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100%: Daria Poklad: Representations of Women as Victims in Films on the Middle Ages (ISBN: 9783668127623) 2016, in Englisch.Nur diese Ausgabe anzeigen…
100%: Daria Poklad: Representations of Women as Victims in Films on the Middle Ages (ISBN: 9783668127616) 2011, GRIN Verlag, GRIN Verlag, in Deutsch, auch als eBook.Nur diese Ausgabe anzeigen…
Representations of Women as Victims in Films on the Middle Ages
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Bester Preis: Fr. 5.86 (€ 5.99)¹ (vom 21.05.2016)1
Representations of Women as Victims in Films on the Middle Ages
DE PB NWISBN: 9783668127623 bzw. 366812762X, in Deutsch, Grin Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and wives, virgins and harlots, but also with witches, exotic beauties in distress and holy fools who are all at one point or the other victims of society, violence or men. Being confronted with social injustice or their inferiority to men a great number of the presented women sell their bodies or act immorally and unfaithfully.In order to proof my thesis I will begin by analyzing the conflictive archetypes of the virgin and the harlot in Ingmar Bergman's "The Virgin Spring" (1960) and the Pagan and the holy fool in Andrej Tarkovsky's "Andrei Rublev" (1969). From there I will go on and show several other archetypes like the unfaithful women, women selling their bodies and (alleged) witches by referring to Bergman's "Seventh Seal" (1957), Robert Bresson's "Lancelot du Lac" (1974), Leslie Megahey's "The Hour of the Pig" (1993) and Jean-Jacques Annaud's "The Name of the Rose" (1986).2016. 12 S. 210 mmSofort lieferbar, Softcover, Neuware.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and wives, virgins and harlots, but also with witches, exotic beauties in distress and holy fools who are all at one point or the other victims of society, violence or men. Being confronted with social injustice or their inferiority to men a great number of the presented women sell their bodies or act immorally and unfaithfully.In order to proof my thesis I will begin by analyzing the conflictive archetypes of the virgin and the harlot in Ingmar Bergman's "The Virgin Spring" (1960) and the Pagan and the holy fool in Andrej Tarkovsky's "Andrei Rublev" (1969). From there I will go on and show several other archetypes like the unfaithful women, women selling their bodies and (alleged) witches by referring to Bergman's "Seventh Seal" (1957), Robert Bresson's "Lancelot du Lac" (1974), Leslie Megahey's "The Hour of the Pig" (1993) and Jean-Jacques Annaud's "The Name of the Rose" (1986).2016. 12 S. 210 mmSofort lieferbar, Softcover, Neuware.
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Representations of Women as Victims in Films on the Middle Ages (2016)
DE PB NW RPISBN: 9783668127623 bzw. 366812762X, in Deutsch, GRIN Verlag Jan 2016, Taschenbuch, neu, Nachdruck.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
This item is printed on demand - Print on Demand Neuware - Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and wives, virgins and harlots, but also with witches, exotic beauties in distress and holy fools who are all at one point or the other victims of society, violence or men. Being confronted with social injustice or their inferiority to men a great number of the presented women sell their bodies or act immorally and unfaithfully. In order to proof my thesis I will begin by analyzing the conflictive archetypes of the virgin and the harlot in Ingmar Bergman's 'The Virgin Spring' (1960) and the Pagan and the holy fool in Andrej Tarkovsky's 'Andrei Rublev' (1969). From there I will go on and show several other archetypes like the unfaithful women, women selling their bodies and (alleged) witches by referring to Bergman's 'Seventh Seal' (1957), Robert Bresson's 'Lancelot du Lac' (1974), Leslie Megahey's 'The Hour of the Pig' (1993) and Jean-Jacques Annaud's 'The Name of the Rose' (1986). 12 pp. Deutsch.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
This item is printed on demand - Print on Demand Neuware - Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and wives, virgins and harlots, but also with witches, exotic beauties in distress and holy fools who are all at one point or the other victims of society, violence or men. Being confronted with social injustice or their inferiority to men a great number of the presented women sell their bodies or act immorally and unfaithfully. In order to proof my thesis I will begin by analyzing the conflictive archetypes of the virgin and the harlot in Ingmar Bergman's 'The Virgin Spring' (1960) and the Pagan and the holy fool in Andrej Tarkovsky's 'Andrei Rublev' (1969). From there I will go on and show several other archetypes like the unfaithful women, women selling their bodies and (alleged) witches by referring to Bergman's 'Seventh Seal' (1957), Robert Bresson's 'Lancelot du Lac' (1974), Leslie Megahey's 'The Hour of the Pig' (1993) and Jean-Jacques Annaud's 'The Name of the Rose' (1986). 12 pp. Deutsch.
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Representations of Women as Victims in Films on the Middle Ages
~EN HC NWISBN: 366812762X bzw. 9783668127623, vermutlich in Englisch, GRIN Publishing, gebundenes Buch, neu.
Representations of Women as Victims in Films on the Middle Ages ab 5.99 € als sonstiges: An Essay on Virgins Harlots Unfaithful and Bribable Women and Witches. 1. Auflage. Aus dem Bereich: Bücher, Wissenschaft, Sprachwissenschaft,.
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Representations of Women as Victims in Films on the Middle Ages (2016)
~EN NWISBN: 9783668127623 bzw. 366812762X, vermutlich in Englisch, neu.
Lieferung aus: Deutschland, Next Day, Versandkostenfrei.
Erscheinungsdatum: 20.01.2016, Medium: Stück, Einband: Geheftet, Titel: Representations of Women as Victims in Films on the Middle Ages, Titelzusatz: An Essay on Virgins, Harlots, Unfaithful and Bribable Women and Witches, Auflage: 1. Auflage von 2016 // 1. Auflage, Autor: Poklad, Daria, Verlag: GRIN Publishing, Sprache: Deutsch, Rubrik: Sprachwissenschaft // Allg. u. vergl. Sprachwiss., Seiten: 12, Gewicht: 105 gr, Verkäufer: averdo.
Erscheinungsdatum: 20.01.2016, Medium: Stück, Einband: Geheftet, Titel: Representations of Women as Victims in Films on the Middle Ages, Titelzusatz: An Essay on Virgins, Harlots, Unfaithful and Bribable Women and Witches, Auflage: 1. Auflage von 2016 // 1. Auflage, Autor: Poklad, Daria, Verlag: GRIN Publishing, Sprache: Deutsch, Rubrik: Sprachwissenschaft // Allg. u. vergl. Sprachwiss., Seiten: 12, Gewicht: 105 gr, Verkäufer: averdo.
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Representations of Women as Victims in Films on the Middle Ages - An Essay on Virgins, Harlots, Unfaithful and Bribable Women and Witches (2011)
DE NW EB DLISBN: 9783668127616 bzw. 3668127611, in Deutsch, GRIN Verlag, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
Representations of Women as Victims in Films on the Middle Ages: Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and ... Ebook.
Representations of Women as Victims in Films on the Middle Ages: Studienarbeit aus dem Jahr 2011 im Fachbereich Anglistik - Literatur, Note: 2,0, Ruhr-Universität Bochum, Sprache: Deutsch, Abstract: In this essay I am going to argue that women in Medieval representations in film are always represented as archetypes and as victims. The audience is confronted with typical feminine archetypes like mothers and ... Ebook.
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Representations of Women as Victims in Films on the Middle Ages
DE NW EBISBN: 9783668127616 bzw. 3668127611, in Deutsch, GRIN Verlag, neu, E-Book.
Lieferung aus: Deutschland, Versandkostenfrei, In stock (Download).
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Representations of Women as Victims in Films on the Middle Ages
DE NWISBN: 9783668127616 bzw. 3668127611, in Deutsch, neu.
Lieferung aus: Deutschland, zzgl. Versandkosten, Sofort per Download lieferbar.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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Representations of Women as Victims in Films on the Middle Ages (Paperback) (2016)
DE PB NWISBN: 9783668127623 bzw. 366812762X, in Deutsch, GRIN Verlag, United States, Taschenbuch, neu.
Von Händler/Antiquariat, The Book Depository EURO [60485773], London, United Kingdom.
Language: German Brand New Book.
Language: German Brand New Book.
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Representations of Women as Victims in Films on the Middle Ages
DE PB NWISBN: 9783668127623 bzw. 366812762X, in Deutsch, Grin Verlag, Taschenbuch, neu.
Lieferung aus: Niederlande, 3-4 werkdagen.
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Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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