Von dem Buch The ¿Madre della Consolazione¿ icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting haben wir 2 gleiche oder sehr ähnliche Ausgaben identifiziert!
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100%: Magdelena Stoyanova: The ¿Madre della Consolazione¿ icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (ISBN: 9783668908215) 2019, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
98%: Magdelena Stoyanova: The "Madre della Consolazione" icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (eBook, PDF) (ISBN: 9783668908208) GRIN Verlag, in Deutsch, Taschenbuch.Nur diese Ausgabe anzeigen…
The ¿Madre della Consolazione¿ icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
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Bester Preis: Fr. 35.60 (€ 36.37)¹ (vom 22.05.2019)1
The "Madre della Consolazione" icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
~EN PB NWISBN: 9783668908215 bzw. 3668908214, vermutlich in Englisch, Grin Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Free shipping.
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Research Paper (undergraduate) from the year 2019 in the subject Art - History of Art, grade: excellent, language: English, abstract: The only mentioning of this Madre della Consolazione icon to the moment belongs to A. Rizzi who attributes it to any anonymous Cretan-Venetian painter of the 16th c. However, many iconographic and stylistic anomalies examined in this study, make such attribution inacceptable. As well inacceptable result some recent publications trying to suggest that the author of this iconographic type should be the Greek icon painter Nikolaos Zafouris and that his devotional paintings destined to Latin clientele should be icons. The objectives of the actual revision of these positions are to contribute for a better distinguishing among originals, copies, and replica of the Madre della Consolazione representations known to the moment, and to complete knowledge of existing sources and data regarding the Orthodox and Italian variants of this Mother of God type as regards religious history, names, iconographic prototypes and sub-variants. The exploration is limited to the microscopic and photographic investigation of the technical-technological aspects of the original. Its guide line is the impact of the post-byzantine painting on other artistic traditions as well as the reverse process, the westernization of the Orthodox painting, and namely: what determined the dynamic of the material & technical upgrading, and if the technical-technological characteristics have any relation to the place of making and to the desired significance of the image how did traditional egg tempera evolve through mixed techniques to oil painting and how did this influence the plastic construction of the imagery how was employed the technical knowledge going back to ancient sources. 2019. 68 S. 210 mm Versandfertig in 6-10 Tagen, Softcover, Neuware, offene Rechnung (Vorkasse vorbehalten).
Von Händler/Antiquariat, buecher.de GmbH & Co. KG, [1].
Research Paper (undergraduate) from the year 2019 in the subject Art - History of Art, grade: excellent, language: English, abstract: The only mentioning of this Madre della Consolazione icon to the moment belongs to A. Rizzi who attributes it to any anonymous Cretan-Venetian painter of the 16th c. However, many iconographic and stylistic anomalies examined in this study, make such attribution inacceptable. As well inacceptable result some recent publications trying to suggest that the author of this iconographic type should be the Greek icon painter Nikolaos Zafouris and that his devotional paintings destined to Latin clientele should be icons. The objectives of the actual revision of these positions are to contribute for a better distinguishing among originals, copies, and replica of the Madre della Consolazione representations known to the moment, and to complete knowledge of existing sources and data regarding the Orthodox and Italian variants of this Mother of God type as regards religious history, names, iconographic prototypes and sub-variants. The exploration is limited to the microscopic and photographic investigation of the technical-technological aspects of the original. Its guide line is the impact of the post-byzantine painting on other artistic traditions as well as the reverse process, the westernization of the Orthodox painting, and namely: what determined the dynamic of the material & technical upgrading, and if the technical-technological characteristics have any relation to the place of making and to the desired significance of the image how did traditional egg tempera evolve through mixed techniques to oil painting and how did this influence the plastic construction of the imagery how was employed the technical knowledge going back to ancient sources. 2019. 68 S. 210 mm Versandfertig in 6-10 Tagen, Softcover, Neuware, offene Rechnung (Vorkasse vorbehalten).
2
The ¿Madre della Consolazione¿ icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (2019)
~EN PB NWISBN: 9783668908215 bzw. 3668908214, vermutlich in Englisch, GRIN Verlag, Taschenbuch, neu.
Lieferung aus: Deutschland, Versandkostenfrei.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Druck auf Anfrage Neuware - Printed after ordering - Research Paper (undergraduate) from the year 2019 in the subject Art - History of Art, grade: excellent, language: English, abstract: The only mentioning of this Madre della Consolazione icon to the moment belongs to A. Rizzi who attributes it to any anonymous Cretan-Venetian painter of the 16th c. However, many iconographic and stylistic anomalies examined in this study, make such attribution inacceptable. As well inacceptable result some recent publications trying to suggest that the author of this iconographic type should be the Greek icon painter Nikolaos Zafouris and that his devotional paintings destined to Latin clientele should be icons. The objectives of the actual revision of these positions are to contribute for a better distinguishing among originals, copies, and replica of the Madre della Consolazione representations known to the moment, and to complete knowledge of existing sources and data regarding the Orthodox and Italian variants of this Mother of God type as regards religious history, names, iconographic prototypes and sub-variants. The exploration is limited to the microscopic and photographic investigation of the technical-technological aspects of the original. Its guide line is the impact of the post-byzantine painting on other artistic traditions as well as the reverse process, the westernization of the Orthodox painting, and namely: what determined the dynamic of the material & technical upgrading, and if the technical-technological characteristics have any relation to the place of making and to the desired significance of the image; how did traditional egg tempera evolve through mixed techniques to oil painting and how did this influence the plastic construction of the imagery; how was employed the technical knowledge going back to ancient sources. 68 pp. Englisch, Books.
Von Händler/Antiquariat, AHA-BUCH GmbH [51283250], Einbeck, Germany.
Druck auf Anfrage Neuware - Printed after ordering - Research Paper (undergraduate) from the year 2019 in the subject Art - History of Art, grade: excellent, language: English, abstract: The only mentioning of this Madre della Consolazione icon to the moment belongs to A. Rizzi who attributes it to any anonymous Cretan-Venetian painter of the 16th c. However, many iconographic and stylistic anomalies examined in this study, make such attribution inacceptable. As well inacceptable result some recent publications trying to suggest that the author of this iconographic type should be the Greek icon painter Nikolaos Zafouris and that his devotional paintings destined to Latin clientele should be icons. The objectives of the actual revision of these positions are to contribute for a better distinguishing among originals, copies, and replica of the Madre della Consolazione representations known to the moment, and to complete knowledge of existing sources and data regarding the Orthodox and Italian variants of this Mother of God type as regards religious history, names, iconographic prototypes and sub-variants. The exploration is limited to the microscopic and photographic investigation of the technical-technological aspects of the original. Its guide line is the impact of the post-byzantine painting on other artistic traditions as well as the reverse process, the westernization of the Orthodox painting, and namely: what determined the dynamic of the material & technical upgrading, and if the technical-technological characteristics have any relation to the place of making and to the desired significance of the image; how did traditional egg tempera evolve through mixed techniques to oil painting and how did this influence the plastic construction of the imagery; how was employed the technical knowledge going back to ancient sources. 68 pp. Englisch, Books.
3
The Madre della Consolazione icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
~EN PB NWISBN: 3668908214 bzw. 9783668908215, vermutlich in Englisch, GRIN Verlag, Taschenbuch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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The Madre della Consolazione icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (2019)
EN PB NWISBN: 9783668908215 bzw. 3668908214, in Englisch, 68 Seiten, Grin Verlag, Taschenbuch, neu.
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The Madre della Consolazione icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (2019)
EN PB NWISBN: 9783668908215 bzw. 3668908214, in Englisch, 68 Seiten, Grin Verlag, Taschenbuch, neu.
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Von Händler/Antiquariat, Book Depository CA.
Paperback, Label: Grin Verlag, Grin Verlag, Product group: Book, Published: 2019-03-22, Studio: Grin Verlag.
Von Händler/Antiquariat, Book Depository CA.
Paperback, Label: Grin Verlag, Grin Verlag, Product group: Book, Published: 2019-03-22, Studio: Grin Verlag.
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The Madre della Consolazione icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
~EN NWISBN: 3668908214 bzw. 9783668908215, vermutlich in Englisch, neu.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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The Madre della Consolazione' icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
DE PB NWISBN: 9783668908208 bzw. 3668908206, in Deutsch, GRIN Verlag, Taschenbuch, neu.
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The Madre della Consolazione icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
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The Madre della Consolazione' icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting
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The "Madre della Consolazione" icon in the Museum of Torcello / Venice and the relation of Russian post Byzantine iconography to Italian Renaissance painting (eBook, PDF)
DE NW EBISBN: 9783668908208 bzw. 3668908206, in Deutsch, GRIN Verlag, neu, E-Book.
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