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100%: Holborn, Mark & Eikoh Hosoe & Shomei Tomatsu & Masahisa Fukase & Daido Moriyama: Black Sun The Eyes of Four, Roots and Innovation in Japanese Photography (ISBN: 9789780893811) 1986, Aperture.
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100%: Mark Holborn; Photographer-Eikoh Hosoe; Photographer-Masahisa Fukase; Photographer-Shomei Tomatsu; Photographer-Daido Moriyama: Black Sun: The Eyes of Four: Roots and Innovation in Japanese Photography (ISBN: 9780893812119) Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
86%: Moriyama, Daido, Fukase, Masahisa, Tomatsu, Shomei, Holborn, Mark: Black Sun : The Eyes of Four, Roots and Innovation in Japanese Photography (ISBN: 9780893811853) 1986, Aperture 1986, Erstausgabe, in Englisch, Broschiert.
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64%: Mark Holborn: APERTURE 102 BLACK SUN: THE EYES OF FOUR (ISBN: 9780893811938) 1986, Aperture Foundation, Erstausgabe, in Englisch, Taschenbuch.Nur diese Ausgabe anzeigen…
Black Sun The Eyes of Four, Roots and Innovation in Japanese Photography
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| Preise | 2014 | 2015 | 2016 |
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| Schnitt | Fr. 47.68 (€ 48.77)¹ | Fr. 57.67 (€ 58.99)¹ | Fr. 56.98 (€ 58.29)¹ |
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1
Black Sun: The Eyes of Four Roots Innovation in Japanese Photography (1986)
~EN HC USISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
2
Black Sun: The Eyes of Four Roots Innovation in Japanese Photography (1986)
~EN HC USISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
3
Black Sun: The Eyes of Four Roots Innovation in Japanese Photography (1986)
~EN HC USISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
4
Black Sun: The Eyes of Four Roots Innovation in Japanese Photography (1986)
~EN HC USISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand, mit Einband.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
Von Händler/Antiquariat, Design Books.
New York, New York, U.S.A.: Aperture, 1986. This is a very good hardcover copy in an almost very good dustjacket with one long closed tear to the edge of the back jacket flap. Completely clean inside and out. This volume surveys the work of four of Japan's most famous modernist photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama. Essay by Mark Holborn. Illustrated throughout in black & white. 12" high X 10" wide, 80 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good.
5
Black Sun: The Eyes of Four, Roots and Innovation in Japanese Photography (1986)
~EN HC SI FEISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, signiert, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, A&D Books.
New York: Aperture, 1986. Hardcover. SIGNED. First edition, first printing. Fine cloth-bound hardcover in a Fine price-clipped dust jacket, protected by a clear mylar cover. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Published in conjunction with a traveling exhibition; presents selections of Hosoe's Kamaitachi; Tomatsu's social documentary work; Fukase's ravens; and Moriyama's Tokyo street work. Portfolios of photographs by Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase and Daido Moriyama; essay by Mark Holborn. SIGNED BY MORIYAMA twice, once, "Daido," on the half title and in Kanji and English on the opening of his section and SIGNED BY HOSOE at the opening of his section; no inscriptions. 80 pages with 2 gatefolds; b&w and color reproductions throughout; 9.75 x 11.75 inches. Also issued as Aperture #102 in wraps.
Von Händler/Antiquariat, A&D Books.
New York: Aperture, 1986. Hardcover. SIGNED. First edition, first printing. Fine cloth-bound hardcover in a Fine price-clipped dust jacket, protected by a clear mylar cover. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Published in conjunction with a traveling exhibition; presents selections of Hosoe's Kamaitachi; Tomatsu's social documentary work; Fukase's ravens; and Moriyama's Tokyo street work. Portfolios of photographs by Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase and Daido Moriyama; essay by Mark Holborn. SIGNED BY MORIYAMA twice, once, "Daido," on the half title and in Kanji and English on the opening of his section and SIGNED BY HOSOE at the opening of his section; no inscriptions. 80 pages with 2 gatefolds; b&w and color reproductions throughout; 9.75 x 11.75 inches. Also issued as Aperture #102 in wraps.
6
Black Sun: The Eyes of Four, Roots Innovation in Japanese Photography (1986)
~EN HC US SI FEISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, gebraucht, guter Zustand, signiert, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Frais de port à: FRA.
Von Händler/Antiquariat, Last Exit Books.
E-031: Aperture. Very Good in Very Good dust jacket. 1986. First Edition; First Printing. Hardcover. Hardcover. 4to. Aperture Press. 1986. 80 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Signed by Eikoh Hosoe at the beginning of his section of this book (see photo #10). DJ has light shelf-wear present. Bound in cloth boards. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of notes. Binding tight and solid. "The photographs as "ruins" and the "ruins" in the photographs overlap and when the newly emanated feeling for time is marked into the center of the photographs, the ruins are not the carcasses of destruction and devastation, but turn away from being coffins, symbols of death, and move the hub to the mysterious stage of life." --Shunji ItoBlack Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization. Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots. Eikoh Hosoe's representation of the demonic myth Kamaitachi is structured like a dance, enacted among the villagers of the far north country and evoking Hosoe's childhood memories of the final years of World War II. Shomei Tomatsu's work ranges from the legacy of Nagasaki to the student riots of the sixties. His photographs combine social documentary with a search for personal identity, a quest which concludes among the remote islanders of Okinawa. Masahisa Fukase's epic series Crow adopts the universal symbol of the black bird as evil omen. The crow's somber presence shadows Fukase's journey to his birthplace on the northern island of Hokkaido, fusing private memories to a darker, national heritage. Daido Moriyama uncovers the malice lurking in the alleys and backstreets of Tokyo. With his confrontational, highly graphic style, Moriyama reveals the overpowering density of life in modern Japan. In the accompanying text, Mark Holborn creates his own picture of Japan's creative climate, one in which audacious exploration crashes against a legacy of tradition and refinement. He s20provides previously undocumented links between the photographers and other leading Japanese artists of our time, such as filmmaker Nagisa Oshima, graphic designer Tadanori Yokoo, and dancer Tatsumi Hijikata. Ultimately, the dark lyricism of Black Sun serves as both cultural introduction and global prophecy. The shadow cast by these four photographers stretches beyond the shores of Japan and across the entire length of contemporary experience. ; 8vo 8" - 9" tall; Signed by Author .
Von Händler/Antiquariat, Last Exit Books.
E-031: Aperture. Very Good in Very Good dust jacket. 1986. First Edition; First Printing. Hardcover. Hardcover. 4to. Aperture Press. 1986. 80 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. Signed by Eikoh Hosoe at the beginning of his section of this book (see photo #10). DJ has light shelf-wear present. Bound in cloth boards. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of notes. Binding tight and solid. "The photographs as "ruins" and the "ruins" in the photographs overlap and when the newly emanated feeling for time is marked into the center of the photographs, the ruins are not the carcasses of destruction and devastation, but turn away from being coffins, symbols of death, and move the hub to the mysterious stage of life." --Shunji ItoBlack Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization. Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots. Eikoh Hosoe's representation of the demonic myth Kamaitachi is structured like a dance, enacted among the villagers of the far north country and evoking Hosoe's childhood memories of the final years of World War II. Shomei Tomatsu's work ranges from the legacy of Nagasaki to the student riots of the sixties. His photographs combine social documentary with a search for personal identity, a quest which concludes among the remote islanders of Okinawa. Masahisa Fukase's epic series Crow adopts the universal symbol of the black bird as evil omen. The crow's somber presence shadows Fukase's journey to his birthplace on the northern island of Hokkaido, fusing private memories to a darker, national heritage. Daido Moriyama uncovers the malice lurking in the alleys and backstreets of Tokyo. With his confrontational, highly graphic style, Moriyama reveals the overpowering density of life in modern Japan. In the accompanying text, Mark Holborn creates his own picture of Japan's creative climate, one in which audacious exploration crashes against a legacy of tradition and refinement. He s20provides previously undocumented links between the photographers and other leading Japanese artists of our time, such as filmmaker Nagisa Oshima, graphic designer Tadanori Yokoo, and dancer Tatsumi Hijikata. Ultimately, the dark lyricism of Black Sun serves as both cultural introduction and global prophecy. The shadow cast by these four photographers stretches beyond the shores of Japan and across the entire length of contemporary experience. ; 8vo 8" - 9" tall; Signed by Author .
7
Holborn, Mark; Hosoe, Eikoh [Photographer]; Tomatsu, Shomei [Photographer]; Fukase, Masahisa [Photographer]; Moriyama, Daido [Photographer]
Black Sun: The Eyes of Four : Roots and Innovation in Japanese Photography (1986)
~EN HC FEISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture, gebundenes Buch, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, HGG Books.
Aperture, 1986. First Edition. Hardcover. clean pages, tight binding, clea/Illustrated dust jacket over clo. 10x0x12. Black Sun: The Eyes of Four : Roots and Innovation in Japanese Photography. First Edition published by Aperture in 1986.clean pages, tight binding, clean boards, original dust jacket, Illustrated dust jacket over cloth boardsBlack Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization.
Von Händler/Antiquariat, HGG Books.
Aperture, 1986. First Edition. Hardcover. clean pages, tight binding, clea/Illustrated dust jacket over clo. 10x0x12. Black Sun: The Eyes of Four : Roots and Innovation in Japanese Photography. First Edition published by Aperture in 1986.clean pages, tight binding, clean boards, original dust jacket, Illustrated dust jacket over cloth boardsBlack Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization.
8
Black Sun : The Eyes Of Four : Roots and Innovation in Japanese Photography (1986)
~EN HCISBN: 9780893811853 bzw. 0893811858, vermutlich in Englisch, Aperture 1986, gebundenes Buch, mit Einband.
Lieferung aus: Belgien, Versandkosten nach: DEU.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Aperture 1986. Hardcover, 80 pages, ENG, 300 x 250 x 15 mm, dustjacket, in good condition, illustr. b/w photographs. ISBN 9780893811853. The photographs as "ruins" and the "ruins" in the photographs overlap and when the newly emanated feeling for time is marked into the center of the photographs, the ruins are not the carcasses of destruction and devastation, but turn away from being coffins, symbols of death, and move the hub to the mysterious stage of life."--Shunji Ito Black Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization. Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots.
Von Händler/Antiquariat, ERIK TONEN BOOKSELLER.
Aperture 1986. Hardcover, 80 pages, ENG, 300 x 250 x 15 mm, dustjacket, in good condition, illustr. b/w photographs. ISBN 9780893811853. The photographs as "ruins" and the "ruins" in the photographs overlap and when the newly emanated feeling for time is marked into the center of the photographs, the ruins are not the carcasses of destruction and devastation, but turn away from being coffins, symbols of death, and move the hub to the mysterious stage of life."--Shunji Ito Black Sun is an unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers. It encompasses and connects ancient Japanese prophecies, the terror of nuclear destruction, and the results of swift and massive westernization. Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Moriyama are widely acknowledged in Japan as masters of photography. Their work ranges from the metaphoric to the documentary, from the presentation of post-apocalyptic artifacts to portraits of crows and crowded city streets. However varied the approach, this work is unified by a sense of innovation and a persistent search for native roots.
9
Symbolbild
Black Sun: The Eyes of Four, Roots and Innovation in Japanese Photography (1986)
~EN PB FEISBN: 9780893812119 bzw. 0893812110, vermutlich in Englisch, Aperture, Taschenbuch, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, A&D Books.
New York: Aperture, 1986. Paperback. First edition, 1986, first printing. Fine/As New with light rubbing to the back cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Presents selections of Hosoe's Kamaitachi; Tomatsu's social documentary work; Fukase's ravens; and Moriyama's Tokyo street work; published in conjunction with a traveling exhibition. Portfolios of photographs by Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase and Daido Moriyama; essay by Mark Holborn. 80 pages with 2 gatefolds; b&w and color reproductions throughout; 9.5 x 11.5 inches. Also issued as Aperture #102 in wraps.
Von Händler/Antiquariat, A&D Books.
New York: Aperture, 1986. Paperback. First edition, 1986, first printing. Fine/As New with light rubbing to the back cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Presents selections of Hosoe's Kamaitachi; Tomatsu's social documentary work; Fukase's ravens; and Moriyama's Tokyo street work; published in conjunction with a traveling exhibition. Portfolios of photographs by Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase and Daido Moriyama; essay by Mark Holborn. 80 pages with 2 gatefolds; b&w and color reproductions throughout; 9.5 x 11.5 inches. Also issued as Aperture #102 in wraps.
10
Symbolbild
Black Sun: The Eyes of Four: Roots and Innovation in Japanese Photography (1986)
~EN PB USISBN: 9780893812119 bzw. 0893812110, vermutlich in Englisch, Aperture, Taschenbuch, gebraucht, guter Zustand.
Lieferung aus: Vereinigte Staaten von Amerika, Frais de port à: FRA.
Von Händler/Antiquariat, Newbury Books.
New York: Aperture, 1986. 1st . Soft cover. Very Good. light foxing to inside covers. The catalogue of an exhibition at the Museum of Modern Art, Oxford, England, December 8, 1985 - February 9, 1986, the Serpentine Gallery, London, England, April 5 - May 11, 1986, and the Philadelphia Museum of Art, Philadelphia, Pennsylvania, August 9 - October 26, 1986. An unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Monyama.
Von Händler/Antiquariat, Newbury Books.
New York: Aperture, 1986. 1st . Soft cover. Very Good. light foxing to inside covers. The catalogue of an exhibition at the Museum of Modern Art, Oxford, England, December 8, 1985 - February 9, 1986, the Serpentine Gallery, London, England, April 5 - May 11, 1986, and the Philadelphia Museum of Art, Philadelphia, Pennsylvania, August 9 - October 26, 1986. An unprecedented portrait of postwar Japan through the eyes of four of the nation's most significant photographers: Eikoh Hosoe, Shomei Tomatsu, Masahisa Fukase, and Daido Monyama.
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