The Use of Animals in Marianne Moore´s Poetry - 14 Angebote vergleichen

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Poetry has a place for the genuine, and Moores favoring of animals as poetic subjects is a tribute to their genuineness. (Allen 1939, 112) In my term paper I want to deal with her special interest in animals. I want to find out why she uses animals in her poems and what function they fulfil.In order to do so, I will first have a look at her poems in general to discover what kind of animals she uses and with which frequency. I will also look at her life outside of the poets world in order to understand where her influences came from.I will then pick out two of her animal poems to make a more specific analysis on them in order to see what the different functions of animals are and how they are presented. The first example will be Marianne Moores poem To a giraffe which will then be compared to a second poem The arctic ox (or goat).In a next step I want to give an overview over the other functions of animals used in Marianne Moores poetry. To understand the quantity and frequency of A.

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Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, RWTH Aachen University, language: English, abstract: “Poetry has “a place for the genuine;” and Moore’s favoring of animals as poetic subjects is a tribute to their genuineness.” (Allen 1939, 112) In my term paper I want to deal with her special ... Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, RWTH Aachen University, language: English, abstract: ´´Poetry has ´´a place for the genuine,´´ and Moore´s favoring of animals as poetic subjects is a tribute to their genuineness.´´ (Allen 1939, 112) In my term paper I want to deal with her special interest in animals. I want to find out why she uses animals in her poems and what function they fulfil. In order to do so, I will first have a look at her poems in general to discover what kind of animals she uses and with which frequency. I will also look at her life outside of the poet´s world in order to understand where her influences came from. I will then pick out two of her animal poems to make a more specific analysis on them in order to see what the different functions of animals are and how they are presented. The first example will be Marianne Moore´s poem To a giraffe which will then be compared to a second poem The arctic ox (or goat). In a next step I want to give an overview over the other functions of animals used in Marianne Moore´s poetry. To understand the quantity and frequency of animal use in her works I will consider another by Marianne Moore which is called The Jerboa. Because of its length I will not analyze this poem in detail, but I will present the most important aspects in regard to the functions of animals given in this frequently cited and interpreted poem. 21.11.2012, ePUB.

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The Use of Animals in Marianne Moore`s Poetry: Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, RWTH Aachen University, language: English, abstract: Poetry has a place for the genuine, and Moores favoring of animals as poetic subjects is a tribute to their genuineness. (Allen 1939, 112) In my term paper I want to deal with her special ... Englisch, Ebook.

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Feminist Aspects in Frankenstein: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary works for it has been reissued, redefined and criticised regularly since its first publication in 1818. Johanna Smith mirrors with her statement what many critics say about Frankenstein: They define Frankenstein not only as a Gothic Novel, but as a Feminist Novel as well. Some of the feminist literary critics say that `feminist interest in Frankenstein would throw light on the novel`s darkest passages` (Fischer et al 1993, 3), others claim it is an invocation on women`s rights in general. However, all of them agree on the fact that the novel underlines the repression of women in private and public and that it criticizes the patriarchal role and dominating position of men. In this term paper I am aiming at pointing out the arguments of feminist literary critics that define Frankenstein as a feminist novel. In order to support the thesis of Frankenstein being a feminist novel, I first want to give a definition of Feminist Literary Criticism and its branches. After having defined Mary Shelley as a feminist (or not) and having summarized what the movement was about, I want to go into detail analyzing Shelley`s Frankenstein in feminist terms. In my analysis I will firstly put emphasis on Anne K. Mellor`s approach to Frankenstein. She not only gave with `Mary Shelley Her Life, Her Fiction, Her Monsters (1988), the only full-length critical treatment of Shelley`s works in the 1980s` (Fisch et al 1993,8), but she also summarizes a lot of the arguments many feminist critics have mentioned in terms of interpreting Frankenstein. Mellor therefore provides a good basis for further examination. Finally, in order to support and enlarge Mellor`s theory I want to introduce approaches by other critics treating the issue of feminism in Shelley`s work. These critics not only detail, object, and analyze Mellor`s statements, but they also add their own ideas. Thereby, it shall become clear if we can really label Frankenstein a Feminist Gothic Novel. Englisch, Ebook.

Lieferung aus: Deutschland, Versandkostenfrei.
Feminist Aspects in Frankenstein: Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University, language: English, abstract: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary works for it has been reissued, redefined and criticised regularly since its first publication in 1818. Johanna Smith mirrors with her statement what many critics say about Frankenstein: They define Frankenstein not only as a Gothic Novel, but as a Feminist Novel as well. Some of the feminist literary critics say that `feminist interest in Frankenstein would throw light on the novel`s darkest passages` (Fischer et al 1993, 3), others claim it is an invocation on women`s rights in general. However, all of them agree on the fact that the novel underlines the repression of women in private and public and that it criticizes the patriarchal role and dominating position of men. In this term paper I am aiming at pointing out the arguments of feminist literary critics that define Frankenstein as a feminist novel. In order to support the thesis of Frankenstein being a feminist novel, I first want to give a definition of Feminist Literary Criticism and its branches. After having defined Mary Shelley as a feminist (or not) and having summarized what the movement was about, I want to go into detail analyzing Shelley`s Frankenstein in feminist terms. In my analysis I will firstly put emphasis on Anne K. Mellor`s approach to Frankenstein. She not only gave with `Mary Shelley Her Life, Her Fiction, Her Monsters (1988), the only full-length critical treatment of Shelley`s works in the 1980s` (Fisch et al 1993,8), but she also summarizes a lot of the arguments many feminist critics have mentioned in terms of interpreting Frankenstein. Mellor therefore provides a good basis for further examination. Finally, in order to support and enlarge Mellor`s theory I want to introduce approaches by other critics treating the issue of feminism in Shelley`s work. These critics not only detail, object, and analyze Mellor`s statements, but they also add their own ideas. Thereby, it shall become clear if we can really label Frankenstein a Feminist Gothic Novel. Englisch, Ebook.

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Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University, language: English, abstract: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary works for it has been reissued, redefined and criticised regularly since its first publication in 1818. Johanna Smith mirrors with her statement what many critics say about Frankenstein: They define Frankenstein not only as a Gothic Novel, but as a Feminist Novel as well. Some of the feminist literary critics say that 'feminist interest in Frankenstein would throw light on the novel's darkest passages' (Fischer et al 1993, 3), others claim it is an invocation on women's rights in general. However, all of them agree on the fact that the novel underlines the repression of women in private and public and that it criticizes the patriarchal role and dominating position of men. In this term paper I am aiming at pointing out the arguments of feminist literary critics that define Frankenstein as a feminist novel. In order to support the thesis of Frankenstein being a feminist novel, I first want to give a definition of Feminist Literary Criticism and its branches. After having defined Mary Shelley as a feminist (or not) and having summarized what the movement was about, I want to go into detail analyzing Shelley's Frankenstein in feminist terms. In my analysis I will firstly put emphasis on Anne K. Mellor's approach to Frankenstein. She not only gave with 'Mary Shelley; Her Life, Her Fiction, Her Monsters (1988), the only full-length critical treatment of Shelley's works in the 1980s' (Fisch et al 1993,8), but she also summarizes a lot of the arguments many feminist critics have mentioned in terms of interpreting Frankenstein. Mellor therefore provides a good basis for further examination. Finally, in order to support and enlarge Mellor's theory I want to introduce approaches by other critics treating the issue of feminism in Sh.

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Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University, language: English, abstract: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary works for it has been reissued, redefined and criticised regularly since its first publication in 1818. Johanna Smith mirrors with her statement what many critics say about Frankenstein: They define Frankenstein not only as a Gothic Novel, but as a Feminist Novel as well. Some of the feminist literary critics say that “feminist interest in Frankenstein would throw light on the novel’s darkest passages” (Fischer et al 1993, 3), others claim it is an invocation on women’s rights in general. However, all of them agree on the fact that the novel underlines the repression of women in private and public and that it criticizes the patriarchal role and dominating position of men. In this term paper I am aiming at pointing out the arguments of feminist literary critics that define Frankenstein as a feminist novel. In order to support the thesis of Frankenstein being a feminist novel, I first want to give a definition of Feminist Literary Criticism and its branches. After having defined Mary Shelley as a feminist (or not) and having summarized what the movement was about, I want to go into detail analyzing Shelley’s Frankenstein in feminist terms. In my analysis I will firstly put emphasis on Anne K. Mellor’s approach to Frankenstein. She not only gave with “Mary Shelley; Her Life, Her Fiction, Her Monsters (1988), the only full-length critical treatment of Shelley’s works in the 1980s” (Fisch et al 1993,8), but she also summarizes a lot of the arguments many feminist critics have mentioned in terms of interpreting Frankenstein. Mellor therefore provides a good basis for further examination. Finally, in order to support and enlarge Mellor’s theory I want to introduce approaches by other critics treating the issue of feminism in Shelley’s work. These critics not only detail, object, and analyze Mellor’s statements, but they also add their own ideas. Thereby, it shall become clear if we can really label Frankenstein a Feminist Gothic Novel. Kindle Ausgabe, Ausgabe: 1, Format: Kindle eBook, Label: GRIN Verlag, GRIN Verlag, Produktgruppe: eBooks, Publiziert: 2012-11-21, Freigegeben: 2012-11-21, Studio: GRIN Verlag, Verkaufsrang: 1746980.

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Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University, language: English, abstract: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary works for it has been reissued, redefined and criticised regularly since its first publication in 1818. Johanna Smith mirrors with her statement what many critics say about Frankenstein: They define Frankenstein not only as a Gothic Novel, but as a Feminist Novel as well. Some of the feminist literary critics say that “feminist interest in Frankenstein would throw light on the novel’s darkest passages” (Fischer et al 1993, 3), others claim it is an invocation on women’s rights in general. However, all of them agree on the fact that the novel underlines the repression of women in private and public and that it criticizes the patriarchal role and dominating position of men. In this term paper I am aiming at pointing out the arguments of feminist literary critics that define Frankenstein as a feminist novel. In order to support the thesis of Frankenstein being a feminist novel, I first want to give a definition of Feminist Literary Criticism and its branches. After having defined Mary Shelley as a feminist (or not) and having summarized what the movement was about, I want to go into detail analyzing Shelley’s Frankenstein in feminist terms. In my analysis I will firstly put emphasis on Anne K. Mellor’s approach to Frankenstein. She not only gave with “Mary Shelley; Her Life, Her Fiction, Her Monsters (1988), the only full-length critical treatment of Shelley’s works in the 1980s” (Fisch et al 1993,8), but she also summarizes a lot of the arguments many feminist critics have mentioned in terms of interpreting Frankenstein. Mellor therefore provides a good basis for further examination. Finally, in order to support and enlarge Mellor’s theory I want to introduce approaches by other critics treating the issue of feminism in Shelley’s work. These critics not only detail, object, and analyze Mellor’s statements, but they also add their own ideas. Thereby, it shall become clear if we can really label Frankenstein a Feminist Gothic Novel. Kindle Edition, Edición: 1, Formato: Kindle eBook, Etiqueta: GRIN Publishing, GRIN Publishing, Grupo de producto: eBooks, Publicado: 2012-11-21, Fecha de lanzamiento: 2012-11-21, Estudio: GRIN Publishing, Rango de ventas: 2154952.

Feminist Aspects in Frankenstein ab 12.99 EURO Anne K. Mellor´s and Other Feminist Approaches to Mary Shelley´s Gothic Novel, Feminist Aspects in Frankenstein ab 12.99 EURO Anne K. Mellor´s and Other Feminist Approaches to Mary Shelley´s Gothic Novel.

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Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,3, RWTH Aachen University, language: English, abstract: The Gothic Novel Frankenstein by Mary Wollstonecraft Shelley (1797-1851) is the most famous of her literary.