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Ritus als Gegenstand der Religionswissenschaft und Theaterwissenschaft
15 Angebote vergleichen
Preise | 2017 | 2019 | 2021 |
---|---|---|---|
Schnitt | Fr. 33.80 (€ 34.54)¹ | Fr. 16.31 (€ 16.66)¹ | Fr. 29.80 (€ 30.45)¹ |
Nachfrage |
Marina (2015)
ISBN: 9781780224268 bzw. 1780224265, in Englisch, Orion Publishing Co, Taschenbuch, neu.
The novel Carlos Ruiz Zafón wrote just before THE SHADOW OF THE WIND; a cult classic in his native Spain. ´Fifteen years on, the remembrance of that day has returned to me. I have seen that boy wandering through the mist of the railway station, and the name of Marina has flared up again like a fresh wound. We all have a secret buried under lock and key in the attic of our soul. This is mine...´In May 1980, 15-year-old Óscar Drai suddenly vanishes from his boarding school in the old quarter of Barcelona. For seven days and nights no one knows his whereabouts... His story begins in the heart of old Barcelona, when he meets Marina and her father German Blau, a portrait painter. Marina takes Óscar to a cemetery to watch a macabre ritual that occurs on the fourth Sunday of each month. At 10 A.m. precisely a coach pulled by black horses appears. From it descends a woman dressed in black, her face shrouded, wearing gloves, holding a single rose. She walks over to a gravestone that bears no name, only the mysterious emblem of a black butterfly with open wings. When Óscar and Marina decide to follow her they begin a journey that will take them to the heights of a forgotten, post-war Barcelona, a world of aristocrats and actresses, inventors and tycoons; and a dark secret that lies waiting in the mysterious labyrinth beneath the city streets. Carlos Ruiz Zafón was born in Barcelona and is the author of seven novels including THE SHADOW OF THE WIND. He is one of the world´s most read and best-loved writers. His work has been translated into more than 40 languages and published around the world, garnering numerous international prizes and reaching millions of readers. He divides his time between Barcelona and Los Angeles. Taschenbuch, 12.02.2015.
Marina (Paperback) (2015)
ISBN: 9781780224268 bzw. 1780224265, vermutlich in Englisch, Orion Publishing Co, United Kingdom, Taschenbuch, neu.
Language: English. Brand new Book. 'Fifteen years on, the remembrance of that day has returned to me. I have seen that boy wandering through the mist of the railway station, and the name of Marina has flared up again like a fresh wound. We all have a secret buried under lock and key in the attic of our soul. This is mine.'In May 1980, 15-year-old Oscar Drai suddenly vanishes from his boarding school in the old quarter of Barcelona. For seven days and nights no one knows his whereabouts. His story begins in the heart of old Barcelona, when he meets Marina and her father German Blau, a portrait painter. Marina takes Oscar to a cemetery to watch a macabre ritual that occurs on the fourth Sunday of each month. At 10 A.m. precisely a coach pulled by black horses appears. From it descends a woman dressed in black, her face shrouded, wearing gloves, holding a single rose. She walks over to a gravestone that bears no name, only the mysterious emblem of a black butterfly with open wings. When Oscar and Marina decide to follow her they begin a journey that will take them to the heights of a forgotten, post-war Barcelona, a world of aristocrats and actresses, inventors and tycoons; and a dark secret that lies waiting in the mysterious labyrinth beneath the city streets. Carlos Ruiz Zafon was born in Barcelona and is the author of seven novels including THE SHADOW OF THE WIND. He is one of the world's most read and best-loved writers. His work has been translated into more than 40 languages and published around the world, garnering numerous international prizes and reaching millions of readers. He divides his time between Barcelona and Los Angeles.
Marina (2015)
ISBN: 9781780224268 bzw. 1780224265, vermutlich in Englisch, KNV Besorgung, Taschenbuch, neu.
'Fifteen years on, the remembrance of that day has returned to me. I have seen that boy wandering through the mist of the railway station, and the name of Marina has flared up again like a fresh wound. We all have a secret buried under lock and key in the attic of our soul. This is mine...' In May 1980, 15-year-old Oscar Drai suddenly vanishes from his boarding school in the old quarter of Barcelona. For seven days and nights no one knows his whereabouts... His story begins in the heart of old Barcelona, when he meets Marina and her father German Blau, a portrait painter. Marina takes Oscar to a cemetery to watch a macabre ritual that occurs on the fourth Sunday of each month. At 10 A.m. precisely a coach pulled by black horses appears. From it descends a woman dressed in black, her face shrouded, wearing gloves, holding a single rose. She walks over to a gravestone that bears no name, only the mysterious emblem of a black butterfly with open wings. When Oscar and Marina decide to follow her they begin a journey that will take them to the heights of a forgotten, post-war Barcelona, a world of aristocrats and actresses, inventors and tycoons; and a dark secret that lies waiting in the mysterious labyrinth beneath the city streets. Carlos Ruiz Zafon was born in Barcelona and is the author of seven novels including THE SHADOW OF THE WIND. He is one of the world's most read and best-loved writers. His work has been translated into more than 40 languages and published around the world, garnering numerous international prizes and reaching millions of readers. He divides his time between Barcelona and Los Angeles. Taschenbuch, 12.02.2015.
Marina (1980)
ISBN: 9781780224268 bzw. 1780224265, in Englisch, neu.
Marina (1980)
ISBN: 9781780224268 bzw. 1780224265, vermutlich in Englisch, Orion Publishing Co, Taschenbuch, neu.
Marina (1980)
ISBN: 9781780224268 bzw. 1780224265, in Deutsch, KNV Besorgung, neu.
'Fifteen years on, the remembrance of that day has returned to me. I have seen that boy wandering through the mist of the railway station, and the name of Marina has flared up again like a fresh wound. We all have a secret buried under lock and key in the attic of our soul. This is mine...' In May 1980, 15-year-old Oscar Drai suddenly vanishes from his boarding school in the old quarter of Barcelona. For seven days and nights no one knows his whereabouts... His story begins in the heart of old Barcelona, when he meets Marina and her father German Blau, a portrait painter. Marina takes Oscar to a cemetery to watch a macabre ritual that occurs on the fourth Sunday of each month. At 10 A.m. precisely a coach pulled by black horses appears. From it descends a woman dressed in black, her face shrouded, wearing gloves, holding a single rose. She walks over to a gravestone that bears no name, only the mysterious emblem of a black butterfly with open wings. When Oscar and Marina decide to follow her they begin a journey that will take them to the heights of a forgotten, post-war Barcelona, a world of aristocrats and actresses, inventors and tycoons; and a dark secret that lies waiting in the mysterious labyrinth beneath the city streets. Carlos Ruiz Zafon was born in Barcelona and is the author of seven novels including THE SHADOW OF THE WIND. He is one of the world's most read and best-loved writers. His work has been translated into more than 40 languages and published around the world, garnering numerous international prizes and reaching millions of readers. He divides his time between Barcelona and Los Angeles. 198 x 126 x 25 mm, buch.
Marina (2015)
ISBN: 9781780224268 bzw. 1780224265, vermutlich in Englisch, 320 Seiten, Orion Publishing Co, Taschenbuch, neu.
Von Händler/Antiquariat, AHA-BUCH GmbH, [4009276].
Neuware - 'Fifteen years on, the remembrance of that day has returned to me. I have seen that boy wandering through the mist of the railway station, and the name of Marina has flared up again like a fresh wound. We all have a secret buried under lock and key in the attic of our soul. This is mine...'In May 1980, 15-year-old Óscar Drai suddenly vanishes from his boarding school in the old quarter of Barcelona. For seven days and nights no one knows his whereabouts... His story begins in the heart of old Barcelona, when he meets Marina and her father German Blau, a portrait painter. Marina takes Óscar to a cemetery to watch a macabre ritual that occurs on the fourth Sunday of each month. At 10 A.m. precisely a coach pulled by black horses appears. From it descends a woman dressed in black, her face shrouded, wearing gloves, holding a single rose. She walks over to a gravestone that bears no name, only the mysterious emblem of a black butterfly with open wings. When Óscar and Marina decide to follow her they begin a journey that will take them to the heights of a forgotten, post-war Barcelona, a world of aristocrats and actresses, inventors and tycoons and a dark secret that lies waiting in the mysterious labyrinth beneath the city streets. Carlos Ruiz Zafón was born in Barcelona and is the author of seven novels including THE SHADOW OF THE WIND. He is one of the world's most read and best-loved writers. His work has been translated into more than 40 languages and published around the world, garnering numerous international prizes and reaching millions of readers. He divides his time between Barcelona and Los Angeles. 12.02.2015, Taschenbuch, Neuware, 198x126x25 mm, 220g, 320, Internationaler Versand, Banküberweisung, Offene Rechnung, Kreditkarte, PayPal, Offene Rechnung (Vorkasse vorbehalten).
Ritus als Gegenstand der Religionswissenschaft und Theaterwissenschaft (2001)
ISBN: 9783668401181 bzw. 3668401187, in Deutsch, neu, Hörbuch.
Magisterarbeit aus dem Jahr 2001 im Fachbereich Theologie - Sonstiges, Note: 1, Freie Universität Berlin (Institut für Religionswissenschaft), Sprache: Deutsch, Abstract: Die hier diskutierten Theorien des "Performativen" (insbesondere E. Fischer-Lichte, R. Schechner, V. Turner) sind in Abstufungen als substantialistische Versuche verstehbar, eine Theodizee des Theatralen zu konstituieren. Dabei berufen sich deren Verfechter *innen mehr oder weniger häufig auf begriffliche Äquivalente des "Numinosen" (Liminalität, Transformation, Metamorphosen, Ekstase, Energie), verwenden also religiös aufgeladene Begriffe in theatralem bzw. ethnologischem Kontext. Theaterwissenschaft, die den "Ursprung" des Theaters im Ritus sucht, konstruiert ihren Gegenstand unter religionswissenschaftlich fragwürdigen Prämissen. Dabei ist es gleichgültig, ob sie sich auf vorgebliche anthropologische Konstanten beruft, auf Übergangsriten (van Gennep) rekurriert, eine unüberprüfbare Gattungsgeschichte heranzieht oder ob sie in zirkulären Differenzierungen ein eindimensionales Verständnis von Kultur als Sammlung von Artefakten ebenso eindimensional durch ein Verständnis von Kultur als Präsenz von "performativen Akten" abzulösen sucht und den "Leib" absolut setzt - wofür ein kulturwissenschaftlich zu Unrecht etabliertes Zauberwort "Performativität" lautet. Hier sind insbesondere die Versuche einer Richtung in den Kulturwissenschaften zu nennen (theaterwissenschaftlich seit längerem breit rezipiert), die sich "cultural performances" (M. Singer) aller Arten annehmen und unter dem Gesichtspunkt der "Performativität" und Theatralität grundsätzlich nicht mehr zwischen religiösen, ästhetischen und gesellschaftlichen Anlässen unterscheiden. Dabei bilden Zeit- und Organisationsstruktur, das gesellschaftliche Verhältnis von Akteur *innen und Teilnehmer *innen bzw. Zuschauer *innen, das 'set' und 'setting' also, in eins gesetzte Kriterien. Das Theater selbst droht in dieser Perspektive zur rituellen Anstalt zu verkommen und das Spielerische zum Verschwinden zu bringen. Solcherart Versuche einer Theodizee des Theatralen in kulturwissenschaftlichem Outfit sind in dieser Untersuchung Gegenstand religionsästhetischer Reflexion, die religionswissenschaftliche Grundbegriffe anwendet.
Klaus Otto: Ritus als Gegenstand der Religionswissenschaft und Theaterwissenschaft (Taschenbuch, EAN 9783668401181)
ISBN: 9783668401181 bzw. 3668401187, in Deutsch, Taschenbuch, neu, E-Book, elektronischer Download.
Ritus ALS Gegenstand Der Religionswissenschaft Und Theaterwissenschaft (German Edition) (2001)
ISBN: 9783668401181 bzw. 3668401187, in Deutsch, Grin Verlag, Taschenbuch, neu, Nachdruck.
This item is printed on demand. Paperback. Dimensions: 8.3in. x 5.8in. x 0.5in.Magisterarbeit aus dem Jahr 2001 im Fachbereich Theologie - Sonstiges, Note: 1, Freie Universitat Berlin (Institut fur Religionswissenschaft), Sprache: Deutsch, Abstract: Die hier diskutierten Theorien des Performativen (insbesondere E. Fischer-Lichte, R. Schechner, V. Turner) sind in Abstufungen als substantialistische Versuche verstehbar, eine Theodizee des Theatralen zu konstituieren. Dabei berufen sich deren Verfechter innen mehr oder weniger haufig auf begriffliche Aquivalente des Numinosen (Liminalitat, Transformation, Metamorphosen, Ekstase, Energie), verwenden also religiose Begriffe in theatralem bzw. ethnologischem Kontext. Theaterwissenschaft, die den Ursprung des Theaters im Ritus sucht, konstruiert ihren Gegenstand unter religionswissenschaftlich fragwurdigen Pramissen. Dabei ist es gleichgultig, ob sie sich auf vorgebliche anthropologische Konstanten beruft, auf Ubergangsriten (van Gennep) rekurriert, eine unuberprufbare Gattungsgeschichte heranzieht oder ob sie in zirkularen Differenzierungen ein eindimensionales Verstandnis von Kultur als Sammlung von Artefakten ebenso eindimensional durch ein Verstandnis von Kultur als Prasenz von performativen Akten abzulosen sucht und den Leib absolut setzt - wofur ein kulturwissenschaftlich zu Unrecht etabliertes Zauberwort Performativitat lautet. Hier sind insbesondere die Versuche einer Richtung in den Kulturwissenschaften zu nennen (theaterwissenschaftlich seit langerem breit rezipiert), die sich cultural performances (M. Singer) aller Arten annehmen und unter dem Gesichtspunkt der Performativitat und Theatralitat grundsatzlich nicht mehr zwischen religiosen, asthetischen und gesellschaftlichen Anlassen unterscheiden. Dabei bilden Zeit- und Organisationsstruktur, das gesellschaftliche Verhaltnis von Akteur innen und Teilnehmer innen bzw. Zuschauer innen, dasset undsetting also, wesentliche Kriterien. Das Theater selbst droht in dieser Perspektive zur rituellen Anstalt zu verkommen u This item ships from La Vergne,TN.