B.C. Before Cremona - 8 Angebote vergleichen

Lieferung aus: Deutschland, Sofort lieferbar.
Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona? Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. gebundene Ausgabe, 19.06.2019.

Lieferung aus: Deutschland, Sofort lieferbar.
Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona? Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. Gebundene Ausgabe, 19.06.2019.

Lieferung aus: Deutschland, Sofort lieferbar.
Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona? Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. gebundene Ausgabe, 19.06.2019.

Lieferung aus: Deutschland, Versandkostenfrei.
B.C. Before Cremona: Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. Englisch, Buch.

Lieferung aus: Deutschland, Versandkostenfrei innerhalb von Deutschland.
Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona? Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. Erscheint vorauss. März 2019 Lieferzeit 1-2 Werktage.

Lieferung aus: Deutschland, Versandkostenfrei innerhalb von Deutschland.
Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin Based upon the physical resources of our bodies and our environment, music has been part of our history during the entire development of our civilization. From our earliest efforts to celebrate life, we have invented tools to facilitate the use of sound to make music. In sixteenth century Cremona, Andrea Amati developed the instrument models and construction standards which further refined by his family and colleagues, remain the standards of violin making. But do we know how the violin developed, or what happened before Cremona? Remnants from our most ancient centers of civilization often reveal interest in stringed musical instruments, but the use of the bow to sound them is first known among archers of the Asian steppe nomads. Spreading first to adjacent Asian cultures through trade, conquest, and religion, the idea also travelled on as East and West discovered and explored each other. The Silk Road, for example, brought a great exchange of both culture and commerce. Neither the ancient Greeks nor the Romans knew bowed instruments, but a thousand years before Amati worked in Cremona, Islamic conquests spread knowledge of bowing and developments in instrument construction across the known world. In B.C. before Cremona, John Huber presents that history, and illustrates instrument development with photographic examples. Lieferzeit 1-2 Werktage.

B.C. Before Cremona ab 87 EURO A path through history to the violin.

Lieferung aus: Deutschland, Noch nicht erschienen. Versandkostenfrei.
Von Händler/Antiquariat, Amazon.de.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen