Towards A Queer Black Feminist Theatre Aesthetic - 5 Angebote vergleichen
Bester Preis: Fr. 58.88 (€ 60.16)¹ (vom 04.05.2017)1
Towards A Queer Black Feminist Theatre Aesthetic (2017)
DE PB NW
ISBN: 9783330055933 bzw. 3330055936, in Deutsch, LAP Lambert Academic Publishing, Taschenbuch, neu.
Lieferung aus: Schweiz, Versandfertig innert 6 - 9 Tagen.
Black American Theater By Three Black Female Playwrights In The Years 1915-1920, ´´Black women playwrights in particular have ensured its [Black culture´s] survival through creating performance pieces that reflexively evaluate their life experiences´´ (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, ´´They That Sit in Darkness´´; Angelina Weld Grimké, ´´Rachel´´ and Alice Dunbar Nelson, ´´Mine Eyes Have Seen´´ - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People´s ´´The Crisis´´ and Margaret Sanger´s ´´The Birth Control Review´´. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic. Taschenbuch, 04.04.2017.
Black American Theater By Three Black Female Playwrights In The Years 1915-1920, ´´Black women playwrights in particular have ensured its [Black culture´s] survival through creating performance pieces that reflexively evaluate their life experiences´´ (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, ´´They That Sit in Darkness´´; Angelina Weld Grimké, ´´Rachel´´ and Alice Dunbar Nelson, ´´Mine Eyes Have Seen´´ - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People´s ´´The Crisis´´ and Margaret Sanger´s ´´The Birth Control Review´´. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic. Taschenbuch, 04.04.2017.
2
Towards A Queer Black Feminist Theatre Aesthetic (2017)
~EN PB NW
ISBN: 9783330055933 bzw. 3330055936, vermutlich in Englisch, LAP LAMBERT Academic Publishing, Taschenbuch, neu.
Lieferung aus: Deutschland, Lieferbar in 2 - 3 Tage.
'Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences' (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, 'They That Sit in Darkness'; Angelina Weld Grimké, 'Rachel' and Alice Dunbar Nelson, 'Mine Eyes Have Seen' - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People's 'The Crisis' and Margaret Sanger's 'The Birth Control Review'. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic. Taschenbuch, 04.04.2017.
'Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences' (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, 'They That Sit in Darkness'; Angelina Weld Grimké, 'Rachel' and Alice Dunbar Nelson, 'Mine Eyes Have Seen' - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People's 'The Crisis' and Margaret Sanger's 'The Birth Control Review'. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic. Taschenbuch, 04.04.2017.
3
Towards A Queer Black Feminist Theatre Aesthetic
DE PB NW
ISBN: 9783330055933 bzw. 3330055936, in Deutsch, LAP Lambert Academic Publishing, Taschenbuch, neu.
Lieferung aus: Schweiz, 04.04.2017.
Black American Theater By Three Black Female Playwrights In The Years 1915-1920, Black women playwrights in particular have ensured its [Black culture´s] survival through creating performance pieces that reflexively evaluate their life experiences´´ (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, ´´They That Sit in Darkness´´; Angelina Weld Grimké, ´´Rachel´´ and Alice Dunbar Nelson, ´´Mine Eyes Have Seen´´ - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People´s ´´The Crisis´´ and Margaret Sanger´s ´´The Birth Control Review´´. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic.
Black American Theater By Three Black Female Playwrights In The Years 1915-1920, Black women playwrights in particular have ensured its [Black culture´s] survival through creating performance pieces that reflexively evaluate their life experiences´´ (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their plays - Mary Powell Burrill, ´´They That Sit in Darkness´´; Angelina Weld Grimké, ´´Rachel´´ and Alice Dunbar Nelson, ´´Mine Eyes Have Seen´´ - from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiences - their manner of disbursement and performance - in magazine publications such as the National Association for the Advancement of Colored People´s ´´The Crisis´´ and Margaret Sanger´s ´´The Birth Control Review´´. I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic.
4
Towards A Queer Black Feminist Theatre Aesthetic
DE NW
ISBN: 9783330055933 bzw. 3330055936, in Deutsch, neu.
Lieferung aus: Deutschland, Lieferzeit: 7 Tage.
"Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences" (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their playsMary Powell Burrill, "They That Sit in Darkness" Angelina Weld Grimké, "Rachel" and Alice Dunbar Nelson, "Mine Eyes Have Seen"from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiencestheir manner of disbursement and performancein magazine publications such as the National Association for the Advancement of Colored People's "The Crisis" and Margaret Sanger's "The Birth Control Review". I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic.
"Black women playwrights in particular have ensured its [Black culture's] survival through creating performance pieces that reflexively evaluate their life experiences" (Sunni-Ali). This book is an analysis of three, queer, black female playwrights and their playsMary Powell Burrill, "They That Sit in Darkness" Angelina Weld Grimké, "Rachel" and Alice Dunbar Nelson, "Mine Eyes Have Seen"from the early twentieth century who did just that. I am interested in the reflexive analysis of black life in America that their plays offered their audiences. I am interested in how these plays reached black audiencestheir manner of disbursement and performancein magazine publications such as the National Association for the Advancement of Colored People's "The Crisis" and Margaret Sanger's "The Birth Control Review". I am interested in how the form they created can be a model for creating and identifying a contemporary queer black feminist theater aesthetic.
5
Towards A Queer Black Feminist Theatre Aesthetic: als von
DE HC NW
ISBN: 9783330055933 bzw. 3330055936, in Deutsch, LAP Lambert Academic Publishing, gebundenes Buch, neu.
Towards A Queer Black Feminist Theatre Aesthetic::Black American Theater By Three Black Female Playwrights In The Years 1915-1920 Deanna Downes Towards A Queer Black Feminist Theatre Aesthetic::Black American Theater By Three Black Female Playwrights In The Years 1915-1920 Deanna Downes.
Lade…