Falls Sie nur an einem bestimmten Exempar interessiert sind, können Sie aus der folgenden Liste jenes wählen, an dem Sie interessiert sind:
Nur diese Ausgabe anzeigen…
Nur diese Ausgabe anzeigen…
The possibility of a Global Art History - 13 Angebote vergleichen
Preise | 2014 | 2015 | 2017 | 2019 | 2020 |
---|---|---|---|---|---|
Schnitt | Fr. 13.52 (€ 13.85)¹ | Fr. 17.16 (€ 17.58)¹ | Fr. 14.41 (€ 14.77)¹ | Fr. 14.68 (€ 15.04)¹ | Fr. 11.70 (€ 11.99)¹ |
Nachfrage |
The possibility of a Global Art History (2013)
ISBN: 9783656414483 bzw. 3656414483, in Deutsch, GRIN Publishing, Taschenbuch, neu.
The possibility of a Global Art History, Seminar paper from the year 2012 in the subject History - Miscellaneous, grade: A, University of Cambridge, language: English, abstract: Contemporary art is now judged as a historical experience commencing from the end of world war II, in 1945. The current crop of artists is contributing their mite to the highly multifaceted and globalized economy of cultural packages. The year 1945 was turning point, because after the war, and the establishment of American superiority, the cultural political and economic power shifted partially from Europe to the US. It was not surprising because the erstwhile European colonialism also waned considerably. A new generation of artists has evolved around this time, who consistently overturned the existing modernist practices and established new tools for dealing with contemporary art in Europe and North America, leading to what Guy Debord described as ´´society of the spectacle´´, which gives prominence to the visual arts, which in turn dictate the various cultural practices, and in general, specify the way people interpret, contest or maneuver contemporary life (Amelia, J., 2006). Assuming that, post world war II, contemporary arts is now 60 years old, it is indeed a surprise that so much of history has come to pass with such speed and density of events during this short period in world history. This has necessitated the need for developing the capabilities of understanding and appreciating the visual arts since 1945. These facts serve as a vital addition to the existing texts on social, aesthetic and chronological development of contemporary art. Most of these surveys concentrated on the Euro-American art since 1945, with just a little attention to non-European American art developments and history (Amelia, J., 2006). As art continues to bargain on its affiliation to globalization it wonders what consequences globalization will have on it. We also wonder whether art history could go global, and if so, what it will look like and who would be running the show. This subject will need to cover every aspect of space, travel, national identity and intra-cultural impacts of the day (Amelia, J., 2006). Taschenbuch, 19.04.2013.
The possibility of a Global Art History (2012)
ISBN: 9783656414483 bzw. 3656414483, vermutlich in Englisch, Grin Verlag, Taschenbuch, neu.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Seminar paper from the year 2012 in the subject History - Miscellaneous, grade: A, University of Cambridge, language: English, abstract: Contemporary art is now judged as a historical experience commencing from the end of world war II, in 1945. The current crop of artists is contributing their mite to the highly multifaceted and globalized economy of cultural packages. The year 1945 was turning point, because after the war, and the establishment of American superiority, the cultural political and economic power shifted partially from Europe to the US. It was not surprising because the erstwhile European colonialism also waned considerably. A new generation of artists has evolved around this time, who consistently overturned the existing modernist practices and established new tools for dealing with contemporary art in Europe and North America, leading to what Guy Debord described as "society of the spectacle", which gives prominence to the visual arts, which in turn dictate the various cultural practices, and in general, specify the way people interpret, contest or maneuver contemporary life (Amelia, J., 2006). Assuming that, post world war II, contemporary arts is now 60 years old, it is indeed a surprise that so much of history has come to pass with such speed and density of events during this short period in world history. This has necessitated the need for developing the capabilities of understanding and appreciating the visual arts since 1945. These facts serve as a vital addition to the existing texts on social, aesthetic and chronological development of contemporary art. Most of these surveys concentrated on the Euro-American art since 1945, with just a little attention to non-European American art developments and history (Amelia, J., 2006). As art continues to bargain on its affiliation to globalization it wonders what consequences globalization will have on it. We also wonder whether art history could go global, and if so, what it will look like and who would be running the show. This subject will need to cover every aspect of space, travel, national identity and intra-cultural impacts of the day (Amelia, J., 2006). 24 S. 210 mm Versandfertig in 6-10 Tagen, Taschenbuch, Neuware, Offene Rechnung (Vorkasse vorbehalten).
The possibility of a Global Art History (2013)
ISBN: 9783656414483 bzw. 3656414483, vermutlich in Englisch, GRIN Publishing, Taschenbuch, neu.
The possibility of a Global Art History, Seminar paper from the year 2012 in the subject History - Miscellaneous, grade: A, University of Cambridge, language: English, abstract: Contemporary art is now judged as a historical experience commencing from the end of world war II, in 1945. The current crop of artists is contributing their mite to the highly multifaceted and globalized economy of cultural packages. The year 1945 was turning point, because after the war, and the establishment of American superiority, the cultural political and economic power shifted partially from Europe to the US. It was not surprising because the erstwhile European colonialism also waned considerably. A new generation of artists has evolved around this time, who consistently overturned the existing modernist practices and established new tools for dealing with contemporary art in Europe and North America, leading to what Guy Debord described as ´society of the spectacle´, which gives prominence to the visual arts, which in turn dictate the various cultural practices, and in general, specify the way people interpret, contest or maneuver contemporary life (Amelia, J., 2006). Assuming that, post world war II, contemporary arts is now 60 years old, it is indeed a surprise that so much of history has come to pass with such speed and density of events during this short period in world history. This has necessitated the need for developing the capabilities of understanding and appreciating the visual arts since 1945. These facts serve as a vital addition to the existing texts on social, aesthetic and chronological development of contemporary art. Most of these surveys concentrated on the Euro-American art since 1945, with just a little attention to non-European American art developments and history (Amelia, J., 2006). As art continues to bargain on its affiliation to globalization it wonders what consequences globalization will have on it. We also wonder whether art history could, Taschenbuch, 19.04.2013.
The possibility of a Global Art History (2013)
ISBN: 9783656414483 bzw. 3656414483, vermutlich in Englisch, GRIN Publishing, Taschenbuch, neu.
The possibility of a Global Art History Seminar paper from the year 2012 in the subject History - Miscellaneous, grade: A, University of Cambridge, language: English, abstract: Contemporary art is now judged as a historical experience commencing from the end of world war II, in 1945. The current crop of artists is contributing their mite to the highly multifaceted and globalized economy of cultural packages. The year 1945 was turning point, because after the war, and the establishment of American superiority, the cultural political and economic power shifted partially from Europe to the US. It was not surprising because the erstwhile European colonialism also waned considerably. A new generation of artists has evolved around this time, who consistently overturned the existing modernist practices and established new tools for dealing with contemporary art in Europe and North America, leading to what Guy Debord described as ´society of the spectacle´, which gives prominence to the visual arts, which in turn dictate the various cultural practices, and in general, specify the way people interpret, contest or maneuver contemporary life (Amelia, J., 2006). Assuming that, post world war II, contemporary arts is now 60 years old, it is indeed a surprise that so much of history has come to pass with such speed and density of events during this short period in world history. This has necessitated the need for developing the capabilities of understanding and appreciating the visual arts since 1945. These facts serve as a vital addition to the existing texts on social, aesthetic and chronological development of contemporary art. Most of these surveys concentrated on the Euro-American art since 1945, with just a little attention to non-European American art developments and history (Amelia, J., 2006). As art continues to bargain on its affiliation to globalization it wonders what consequences globalization will have on it. We also wonder whether art history could, 19.04.2013, Taschenbuch.
The possibility of a Global Art History
ISBN: 9783656413998 bzw. 3656413991, in Deutsch, neu.
The possibility of a Global Art History ab 10.99 € als pdf eBook: . Aus dem Bereich: eBooks, Geschichte & Dokus,.
The possibility of a Global Art History
ISBN: 3656414483 bzw. 9783656414483, vermutlich in Englisch, 2. Ausgabe, GRIN Verlag, Taschenbuch, neu.
The possibility of a Global Art History (2013)
ISBN: 9783656414483 bzw. 3656414483, vermutlich in Englisch, 2. Ausgabe, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
The possibility of a Global Art History (2013)
ISBN: 9783656414483 bzw. 3656414483, vermutlich in Englisch, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
The possibility of a Global Art History (2006)
ISBN: 9783656413998 bzw. 3656413991, in Deutsch, GRIN Verlag, neu, E-Book, elektronischer Download.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen