Art Cinema and Theology: The Word Was Made Film - 8 Angebote vergleichen
| Preise | Mai 17 | Juni 17 | März 19 |
|---|---|---|---|
| Schnitt | Fr. 89.72 (€ 91.67)¹ | Fr. 83.01 (€ 84.82)¹ | Fr. 91.71 (€ 93.71)¹ |
| Nachfrage |
1
Art Cinema and Theology
DE HC NWISBN: 9783319585550 bzw. 331958555X, in Deutsch, Springer Shop, gebundenes Buch, neu.
Lieferung aus: Italien, Lagernd, zzgl. Versandkosten.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. , Hard cover.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. , Hard cover.
2
Art Cinema and Theology - The Word Was Made Film
DE HC NWISBN: 9783319585550 bzw. 331958555X, in Deutsch, Springer-Verlag Gmbh, gebundenes Buch, neu.
Lieferung aus: Deutschland, Free shipping.
Art Cinema and Theology: This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film `flesh` and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine`s authoritarianism, as well as philosophy`s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. Englisch, Buch.
Art Cinema and Theology: This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film `flesh` and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine`s authoritarianism, as well as philosophy`s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. Englisch, Buch.
3
Symbolbild
Art Cinema and Theology: The Word Was Made Film (2017)
EN HC NW FEISBN: 9783319585550 bzw. 331958555X, in Englisch, Palgrave Macmillan, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Not yet published.
Von Händler/Antiquariat, Amazon.com.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. , Hardcover, Edition: 1st ed. 2017, Label: Palgrave Macmillan, Palgrave Macmillan, Product group: Book, Published: 2017-12-03, Studio: Palgrave Macmillan.
Von Händler/Antiquariat, Amazon.com.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film “flesh” and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine’s authoritarianism, as well as philosophy’s individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity. , Hardcover, Edition: 1st ed. 2017, Label: Palgrave Macmillan, Palgrave Macmillan, Product group: Book, Published: 2017-12-03, Studio: Palgrave Macmillan.
4
Symbolbild
Art Cinema and Theology 2017 (2017)
EN HC NWISBN: 9783319585550 bzw. 331958555X, in Englisch, Springer International Publishing AG, gebundenes Buch, neu.
This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Bunuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scene. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
5
Art Cinema And Theology: The Word Was Made Film
DE NWISBN: 9783319585550 bzw. 331958555X, in Deutsch, Palgrave Macmillan, neu.
Lieferung aus: Kanada, Lagernd, zzgl. Versandkosten.
Justin Ponder, Books, Entertainment, Art Cinema And Theology: The Word Was Made Film, This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
Justin Ponder, Books, Entertainment, Art Cinema And Theology: The Word Was Made Film, This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
6
Symbolbild
Art Cinema and Theology: The Word Was Made Film (2017)
EN HC NW FEISBN: 9783319585550 bzw. 331958555X, in Englisch, Palgrave Macmillan, gebundenes Buch, neu, Erstausgabe.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Not yet published.
Von Händler/Antiquariat, Amazon.co.uk.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Amazon.co.uk.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
7
Gebr. - Art Cinema and Theology: The Word Was Made Film (2017)
DE NWISBN: 9783319585550 bzw. 331958555X, in Deutsch, neu.
Lieferung aus: Deutschland, 01-3 Tage.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
8
Art Cinema and Theology (2017)
DE HC NWISBN: 9783319585550 bzw. 331958555X, in Deutsch, gebundenes Buch, neu.
Lieferung aus: Deutschland, Next Day, Versandkostenfrei.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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