Free Jazz. Black Power - 17 Angebote vergleichen

Lieferung aus: Schweiz, wird besorgt, Lieferzeit unbekannt.
Free Jazz Black Power, secouer l´histoire, celle du jazz, celle des blues people, celle de l´amérique en lutte contre elle-même, le poids des fantômes du passé, le poids des revenants des esclaves qui reviennent danser la nuit dans les têtes, le free jazz secoue les chaînes du corps noir qui est dans l´histoire blanche, invisible, hors champ. quand nous avons publié ce livre, c´était en 1971, les black étaient panther, malcom x était mort assassiné et son prophète n´était pas encore vraiment né, julius hemphill formait son premier groupe à saint louis et joe mcphee, avec clifford thornton, avait déjà enregistré son nation time, spike lee était à l´école et le rideau de fer était tiré. le roi jones s´appelait déjà amiri baraka, le workshop de lyon s´appelait encore free jazz workshop. george jackson était mort assassiné en prison et mumia abu jamal n´était pas encore dans le couloir des condamnés à mort, voilà ce qui n´a pas changé, voilà ce qui a changé. Taschenbuch, 01.09.2000.

Von Händler/Antiquariat, The Book Depository [54837791], London, United Kingdom.
Language: English. Brand new Book. In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression.This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions--free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a music that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases it changed the way musicians thought about and played jazz. Free Jazz / Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and also realigned that zeitgeist. Books.

Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Costi di spedizione verso: ITA.
Von Händler/Antiquariat, The Saint Bookstore.
Hardback. New. In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and also realigned that zeitgeist.

Lieferung aus: Deutschland, Versandkostenfrei in der BRD, Versand in 10-20 Tagen.
Buch, Hardcover, In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote Free Jazz/Black Power, a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. The two offered a political and cultural history of black presence in the United States to shed more light on the dubious role played by jazz criticism in racial oppression. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. The authors reached radical conclusions--free jazz was a revolutionary reaction against white domination, was the musical counterpart to the Black Power movement, and was a music that demanded a similar political commitment. The impact of this book is difficult to overstate, as it made readers reconsider their response to African American music. In some cases it changed the way musicians thought about and played jazz. Free Jazz / Black Power remains indispensable to the study of the relation of American free jazz to European audiences, critics, and artists. This monumental critique caught the spirit of its time and also realigned that zeitgeist.

Lieferung aus: Deutschland, Versandfertig innerhalb von 3 Wochen.
Free Jazz Black Power, secouer l'histoire, celle du jazz, celle des blues people, celle de l'amérique en lutte contre elle-même, le poids des fantômes du passé, le poids des revenants des esclaves qui reviennent danser la nuit dans les têtes, le free jazz secoue les chaînes du corps noir qui est dans l'histoire blanche, invisible, hors champ. quand nous avons publié ce livre, c'était en 1971, les black étaient panther, malcom x était mort assassiné et son prophète n'était pas encore vraiment né, julius hemphill formait son premier groupe à saint louis et joe mcphee, avec clifford thornton, avait déjà enregistré son nation time, spike lee était à l'école et le rideau de fer était tiré. le roi jones s'appelait déjà amiri baraka, le workshop de lyon s'appelait encore free jazz workshop. george jackson était mort assassiné en prison et mumia abu jamal n'était pas encore dans le couloir des condamnés à mort, voilà ce qui n'a pas changé, voilà ce qui a changé.

Von Händler/Antiquariat, moluna [73551232], Greven, Germany.
Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorPhillipe Carles was editor in chief at Jazz Magazine from 1971 until 2006. He has co-authored several books on jazz music and culture. Jean-Lo, Books.

Lieferung aus: Italien, Non ancora pubblicato, Spedizione gratuita per AmazonPrime da solo. Regolare € 2.7.
Von Händler/Antiquariat, Amazon.it.
Copertina flessibile, Etichetta: Ghibli, Ghibli, Gruppo prodotti: Libro, Pubblicato: 2017-12-31, Data di rilascio: 2030-01-01, Studio: Ghibli.

Lieferung aus: Vereinigte Staaten von Amerika, Ebook for download.
Social Science, For the first time in English, the classic volume that developed a radical new understanding of free jazz and African American culture, eBook.

Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Costi di spedizione verso: ITA.
Von Händler/Antiquariat, Revaluation Books.
Univ Pr of Mississippi, 2015. Hardcover. New. 256 pages. 9.25x6.25x0.80 inches.