Artistic piano playing as taught by Ludwig Deppe together with practical advice on questions of technique
5 Angebote vergleichen

Von Händler/Antiquariat, BuySomeBooks [52360437], Las Vegas, NV, U.S.A.
This item is printed on demand. Paperback. 30 pages. Dimensions: 9.7in. x 7.4in. x 0.1in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 edition. Excerpt: . . . perfect freedom of action in any desired direction. Naturally those who are blessed with supple and pliant wrists will always succeed in obtaining a more beautiful tone from the piano than those less favored in this respect; the same remark holds good as regards the elbow and shoulder. Take yet another instance of the use of the curvilinear movement, as exemplified in the performance of this passage from Webers Polacca in E Major: Here one must seduously avoid accenting the first tone in each group--that were to suggest nothing but a row of petty window-arches! Rather must the entire passage be rendered with a beautiful and uninterrupted equality, a tranquillity of Klose: page 19. surface, which shall convey the impression of a grand, unbroken rainbow. Such interpretation and execution is impossible to the player who, on the one hand, cannot mentally see the radiant curve of the music, and who, on the other hand, has not acquired, through practice and discipline, the co-operating curved movement of hand and arm. In cases where tones are separated by considerable intervals, there is still no need for disconnected movements of anticipation on the part of hand or forearm. Such tones--as, for example, in the following passage--may be bound in perfect legato style by the simple expedient of carrying the hand, in a grace ful semi-circle, over the interjacent keys. And the result will be the same even though the tones lie several octaves apart. When connected by free, sweeping curves they will blend one with another so beautifully that the legato will suffer not the slightest interruption. Tf the player possesses a sufficiently vivid mental conception of the invisible curves which ally the tones, then their performance becomes, as it were, . . . This item ships from La Vergne,TN.

Lieferung aus: Vereinigte Staaten von Amerika, Usually ships in 1-2 business days.
Von Händler/Antiquariat, super_star_seller.
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 edition. Excerpt: ...perfect freedom of action in any desired direction. Naturally those who are blessed with supple and pliant wrists will always succeed in obtaining a more beautiful tone from the piano than those less favored in this respect; the same remark holds good as regards the elbow and shoulder. Take yet another instance of the use of the curvilinear movement, as exemplified in the performance of this passage from Weber's Polacca in E Major: "Here one must seduously avoid accenting the first tone in each group--that were to suggest nothing but a row of petty window-arches! Rather must the entire passage be rendered with a beautiful and uninterrupted equality, a tranquillity of Klose: page 19. surface, which shall convey the impression of a grand, unbroken rainbow. Such interpretation and execution is impossible to the player who, on the one hand, cannot mentally see the radiant curve of the music, and who, on the other hand, has not acquired, through practice and discipline, the co-operating curved movement of hand and arm." In cases where tones are separated by considerable intervals, there is still no need for disconnected movements of anticipation on the part of hand or forearm. Such tones--as, for example, in the following passage--may be bound in perfect legato style by the simple expedient of carrying the hand, in a grace ful semi-circle, over the interjacent keys. And the result will be the same even though the tones lie several octaves apart. When connected by free, sweeping curves they will blend one with another so beautifully that the legato will suffer not the slightest interruption. Tf the player possesses a sufficiently vivid mental conception of the invisible curves which ally the tones, then their performance becomes, as it were,... Paperback, Label: RareBooksClub.com, RareBooksClub.com, Product group: Book, Published: 2012-06-26, Studio: RareBooksClub.com, Sales rank: 13556730.

Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, booklab, VA, Chantilly, [RE:3].
Brand New! Fast shipping! Great customer service. You will be happy! Paperback.

Von Händler/Antiquariat, Murray Media [59705792], North Miami Beach, FL, U.S.A.
Never used! This item is printed on demand.

Lieferung aus: Vereinigte Staaten von Amerika, plus shipping, Shipping area: DOM.
Von Händler/Antiquariat, More Books, FL, MIAMI, [RE:3].
100% Brand New! Paperback.