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100%: Trede, Julia: Keep It Real. Authenticity in Hip-Hop and Rap Music (ISBN: 9783346086464) in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
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Keep It Real. Authenticity in Hip-Hop and Rap Music
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Bester Preis: Fr. 14.66 (€ 14.99)¹ (vom 01.03.2020)1
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Keep It Real. Authenticity in Hip-Hop and Rap Music (Paperback) (2019)
~EN PB NWISBN: 9783346086464 bzw. 3346086461, vermutlich in Englisch, GRIN Verlag, Germany, Taschenbuch, neu.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English. Brand new Book. Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity.The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions.
Language: English. Brand new Book. Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity.The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions.
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Keep It Real. Authenticity in Hip-Hop and Rap Music (2013)
~EN PB NWISBN: 9783346086464 bzw. 3346086461, vermutlich in Englisch, Grin Verlag Grin Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions. 2019. 32 S. 210 mm Versandfertig in 6-10 Tagen, Softcover, Neuware, Offene Rechnung (Vorkasse vorbehalten).
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions. 2019. 32 S. 210 mm Versandfertig in 6-10 Tagen, Softcover, Neuware, Offene Rechnung (Vorkasse vorbehalten).
3
Keep It Real. Authenticity in Hip-Hop and Rap Music (2013)
~EN NW EB DLISBN: 9783346086457 bzw. 3346086453, vermutlich in Englisch, GRIN Verlag, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Keep It Real. Authenticity in Hip-Hop and Rap Music: Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop`s elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod`s six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod`s dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod`s dimensions. Englisch, Ebook.
Keep It Real. Authenticity in Hip-Hop and Rap Music: Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop`s elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod`s six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod`s dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod`s dimensions. Englisch, Ebook.
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Keep It Real. Authenticity in Hip-Hop and Rap Music (eBook, PDF) (2013)
~EN NWISBN: 9783346086457 bzw. 3346086453, vermutlich in Englisch, GRIN Verlag, neu.
Lieferung aus: Österreich, Sofort per Download lieferbar, Versandkostenfrei innerhalb von Deutschland.
Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions.
Seminar paper from the year 2013 in the subject American Studies - Culture and Applied Geography, grade: 2,7, University of Kassel, language: English, abstract: Hip-hop does only represent a mere music genre but also constitutes a movement that emerged out of profound economic and social changes in New York of the 1970s. It is a cultural expression of an Afrodiasporic community that faced social and racial inequity. Originally, hip-hop constituted a shelter for ethnic minorities that have been socially marginalized by the dominant American culture. However, hip-hop also constitutes a commercial commodity which is often reduced to its commercial purpose. This balancing act of representing a culture on the one hand, and a commodity on the other hand, evoked a discussion on authenticity. The aim of this paper is to analyze how and to what extent authenticity is claimed in songs of hip-hop artists. In order to understand the discussion of authenticity in hip-hop it is crucial to provide an informational background of the preconditions that contributed to the development of hip-hop. Chapter 1.1 provides this basis and describes social and political circumstances that America and especially New York experienced throughout the 1970s. The resulting evolution of the hip-hop movement is subject to chapter 1.2., explaining the beginnings of the movement and outlining hip-hop's elements. Chapter 2 is concerned with the concept of authenticity. In the course of this section I will deal with Kembrew McLeod's six semantic dimensions of authenticity which serve as a basis for the subsequent analyses. The last chapter provides an analysis of five rap songs that will be analyzed according to McLeod's dimensions of authenticity. The aim of this chapter is to find out, to what extent authenticity claims are used and how many dimensions can be identified in a song. Additionally, it is analyzed, if certain dimensions a used more frequently, or more specifically, if it is possible to allocate priorities to McLeod's dimensions.
7
Keep It Real. Authenticity in Hip-Hop and Rap Music
~EN NW EB DLISBN: 9783346086457 bzw. 3346086453, vermutlich in Englisch, Keep It Real. Authenticity in Hip-Hop and Rap Music - eBook von Julia Trede, neu, E-Book, elektronischer Download.
Keep It Real. Authenticity in Hip-Hop and Rap Music ab 2.99 € als pdf eBook: . Aus dem Bereich: eBooks, Belletristik, Erzählungen,.
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Keep It Real. Authenticity in Hip-Hop and Rap Music (2019)
EN PB NWISBN: 9783346086464 bzw. 3346086461, in Englisch, 32 Seiten, GRIN Verlag, Taschenbuch, neu.
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Von Händler/Antiquariat, preigu.
GRIN Verlag, Taschenbuch, Publiziert: 2019-12-10T00:00:01Z, Produktgruppe: Book.
Von Händler/Antiquariat, preigu.
GRIN Verlag, Taschenbuch, Publiziert: 2019-12-10T00:00:01Z, Produktgruppe: Book.
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