The Bean Straw: Non-Flying Objects - 5 Angebote vergleichen
Bester Preis: Fr. 7.72 (€ 7.89)¹ (vom 26.03.2018)1
The Bean Straw: Non-Flying Objects
EN USISBN: 0615163491 bzw. 9780615163499, in Englisch, DMR Innovations, LLC, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
used books,books, This book features cartoons that wallow in the surreal. They are the quirky ruminations from the deep recesses of the author's mind. The ordinary and mundane are twisted into the strange and fanciful. Please, you need not worry. This is good, clean fun for the whole family. These cartoons are light on the art and concentrate on the comical. Proceed no further, if you are expecting sophisticated cartoon art. However, if you are looking for the unusual and eccentric, then welcome to the bizarre and funny world of The Bean Straw.
used books,books, This book features cartoons that wallow in the surreal. They are the quirky ruminations from the deep recesses of the author's mind. The ordinary and mundane are twisted into the strange and fanciful. Please, you need not worry. This is good, clean fun for the whole family. These cartoons are light on the art and concentrate on the comical. Proceed no further, if you are expecting sophisticated cartoon art. However, if you are looking for the unusual and eccentric, then welcome to the bizarre and funny world of The Bean Straw.
2
Don't Eat The Glowing Bananas
EN NWISBN: 9780463001660 bzw. 0463001664, in Englisch, Smashwords Edition, neu.
Lieferung aus: Niederlande, Direct beschikbaar.
bol.com.
It's hard to find a decent brunch in the post-apocalyptic wasteland. But that's all Henry Rosetta wants from the world. That, and not to be eaten by nomadic cannibals. Henry has traveled the nuclear bomb-blasted highways critiquing the finest radioactive eateries and cataloging his experiences. All the while, he's been searching for the knowledge of why the bombs fell. It's this hunger for specialty food and forbidden knowledge that brings Henry to the city of New Dallas. There, Henry meets a green-skinned mutant, a katana-wielding assassin, and a horrible dictator who claims to know why the bombs fell. Henry must help the people of New Dallas and learn the great secret of how the world ended. And maybe get a taco along the way. It's hard to find a decent brunch in the post-apocalyptic wasteland. But that's all Henry Rosetta wants from the world. That, and not to be eaten by nomadic cannibals. Henry has traveled the nuclear bomb-blasted highways critiquing the finest radioactive eateries and cataloging his experiences. All the while, he's been searching for the knowledge of why the bombs fell. It's this hunger for specialty food and forbidden knowledge that brings Henry to the city of New Dallas. There, Henry meets a green-skinned mutant, a katana-wielding assassin, and a horrible dictator who claims to know why the bombs fell. Henry must help the people of New Dallas and learn the great secret of how the world ended. And maybe get a taco along the way. Inhoud:Taal: Engelstalig;EAN: 9780463001660;Bindwijze: E-book;Verschijningsdatum: 2018-04-26;ISBN13: 9780463001660; Betrokkenen:Auteur: David D. Hammons; Engelstalig | E-book | 9780463001660.
bol.com.
It's hard to find a decent brunch in the post-apocalyptic wasteland. But that's all Henry Rosetta wants from the world. That, and not to be eaten by nomadic cannibals. Henry has traveled the nuclear bomb-blasted highways critiquing the finest radioactive eateries and cataloging his experiences. All the while, he's been searching for the knowledge of why the bombs fell. It's this hunger for specialty food and forbidden knowledge that brings Henry to the city of New Dallas. There, Henry meets a green-skinned mutant, a katana-wielding assassin, and a horrible dictator who claims to know why the bombs fell. Henry must help the people of New Dallas and learn the great secret of how the world ended. And maybe get a taco along the way. It's hard to find a decent brunch in the post-apocalyptic wasteland. But that's all Henry Rosetta wants from the world. That, and not to be eaten by nomadic cannibals. Henry has traveled the nuclear bomb-blasted highways critiquing the finest radioactive eateries and cataloging his experiences. All the while, he's been searching for the knowledge of why the bombs fell. It's this hunger for specialty food and forbidden knowledge that brings Henry to the city of New Dallas. There, Henry meets a green-skinned mutant, a katana-wielding assassin, and a horrible dictator who claims to know why the bombs fell. Henry must help the people of New Dallas and learn the great secret of how the world ended. And maybe get a taco along the way. Inhoud:Taal: Engelstalig;EAN: 9780463001660;Bindwijze: E-book;Verschijningsdatum: 2018-04-26;ISBN13: 9780463001660; Betrokkenen:Auteur: David D. Hammons; Engelstalig | E-book | 9780463001660.
3
Rousing the Rubble
EN USISBN: 0262031841 bzw. 9780262031844, in Englisch, The MIT Press, gebraucht.
Lieferung aus: Vereinigte Staaten von Amerika, In Stock.
arts and photography,collections catalogs and exhibitions,history,history and criticism,individual artists, Essays by Steve Cannon, Tom Finkelpearl, and Kellie Jones Photographs by Dawoud Bey and Bruce Talamon Rousing the Rubble celebrates two decades of work by artist David Hammons, who has risen to prominence while at the same time consciously ducking the attention of critics, galleries, and museums, preferring to "do things in the street." A recipient of both a MacArthur Foundation "genius" award and a Prix de Rome, Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He makes his art from refuse and the detritus of African-American life: chicken wings, Thunderbird and Night Train bottles, clippings from dreadlocks, basketball hoops. Hammons's deeply felt political views on race and cultural stereotypes give his witty and elegant sculptures, installations, and body prints an integrity that promises to keep the focus on his art rather than on his career. Illustrated with nearly 100 photographs (both black and white and color), Rousing the Rubble covers the full range of Hammons's art and his methods of creating it. Steve Cannon's rap poem takes the reader on a freewheeling bicycle ride from Harlem to the Lower East Side in New York and is joyously infused with the same energies and inspirations as Hammons' work. Tom Finkelpearl discusses the power of the dirty, used objects Hammons prefers and how they relate to the clean" art exhibited in conventional gallery settings. And Kellie Jones examines how Hammons's A.
arts and photography,collections catalogs and exhibitions,history,history and criticism,individual artists, Essays by Steve Cannon, Tom Finkelpearl, and Kellie Jones Photographs by Dawoud Bey and Bruce Talamon Rousing the Rubble celebrates two decades of work by artist David Hammons, who has risen to prominence while at the same time consciously ducking the attention of critics, galleries, and museums, preferring to "do things in the street." A recipient of both a MacArthur Foundation "genius" award and a Prix de Rome, Hammons places himself as an artist between Arte Povera and Marcel Duchamp. He makes his art from refuse and the detritus of African-American life: chicken wings, Thunderbird and Night Train bottles, clippings from dreadlocks, basketball hoops. Hammons's deeply felt political views on race and cultural stereotypes give his witty and elegant sculptures, installations, and body prints an integrity that promises to keep the focus on his art rather than on his career. Illustrated with nearly 100 photographs (both black and white and color), Rousing the Rubble covers the full range of Hammons's art and his methods of creating it. Steve Cannon's rap poem takes the reader on a freewheeling bicycle ride from Harlem to the Lower East Side in New York and is joyously infused with the same energies and inspirations as Hammons' work. Tom Finkelpearl discusses the power of the dirty, used objects Hammons prefers and how they relate to the clean" art exhibited in conventional gallery settings. And Kellie Jones examines how Hammons's A.
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