Sherlock Holmes: A comparison between the stories and the movie
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Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses ... Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses konservative Bild entspricht auch Friedrich Schillers Ansichten über die angemessene Rollenverteilung unter den Geschlechtern, wie es sich in vielen seiner Werke erkennen lässt. Entgegen seiner Ansichten lässt Schiller jedoch in Maria Stuart zwei Frauen die mächtige Rolle der Königin zukommen. Was will Schiller damit darstellen? Ist es den Frauen doch möglich die ihnen zugewiesene Rolle zu durchbrechen? Im Verlauf des Dramas zeigt sich, dass dies keinesfalls ein Bruch seines Frauenbildes ist, sondern es vielmehr belegt. Die folgende Arbeit wird das Frauenbild Schillers genauer untersuchen und schliesslich auf sein Drama Maria Stuart beziehen. Dafür sollen die Grundlegenden Begriffe der schönen Seele und des erhabenen Charakters analysiert und, anhand des Charakters der Maria, interpretiert werden. Anschliessend sollen Schillers Frauenbild, sowie das Frauenbild welches er im Werk darstellt, erläutert und unter Zuhilfenahme der Charaktere Maria und Elisabeth bewiesen werden. 23.02.2011, ePUB.

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Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses ... Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses konservative Bild entspricht auch Friedrich Schillers Ansichten über die angemessene Rollenverteilung unter den Geschlechtern, wie es sich in vielen seiner Werke erkennen lässt. Entgegen seiner Ansichten lässt Schiller jedoch in Maria Stuart zwei Frauen die mächtige Rolle der Königin zukommen. Was will Schiller damit darstellen? Ist es den Frauen doch möglich die ihnen zugewiesene Rolle zu durchbrechen? Im Verlauf des Dramas zeigt sich, dass dies keinesfalls ein Bruch seines Frauenbildes ist, sondern es vielmehr belegt. Die folgende Arbeit wird das Frauenbild Schillers genauer untersuchen und schliesslich auf sein Drama Maria Stuart beziehen. Dafür sollen die Grundlegenden Begriffe der schönen Seele und des erhabenen Charakters analysiert und, anhand des Charakters der Maria, interpretiert werden. Anschliessend sollen Schillers Frauenbild, sowie das Frauenbild welches er im Werk darstellt, erläutert und unter Zuhilfenahme der Charaktere Maria und Elisabeth bewiesen werden. ePUB, 23.02.2011.

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Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses konservative Bild entspricht auch Friedrich Schillers Ansichten über die angemessene Rollenverteilung unter den Geschlechtern, wie es sich in vielen seiner Werke erkennen lässt. Entgegen seiner Ansichten lässt Schiller jedoch in Maria Stuart zwei Frauen die mächtige Rolle der Königin zukommen. Was will Schiller damit darstellen? Ist es den Frauen doch möglich die ihnen zugewiesene Rolle zu durchbrechen? Im Verlauf des Dramas zeigt sich, dass dies keinesfalls ein Bruch seines Frauenbildes ist, sondern es vielmehr belegt. Die folgende Arbeit wird das Frauenbild Schillers genauer untersuchen und schliesslich auf sein Drama Maria Stuart beziehen. Dafür sollen die Grundlegenden Begriffe der schönen Seele und des erhabenen Charakters analysiert und, anhand des Charakters der Maria, interpretiert werden. Anschliessend sollen Schillers Frauenbild, sowie das Frauenbild welches er im Werk darstellt, erläutert und unter Zuhilfenahme der Charaktere Maria und Elisabeth bewiesen werden.

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Das Frauenbild in Friedrich Schillers Maria Stuart: Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Literaturgeschichte, Epochen, Note: 2,7, Universität Bayreuth, Veranstaltung: PS Schillers Dramen, Sprache: Deutsch, Abstract: Der Mann ist Familienoberhaupt und Haupternährer, die Frau lebt als zurückgezogenes Individuum und ist lediglich zuständig für Haushalt und Kinder. Dieses konservative Bild entspricht auch Friedrich Schillers Ansichten über die angemessene Rollenverteilung unter den Geschlechtern, wie es sich in vielen seiner Werke erkennen lässt. Entgegen seiner Ansichten lässt Schiller jedoch in Maria Stuart zwei Frauen die mächtige Rolle der Königin zukommen. Was will Schiller damit darstellen Ist es den Frauen doch möglich die ihnen zugewiesene Rolle zu durchbrechen Im Verlauf des Dramas zeigt sich, dass dies keinesfalls ein Bruch seines Frauenbildes ist, sondern es vielmehr belegt.Die folgende Arbeit wird das Frauenbild Schillers genauer untersuchen und schliesslich auf sein Drama Maria Stuart beziehen. Dafür sollen die Grundlegenden Begriffe der schönen Seele und des erhabenen Charakters analysiert und, anhand des Charakters der Maria, interpretiert werden. Anschliessend sollen Schillers Frauenbild, sowie das Frauenbild welches er im Werk darstellt, erläutert und unter Zuhilfenahme der Charaktere Maria und Elisabeth bewiesen werden. Ebook.

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Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, “the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, […] The character whose ‘death’ caused grief-stricken readers on the streets of London to wear black ... Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, ´the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [...] The character whose ´death´ caused grief-stricken readers on the streets of London to wear black armbands´ (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchie´s movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context? Which details out of Conan Doyle´s version were borrowed and in which way do they appear in the movie? And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text? Some general information about Sir Arthur Conan Doyle´s stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. PDF, 11.11.2013.

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Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, “the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, […] The character whose ‘death’ caused grief-stricken readers on the streets of London to wear black ... Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, ´the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [...] The character whose ´death´ caused grief-stricken readers on the streets of London to wear black armbands´ (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchie´s movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context? Which details out of Conan Doyle´s version were borrowed and in which way do they appear in the movie? And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text? Some general information about Sir Arthur Conan Doyle´s stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. 11.11.2013, PDF.

Lieferung aus: Schweiz, Sofort per Download lieferbar.
Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, “the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, […] The character whose ‘death’ caused grief-stricken readers on the streets of London to wear black ... Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [] The character whose death caused grief-stricken readers on the streets of London to wear black armbands (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchies movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context? Which details out of Conan Doyles version were borrowed and in which way do they appear in the movie? And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text? Some general information about Sir Arthur Conan Doyles stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. PDF, 11.11.2013.

Lieferung aus: Deutschland, Sofort per Download lieferbar.
Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, “the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, […] The character whose ‘death’ caused grief-stricken readers on the streets of London to wear black ... Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [] The character whose death caused grief-stricken readers on the streets of London to wear black armbands (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchies movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context? Which details out of Conan Doyles version were borrowed and in which way do they appear in the movie? And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text? Some general information about Sir Arthur Conan Doyles stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. 11.11.2013, PDF.

Lieferung aus: Deutschland, Versandkostenfrei.
Sherlock Holmes: A comparison between the stories and the movie: With Sherlock Holmes, `the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [...] The character whose `death` caused grief-stricken readers on the streets of London to wear black armbands` (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchie`s movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context Which details out of Conan Doyle`s version were borrowed and in which way do they appear in the movie And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text Some general information about Sir Arthur Conan Doyle`s stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. Ebook.

Lieferung aus: Deutschland, Versandkostenfrei.
Sherlock Holmes: A comparison between the stories and the movie: Studienarbeit aus dem Jahr 2013 im Fachbereich Anglistik - Literatur, Sprache: Deutsch, Abstract: With Sherlock Holmes, `the character whose adventures revolutionized crime writing, setting the template for generations of fictional sleuths, [...] The character whose `death` caused grief-stricken readers on the streets of London to wear black armbands` (Billingham xiii), Doyle created a detective who became one of the most famous characters in crime fiction. The world loved the stories about the genius detective and although Arthur Conan Doyle died, had a continuing demand for them. Many authors tried to fulfill this needs and a lot of pastiches, parodies and adaptations were produced until today, reaching from book form, movies, TV-series, over video games, up to graphic novels (Poore 1). The different adaptations vary in a great degree in how faithful they are to the source text and how far they differ from it. This paper will concentrate on a twenty-first-century adaptation, namely Guy Ritchie`s movie Sherlock Holmes from 2009, and its fidelity to the source will be examined. How did Ritchie put the character of Sherlock Holmes and all his trappings into a modern context Which details out of Conan Doyle`s version were borrowed and in which way do they appear in the movie And does he succeed in appealing a modern, twenty-first-century audience, although staying true with the source text Some general information about Sir Arthur Conan Doyle`s stories, as well an analysis of the main characters Sherlock Holmes and Dr. John Watson, will serve as a basis for the comparison. The next important foundation will be laid by the explanation of adaptation theory, examining the notion of fidelity, and answering the questions if a strict fidelity is possible and even appropriate and how it can be put into practice. Then the comparison between the stories and the movie will be drawn, focusing on the plans the filmmakers had, and how they were applied, on details borrowed from the source and changes made, especially watching the characters of Sherlock Holmes and Dr. Watson. Finally a conclusion will be drawn and the most important points will be summarized. Ebook.