81.33 (€ 83.10)¹ | Fr. 89.01 (€ 90.95)¹ | Fr. 125.66 (€ 128.39)¹ |
| Nachfrage |
1
Music in Contemporary French Cinema (2015)
DE HC NWISBN: 9783319523613 bzw. 3319523619, in Deutsch, Palgrave, gebundenes Buch, neu.
Lieferung aus: Deutschland, Lagernd.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future. Hard cover.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future. Hard cover.
2
Music in Contemporary French Cinema (2015)
DE NWISBN: 9783319523613 bzw. 3319523619, in Deutsch, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Lieferzeit: 11 Tage, zzgl. Versandkosten.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls "third space music," while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a "crystal-song". Applying Roland Barthes's concept of the "punctum" and Gille Deleuze's concept of the "crystal-image," Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls "third space music," while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a "crystal-song". Applying Roland Barthes's concept of the "punctum" and Gille Deleuze's concept of the "crystal-image," Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
3
Music In Contemporary French Cinema - Phil Powrie, Gebunden (2015)
DE HC NWISBN: 9783319523613 bzw. 3319523619, in Deutsch, Palgrave Macmillan, gebundenes Buch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, preorder.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthes's concept of the punctum and Gille Deleuze's concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future. "Buch > Geisteswissenschaften, Kunst und Musik > Kunst > Fotografie, Film, Video, TV".
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthes's concept of the punctum and Gille Deleuze's concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future. "Buch > Geisteswissenschaften, Kunst und Musik > Kunst > Fotografie, Film, Video, TV".
4
| Music in Contemporary French Cinema | Springer GmbH | 2017
DE NWISBN: 9783319523613 bzw. 3319523619, in Deutsch, Springer-Verlag GmbH, neu.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls 'third space music,' while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a 'crystal-song'. Applying Roland Barthes's concept of the 'punctum' and Gille Deleuze's concept of the 'crystal-image,' Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
5
Music in Contemporary French Cinema
EN NWISBN: 9783319523613 bzw. 3319523619, in Englisch, Springer International Publishing AG, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, in-stock.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthes s concept of the punctum and Gille Deleuze s concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthes s concept of the punctum and Gille Deleuze s concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
6
Music in Contemporary French Cinema
EN NWISBN: 9783319523613 bzw. 3319523619, in Englisch, neu.
Lieferung aus: Deutschland, Erscheint demnächst (Neuerscheinung).
The Crystal Song, This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthess concept of the punctum and Gille Deleuzes concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
The Crystal Song, This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls third space music, while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a crystal-song. Applying Roland Barthess concept of the punctum and Gille Deleuzes concept of the crystal-image, Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
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