Nightsong: Performance, Power, and Practice in South Africa (Chicago Studies in Ethnomusicology)
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Nightsong : Performance, Power, and Practice in South Africa
EN PB USISBN: 9780226217215 bzw. 0226217213, in Englisch, University of Chicago Press, Taschenbuch, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
9780226217215,0226217213,nightsong,performance,power,practice,south,africa,veit,erlmann, Excellent Marketplace listings for "Nightsong : Performance, Power, and Practice in South Africa" by Veit Erlmann starting as low as $2.35! Paperback, Shipping to USA only!
9780226217215,0226217213,nightsong,performance,power,practice,south,africa,veit,erlmann, Excellent Marketplace listings for "Nightsong : Performance, Power, and Practice in South Africa" by Veit Erlmann starting as low as $2.35! Paperback, Shipping to USA only!
2
Nightsong
EN NWISBN: 9780226217208 bzw. 0226217205, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, in-stock.
First popularized by Ladysmith Black Mambazo and Paul Simon, the a cappella music known as isicathamiya has become internationally celebrated as one of South Africa's most vibrant and distinct performance traditions. But Ladysmith Black Mambazo is only one of hundreds of choirs that perform "nightsongs" during weekly all-night competitions in South Africa's cities. Veit Erlmann provides the first comprehensive interpretation of isicathamiya performance practice and its relation to the culture and consciousness of the Zulu migrant laborers who largely compose its choirs. In songs and dances, the performers oppose the class and racial oppression that reduces them to "labor units." At the same time, Erlmann argues, the performers rework dominant images to symbolically reconstruct their "home," an imagined world of Zulu rural tradition and identity. By contrasting the live performance of isicathamiya to its reproduction in mass media, recordings, and international concerts, Erlmann addresses important issues in performance studies and anthropology, and looks to the future of isicathamiya live performance in the new South Africa. Featuring an Introduction by Joseph Shabalala, the lead singer and founder of Ladysmith Black Mambazo, this book will be essential reading for anyone interested in the study of music, performance, popular culture, or South Africa.
First popularized by Ladysmith Black Mambazo and Paul Simon, the a cappella music known as isicathamiya has become internationally celebrated as one of South Africa's most vibrant and distinct performance traditions. But Ladysmith Black Mambazo is only one of hundreds of choirs that perform "nightsongs" during weekly all-night competitions in South Africa's cities. Veit Erlmann provides the first comprehensive interpretation of isicathamiya performance practice and its relation to the culture and consciousness of the Zulu migrant laborers who largely compose its choirs. In songs and dances, the performers oppose the class and racial oppression that reduces them to "labor units." At the same time, Erlmann argues, the performers rework dominant images to symbolically reconstruct their "home," an imagined world of Zulu rural tradition and identity. By contrasting the live performance of isicathamiya to its reproduction in mass media, recordings, and international concerts, Erlmann addresses important issues in performance studies and anthropology, and looks to the future of isicathamiya live performance in the new South Africa. Featuring an Introduction by Joseph Shabalala, the lead singer and founder of Ladysmith Black Mambazo, this book will be essential reading for anyone interested in the study of music, performance, popular culture, or South Africa.
3
Nightsong
EN NWISBN: 9780226217215 bzw. 0226217213, in Englisch, University of Chicago Press, United States of America, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, in-stock.
First popularized by Ladysmith Black Mambazo and Paul Simon, the a cappella music known as isicathamiya has become internationally celebrated as one of South Africa's most vibrant and distinct performance traditions. But Ladysmith Black Mambazo is only one of hundreds of choirs that perform "nightsongs" during weekly all-night competitions in South Africa's cities. Veit Erlmann provides the first comprehensive interpretation of isicathamiya performance practice and its relation to the culture and consciousness of the Zulu migrant laborers who largely compose its choirs. In songs and dances, the performers oppose the class and racial oppression that reduces them to "labor units." At the same time, Erlmann argues, the performers rework dominant images to symbolically reconstruct their "home," an imagined world of Zulu rural tradition and identity. By contrasting the live performance of isicathamiya to its reproduction in mass media, recordings, and international concerts, Erlmann addresses important issues in performance studies and anthropology, and looks to the future of isicathamiya live performance in the new South Africa. Featuring an Introduction by Joseph Shabalala, the lead singer and founder of Ladysmith Black Mambazo, this book will be essential reading for anyone interested in the study of music, performance, popular culture, or South Africa.
First popularized by Ladysmith Black Mambazo and Paul Simon, the a cappella music known as isicathamiya has become internationally celebrated as one of South Africa's most vibrant and distinct performance traditions. But Ladysmith Black Mambazo is only one of hundreds of choirs that perform "nightsongs" during weekly all-night competitions in South Africa's cities. Veit Erlmann provides the first comprehensive interpretation of isicathamiya performance practice and its relation to the culture and consciousness of the Zulu migrant laborers who largely compose its choirs. In songs and dances, the performers oppose the class and racial oppression that reduces them to "labor units." At the same time, Erlmann argues, the performers rework dominant images to symbolically reconstruct their "home," an imagined world of Zulu rural tradition and identity. By contrasting the live performance of isicathamiya to its reproduction in mass media, recordings, and international concerts, Erlmann addresses important issues in performance studies and anthropology, and looks to the future of isicathamiya live performance in the new South Africa. Featuring an Introduction by Joseph Shabalala, the lead singer and founder of Ladysmith Black Mambazo, this book will be essential reading for anyone interested in the study of music, performance, popular culture, or South Africa.
4
Nightsong: Performance, Power, and Practice in South Africa (Chicago Studies in Ethnomusicology) (2001)
EN NWISBN: 9780226217192 bzw. 0226217191, in Englisch, 446 Seiten, 2. Ausgabe, University of Chicago Press, neu.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Usually dispatched within 1 to 4 months.
Von Händler/Antiquariat, Amazon.co.uk.
VHS Tape, Edition: 2nd ed. Label: University of Chicago Press, University of Chicago Press, Product group: Book, Published: 2001-04-18, Release date: 2001-04-18, Studio: University of Chicago Press.
Von Händler/Antiquariat, Amazon.co.uk.
VHS Tape, Edition: 2nd ed. Label: University of Chicago Press, University of Chicago Press, Product group: Book, Published: 2001-04-18, Release date: 2001-04-18, Studio: University of Chicago Press.
5
Nightsong: Performance, Power, and Practice in South Africa (Chicago Studies in Ethnomusicology)
EN USISBN: 0226217213 bzw. 9780226217215, in Englisch, University Of Chicago Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
6
Nightsong: Performance, Power, and Practice in South Africa
EN HC NWISBN: 9780226217208 bzw. 0226217205, in Englisch, University of Chicago Press, gebundenes Buch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Nightsong~~Veit-Erlmann, Nightsong: Performance, Power, and Practice in South Africa, Hardcover.
Nightsong~~Veit-Erlmann, Nightsong: Performance, Power, and Practice in South Africa, Hardcover.
7
Nightsong: Performance, Power, and Practice in South Africa
EN PB NWISBN: 9780226217215 bzw. 0226217213, in Englisch, University of Chicago Press, Taschenbuch, neu.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
Nightsong~~Veit-Erlmann, Nightsong: Performance, Power, and Practice in South Africa, Paperback.
Nightsong~~Veit-Erlmann, Nightsong: Performance, Power, and Practice in South Africa, Paperback.
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