Constructing Design Concepts - 8 Angebote vergleichen

Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
This item is printed on demand - Print on Demand Titel. Neuware - Designers refer to 'concepts' as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises. 568 pp. Englisch.

Lieferung aus: Österreich, zzgl. Versandkosten.
A computational approach to the synthesis of architectural form Designers refer to ´concepts´ as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises. 18.04.2015, Taschenbuch.

Lieferung aus: Schweiz, Versandfertig innert 4 - 7 Werktagen.
A computational approach to the synthesis of architectural form, Designers refer to ´concepts´ as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises. Taschenbuch, 18.04.2015.

Lieferung aus: Deutschland, zzgl. Versandkosten.
Designers refer to "concepts" as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises.

Lieferung aus: Österreich, Lieferzeit: 5 Tage, zzgl. Versandkosten.
Designers refer to "concepts" as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises.

Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Versandkostenfrei.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: English Brand New Book ***** Print on Demand *****.

Lieferung aus: Vereinigte Staaten von Amerika, zzgl. Versandkosten, Free Shipping on eligible orders over $25.
Kotsopoulos Sotirios D,Paperback, English-language edition, Pub by OmniScriptum GmbH & Co. KG.

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