The Downward Spiral. Repetition in Hitchcock´s Vertigo als von
13 Angebote vergleichen

Lieferung aus: Deutschland, E-Book zum Download.
It is hard to determine the one single defining factor that makes Alfred Hitchcocks Vertigo what it is today: by many considered to be one of the best movies ever made. The plot is - despite all its unrealism - thrilling from the first minute to the last. James Stewarts and Kim Novaks performances are more than convincing to say the least and Bernard Herrmanns music dug itself into the collective ears of a whole generation. However, there is one thing that all those factors have in common and which therefore, arguably, defines the power of Vertigo most accurately: in a way all those features suck the viewers into the movie and take them on a spiral-like journey down to the bottom of Vertigo. This becomes apparent from the first minute onwards, when Hitchcock establishes the spiral as the defining motif of his movie during the intro-sequence. In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo.

Lieferung aus: Vereinigte Staaten von Amerika, Lagernd.
Seminar paper from the year 2011 in the subject Film Science, grade: 1,5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to determine the one single defining factor that makes Alfred Hitchcock's Vertigo what it is today: by many considered to be one of the best movies ever made. The plot is - despite all its unrealism - thrilling from the first minute to the last. James Stewart's and Kim Novak's performances are more than convincing to say the least and Bernard Herrmann's music dug itself into the collective ears of a whole generation. However, there is one thing that all those factors have in common and which therefore, arguably, defines the power of Vertigo most accurately: in a way all those features suck the viewers into the movie and take them on a spiral-like journey down to the bottom of Vertigo. This becomes apparent from the first minute onwards, when Hitchcock establishes the spiral as the defining motif of his movie during the intro-sequence. In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo.

Lieferung aus: Deutschland, E-Book zum Download, Versandkostenfrei.
Seminar paper from the year 2011 in the subject Film Science, grade: 1,5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to determine the one single defining factor that makes Alfred Hitchcock’s Vertigo what it is today: by many considered to be one of the best movies ever made. The plot is – despite all its unrealism – thrilling from the first minute to the last. James Stewart’s and Kim Novak’s performances are more than convincing to say the least and Bernard Herrmann’s music dug itself into the collective ears of a whole generation. However, there is one thing that all those factors have in common and which therefore, arguably, defines the power of Vertigo most accurately: in a way all those features suck the viewers into the movie and take them on a spiral-like journey down to the bottom of Vertigo. This becomes apparent from the first minute onwards, when Hitchcock establishes the spiral as the defining motif of his movie during the intro-sequence. In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo. Kindle Ausgabe, Ausgabe: 1, Format: Kindle eBook, Label: GRIN Verlag, GRIN Verlag, Produktgruppe: eBooks, Publiziert: 2012-05-14, Freigegeben: 2012-05-14, Studio: GRIN Verlag, Verkaufsrang: 2175778.

Lieferung aus: Deutschland, E-Book zum Download, Versandkostenfrei.
Seminar paper from the year 2011 in the subject Film Science, grade: 1,5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to determine the one single defining factor that makes Alfred Hitchcock’s Vertigo what it is today: by many considered to be one of the best movies ever made. The plot is – despite all its unrealism – thrilling from the first minute to the last. James Stewart’s and Kim Novak’s performances are more than convincing to say the least and Bernard Herrmann’s music dug itself into the collective ears of a whole generation. However, there is one thing that all those factors have in common and which therefore, arguably, defines the power of Vertigo most accurately: in a way all those features suck the viewers into the movie and take them on a spiral-like journey down to the bottom of Vertigo. This becomes apparent from the first minute onwards, when Hitchcock establishes the spiral as the defining motif of his movie during the intro-sequence. In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo. Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: GRIN Verlag, GRIN Verlag, Produktgruppe: eBooks, Publiziert: 2012-05-14, Freigegeben: 2012-05-14, Studio: GRIN Verlag, Verkaufsrang: 2037871.

Lieferung aus: Deutschland, E-Book zum Download.
Seminar paper from the year 2011 in the subject Film Science, grade: 1,5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to determine the one single defining factor that makes Alfred Hitchcock’s Vertigo what it is today: by many considered to be one of the best movies ever made. The plot is – despite all its unrealism – thrilling from the first minute to the last. James Stewart’s and Kim Novak’s performances are more than convincing to say the least and Bernard Herrmann’s music dug itself into the collective ears of a whole generation. However, there is one thing that all those factors have in common and which therefore, arguably, defines the power of Vertigo most accurately: in a way all those features suck the viewers into the movie and take them on a spiral-like journey down to the bottom of Vertigo. This becomes apparent from the first minute onwards, when Hitchcock establishes the spiral as the defining motif of his movie during the intro-sequence. In this paper I am going to argue that the whole movie follows a spiral-like structure and through repetition of certain motifs Hitchcock is able to suck the viewer deeper and deeper into the story of Vertigo. Kindle Edition, Ausgabe: 1, Format: Kindle eBook, Label: GRIN Verlag GmbH, GRIN Verlag GmbH, Produktgruppe: eBooks, Publiziert: 2012-05-14, Freigegeben: 2012-05-14, Studio: GRIN Verlag GmbH.

The Downward Spiral. Repetition in Hitchcock´s Vertigo ab 14.99 EURO Akademische Schriftenreihe. 1. Auflage. The Downward Spiral. Repetition in Hitchcock´s Vertigo ab 14.99 EURO Akademische Schriftenreihe. 1. Auflage.

Lieferung aus: Australien, in-stock.
Seminar paper from the year 2011 in the subject Film Science, grade: 1,5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to determine the one single defining factor that make.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25.
T. Schlipfinger, NOOK Book (eBook), Edition: 1, English-language edition, Pub by GRIN Verlag on 01-01-2012.

Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen

Von Händler/Antiquariat, Citi Retail [9235530], Lowfield Heath, United Kingdom.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen