Picasso and the Progressive Proof (Hardcover) - 8 Angebote vergleichen

Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Versandkosten nach: DEU.
Von Händler/Antiquariat, Thomas Heneage Art Books.
Milan: 2023. 128 pages, 80 colour illustrations. Hardback 29.5x25cms. ISBN: 9788857250939. A look at Picasso’s employment of the linocut. One essay considers Picasso’s interest in the medium and technique through a study of the proofs of his first linocut, ‘Cranach II’. Followed by a catalogue of eight prints and proofs of ‘Cranach II’, eight states of ‘Pique II’ and two states and prints of ‘Bacchanal’. Each work is illustrated and discussed. Text in English.

Von Händler/Antiquariat, Thomas Heneage Art Books [78839], London, United Kingdom.
128 pages, 80 colour illustrations. Hardback 29.5x25cms. ISBN: 9788857250939. A look at Picasso’s employment of the linocut. One essay considers Picasso’s interest in the medium and technique through a study of the proofs of his first linocut, ‘Cranach II’. Followed by a catalogue of eight prints and proofs of ‘Cranach II’, eight states of ‘Pique II’ and two states and prints of ‘Bacchanal’. Each work is illustrated and discussed. Text in English. Books.

Von Händler/Antiquariat, AussieBookSeller [52402892], Truganina, VIC, Australia.
Hardcover. On the 50th anniversary of Picasso's (1881-1973) death, a book devoted to the progressive proofs by the leading Spanish master.While there has been considerable interest in Pablo Picasso's late work over the past several decades, and some of that interest directed at the artist's work in the linoleum print medium, there remains much to discover regarding this aspect of his prodigious printmaking activities, and specifically on the role played by the progressive proof. There has been an uptick in the acquisition of these sets of proofs by museums and private collectors over the past twenty years but exhibitions and published accounts have lagged behind.With this present project we examine for the first time in depth a particularly illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnera for the artist's first published linocut, the so-called Cranach II (Baer 1053; 1958). The first in a series in the medium of linoleum block prints (after a singular effort in 1939), Picasso created the first Portrait of a Young Girl after Cranach the Younger in two colors and in the same orientation as the Cranach original on 3 July 1958. The following day he commenced making five different linoleum blocks - bistre or grayish brown, yellow, red, blue and black - to be superimposed on each other in that order and in reverse of the original, the Cranach II print. He then proceeded to print different proofs, in the process making two different states of the color blocks and three of the black in order to arrive at the final image.This event touched off a decade of work in linocut (or linoleum block) printmaking, inspired by the South of France, where the artist had increasingly worked since the 1940s. Speaking to the artist's love affair with the region, he begins a series of linocuts depicting the bullfight. Nine proofs for the Pique II (1959) attest to this; the series completed by the finished print. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Books.

Von Händler/Antiquariat, Grand Eagle Retail [50531827], Wilmington, DE, U.S.A.
Hardcover. On the 50th anniversary of Picasso's (1881-1973) death, a book devoted to the progressive proofs by the leading Spanish master.While there has been considerable interest in Pablo Picasso's late work over the past several decades, and some of that interest directed at the artist's work in the linoleum print medium, there remains much to discover regarding this aspect of his prodigious printmaking activities, and specifically on the role played by the progressive proof. There has been an uptick in the acquisition of these sets of proofs by museums and private collectors over the past twenty years but exhibitions and published accounts have lagged behind.With this present project we examine for the first time in depth a particularly illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnera for the artist's first published linocut, the so-called Cranach II (Baer 1053; 1958). The first in a series in the medium of linoleum block prints (after a singular effort in 1939), Picasso created the first Portrait of a Young Girl after Cranach the Younger in two colors and in the same orientation as the Cranach original on 3 July 1958. The following day he commenced making five different linoleum blocks - bistre or grayish brown, yellow, red, blue and black - to be superimposed on each other in that order and in reverse of the original, the Cranach II print. He then proceeded to print different proofs, in the process making two different states of the color blocks and three of the black in order to arrive at the final image.This event touched off a decade of work in linocut (or linoleum block) printmaking, inspired by the South of France, where the artist had increasingly worked since the 1940s. Speaking to the artist's love affair with the region, he begins a series of linocuts depicting the bullfight. Nine proofs for the Pique II (1959) attest to this; the series completed by the finished print. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Books.

Lieferung aus: Deutschland, Erscheint vorauss. 19. März 2024.
On the 50th anniversary of Picasso's (1881¿1973) death, a book devoted to the progressive proofs by the leading Spanish master. While there has been considerable interest in Pablo Picassös late work over the past several decades, and some of that interest directed at the artist¿s work in the linoleum print medium, there remains much to discover regarding this aspect of his prodigious printmaking activities, and specifically on the role played by the progressive proof. There has been an uptick in the acquisition of these sets of proofs by museums and private collectors over the past twenty years but exhibitions and published accounts have lagged behind. With this present project we examine for the first time in depth a particularly illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnéra for the artist¿s first published linocut, the so-called Cranach II (Baer 1053; 1958). The first in a series in the medium of linoleum block prints (after a singular effort in 1939), Picasso created the first Portrait of a Young Girl after Cranach the Younger in two colors and in the same orientation as the Cranach original on 3 July 1958. The following day he commenced making five different linoleum blocks ¿ bistre or grayish brown, yellow, red, blue and black ¿ to be superimposed on each other in that order and in reverse of the original, the Cranach II print. He then proceeded to print different proofs, in the process making two different states of the color blocks and three of the black in order to arrive at the final image. This event touched off a decade of work in linocut (or linoleum block) printmaking, inspired by the South of France, where the artist had increasingly worked since the 1940s. Speaking to the artist¿s love affair with the region, he begins a series of linocuts depicting the bullfight. Nine proofs for the Pique II (1959) attest to this; the series completed by the finished print.

Lieferung aus: Deutschland, Erscheint vorauss. 26. Oktober 2023, Versandkostenfrei innerhalb von Deutschland.
On the 50th anniversary of Picasso's (1881¿1973) death, a book devoted to the progressive proofs by the leading Spanish master. While there has been considerable interest in Pablo Picassös late work over the past several decades, and some of that interest directed at the artist¿s work in the linoleum print medium, there remains much to discover regarding this aspect of his prodigious printmaking activities, and specifically on the role played by the progressive proof. There has been an uptick in the acquisition of these sets of proofs by museums and private collectors over the past twenty years but exhibitions and published accounts have lagged behind. With this present project we examine for the first time in depth a particularly illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnéra for the artist¿s first published linocut, the so-called Cranach II (Baer 1053; 1958). The first in a series in the medium of linoleum block prints (after a singular effort in 1939), Picasso created the first Portrait of a Young Girl after Cranach the Younger in two colors and in the same orientation as the Cranach original on 3 July 1958. The following day he commenced making five different linoleum blocks ¿ bistre or grayish brown, yellow, red, blue and black ¿ to be superimposed on each other in that order and in reverse of the original, the Cranach II print. He then proceeded to print different proofs, in the process making two different states of the color blocks and three of the black in order to arrive at the final image. This event touched off a decade of work in linocut (or linoleum block) printmaking, inspired by the South of France, where the artist had increasingly worked since the 1940s. Speaking to the artist¿s love affair with the region, he begins a series of linocuts depicting the bullfight. Nine proofs for the Pique II (1959) attest to this; the series completed by the finished print.

Von Händler/Antiquariat, Revaluation Books [2134736], Exeter, United Kingdom.
88 pages. 11.50x9.50x0.55 inches. In Stock. Books.

Lieferung aus: Deutschland, Versandkostenfrei, published soon.
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