Living in Oblivion & The Shift - 11 Angebote vergleichen
Bester Preis: Fr. 3.43 (€ 3.50)¹ (vom 08.01.2019)1
ASYLUM - Rare Fine Copy of The First Hardcover Edition/First Printing: Signed by - ONLY SIGNED COPY ONLINE (2002)
~EN HC US SI FEISBN: 9783775715126 bzw. 3775715126, vermutlich in Englisch, Ostfildern, Germany: Hatje Cantz Publishers, 2002, gebundenes Buch, gebraucht, signiert, Erstausgabe.
Von Händler/Antiquariat, ModernRare [715187], CHICAGO, IL, U.S.A.
1st Printing. Signed. 148 pages. Published in 2002. Exhibition monograph. One of the most important photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Julian Rosefeldt: Oversize-volume format. Pictorial hard boards with titles on cover and spine, as issued. Photographs by Julian Rosefeldt. Essays by various contributors. Printed on thick coated stock paper in Germany to the highest standards. In bright red wraparound bellyband DJ with white titles on the cover, as issued. Published on the occasion of the installation/exhibition of the same name that was shown in various venues in the United Kingdom in 2002. Presents Julian Rosefeldt's "Asylum". A moving masterpiece. "Indian flower sellers, Turkish trash collectors, Chinese cooks, and prostitutes in Thailand. Munich-born artist/photographer Julian Rosefeldt confronts the viewers with stereotypical views of foreigners and ethnic minorities. In his seductively opulent tableaux-vivants, he exaggerates and parodies popular conceptions about roles and professions while embedding his protagonists in strangely surreal scenes and ritual contexts. This publication features photographs taken during the shooting of the video, film stills from Rosefeldt's nine 'Asylum' films, essays, and an Interview with the artist" (Publisher's blurb). Surely Rosefeldt is keenly aware of the harrowing suffering that photographers like Sebastiao Salgado and Fazal Sheikh have made it their life-work to commit for posterity. Not a single photograph in his collection, most of which are presented as doublespreads, shows "suffering". In fact, they show the refugees as normal and happy people: Praying, dancing, singing, hustling, having parties, vacationing, and yes, working very hard yet apparently enjoying it. Rosefeldt's point is simple and complex at the same time: There is no question that refugees are stateless, displaced peoples, with none of the legal rights that citizens have and take for granted. Still, after the initial trauma and shock, they adapt to their new, strange, often hostile environments, and get on with their lives. What mystifies and confuses their host-nations is precisely their resilience: Refugees are hopeful survivors, not hopeless dependents. They remind us that you cannot survive if all you try to do is survive. The only way every human being can survive is to live, and this is one of the reasons citizens develop ambivalent if not downright hostile attitudes about them. Still, as the great American novelist John Irving once suggested, "we are all refugees, we are all terminal cases". Rosefeldt shows that "home" is the fantasy and exile the real condition of humanity. An absolute "must-have" title for Julian Rosefeldt collectors. This copy is very boldly and beautifully signed in black pen-marker on the bellyband DJ itself by Julian Rosefeldt. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. One of the finest artist/photographers of our time. A fine copy. ISBN 3775715126.
1st Printing. Signed. 148 pages. Published in 2002. Exhibition monograph. One of the most important photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Julian Rosefeldt: Oversize-volume format. Pictorial hard boards with titles on cover and spine, as issued. Photographs by Julian Rosefeldt. Essays by various contributors. Printed on thick coated stock paper in Germany to the highest standards. In bright red wraparound bellyband DJ with white titles on the cover, as issued. Published on the occasion of the installation/exhibition of the same name that was shown in various venues in the United Kingdom in 2002. Presents Julian Rosefeldt's "Asylum". A moving masterpiece. "Indian flower sellers, Turkish trash collectors, Chinese cooks, and prostitutes in Thailand. Munich-born artist/photographer Julian Rosefeldt confronts the viewers with stereotypical views of foreigners and ethnic minorities. In his seductively opulent tableaux-vivants, he exaggerates and parodies popular conceptions about roles and professions while embedding his protagonists in strangely surreal scenes and ritual contexts. This publication features photographs taken during the shooting of the video, film stills from Rosefeldt's nine 'Asylum' films, essays, and an Interview with the artist" (Publisher's blurb). Surely Rosefeldt is keenly aware of the harrowing suffering that photographers like Sebastiao Salgado and Fazal Sheikh have made it their life-work to commit for posterity. Not a single photograph in his collection, most of which are presented as doublespreads, shows "suffering". In fact, they show the refugees as normal and happy people: Praying, dancing, singing, hustling, having parties, vacationing, and yes, working very hard yet apparently enjoying it. Rosefeldt's point is simple and complex at the same time: There is no question that refugees are stateless, displaced peoples, with none of the legal rights that citizens have and take for granted. Still, after the initial trauma and shock, they adapt to their new, strange, often hostile environments, and get on with their lives. What mystifies and confuses their host-nations is precisely their resilience: Refugees are hopeful survivors, not hopeless dependents. They remind us that you cannot survive if all you try to do is survive. The only way every human being can survive is to live, and this is one of the reasons citizens develop ambivalent if not downright hostile attitudes about them. Still, as the great American novelist John Irving once suggested, "we are all refugees, we are all terminal cases". Rosefeldt shows that "home" is the fantasy and exile the real condition of humanity. An absolute "must-have" title for Julian Rosefeldt collectors. This copy is very boldly and beautifully signed in black pen-marker on the bellyband DJ itself by Julian Rosefeldt. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. One of the finest artist/photographers of our time. A fine copy. ISBN 3775715126.
2
Symbolbild
ASYLUM (2002)
~EN HC US SI FEISBN: 9783775715126 bzw. 3775715126, vermutlich in Englisch, Hatje Cantz Publishers, gebundenes Buch, gebraucht, signiert, Erstausgabe.
Lieferung aus: Vereinigte Staaten von Amerika, Versandkosten nach: DEU.
Von Händler/Antiquariat, Modern Rare.
Ostfildern, Germany: Hatje Cantz Publishers, 2002. First Edition. First Printing.. Hardcover. Fine/No Dust Jacket, As Issued.. Ostfildern, Germany: Hatje Cantz Publishers, 2002. Hardcover. Fine/None, As Issued. First Edition/First Printing. 148 pages. Exhibition monograph. One of the most important photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Julian Rosefeldt: Oversize-volume format. Pictorial hard boards with titles on cover and spine, as issued. Photographs by Julian Rosefeldt. Essays by various contributors. Printed on thick coated stock paper in Germany to the highest standards. In bright red wraparound bellyband DJ with white titles on the cover, as issued. Published on the occasion of the installation/exhibition of the same name that was shown in various venues in the United Kingdom in 2002. Presents Julian Rosefeldt's "Asylum". A moving masterpiece. "Indian flower sellers, Turkish trash collectors, Chinese cooks, and prostitutes in Thailand. Munich-born artist/photographer Julian Rosefeldt confronts the viewers with stereotypical views of foreigners and ethnic minorities. In his seductively opulent tableaux-vivants, he exaggerates and parodies popular conceptions about roles and professions while embedding his protagonists in strangely surreal scenes and ritual contexts. This publication features photographs taken during the shooting of the video, film stills from Rosefeldt's nine 'Asylum' films, essays, and an Interview with the artist" (Publisher's blurb). Surely Rosefeldt is keenly aware of the harrowing suffering that photographers like Sebastiao Salgado and Fazal Sheikh have made it their life-work to commit for posterity. Not a single photograph in his collection, most of which are presented as doublespreads, shows "suffering". In fact, they show the refugees as normal and happy people: Praying, dancing, singing, hustling, having parties, vacationing, and yes, working very hard yet apparently enjoying it. Rosefeldt's point is simple and complex at the same time: There is no question that refugees are stateless, displaced peoples, with none of the legal rights that citizens have and take for granted. Still, after the initial trauma and shock, they adapt to their new, strange, often hostile environments, and get on with their lives. What mystifies and confuses their host-nations is precisely their resilience: Refugees are hopeful survivors, not hopeless dependents. They remind us that you cannot survive if all you try to do is survive. The only way every human being can survive is to live, and this is one of the reasons citizens develop ambivalent if not downright hostile attitudes about them. Still, as the great American novelist John Irving once suggested, "we are all refugees, we are all terminal cases". Rosefeldt shows that "home" is the fantasy and exile the real condition of humanity. An absolute "must-have" title for Julian Rosefeldt collectors. This copy is very boldly and beautifully signed in black pen-marker on the bellyband DJ itself by Julian Rosefeldt. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. One of the finest artist/photographers of our time. A fine copy. . ISBN 3775715126.
Von Händler/Antiquariat, Modern Rare.
Ostfildern, Germany: Hatje Cantz Publishers, 2002. First Edition. First Printing.. Hardcover. Fine/No Dust Jacket, As Issued.. Ostfildern, Germany: Hatje Cantz Publishers, 2002. Hardcover. Fine/None, As Issued. First Edition/First Printing. 148 pages. Exhibition monograph. One of the most important photography books of our time. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Julian Rosefeldt: Oversize-volume format. Pictorial hard boards with titles on cover and spine, as issued. Photographs by Julian Rosefeldt. Essays by various contributors. Printed on thick coated stock paper in Germany to the highest standards. In bright red wraparound bellyband DJ with white titles on the cover, as issued. Published on the occasion of the installation/exhibition of the same name that was shown in various venues in the United Kingdom in 2002. Presents Julian Rosefeldt's "Asylum". A moving masterpiece. "Indian flower sellers, Turkish trash collectors, Chinese cooks, and prostitutes in Thailand. Munich-born artist/photographer Julian Rosefeldt confronts the viewers with stereotypical views of foreigners and ethnic minorities. In his seductively opulent tableaux-vivants, he exaggerates and parodies popular conceptions about roles and professions while embedding his protagonists in strangely surreal scenes and ritual contexts. This publication features photographs taken during the shooting of the video, film stills from Rosefeldt's nine 'Asylum' films, essays, and an Interview with the artist" (Publisher's blurb). Surely Rosefeldt is keenly aware of the harrowing suffering that photographers like Sebastiao Salgado and Fazal Sheikh have made it their life-work to commit for posterity. Not a single photograph in his collection, most of which are presented as doublespreads, shows "suffering". In fact, they show the refugees as normal and happy people: Praying, dancing, singing, hustling, having parties, vacationing, and yes, working very hard yet apparently enjoying it. Rosefeldt's point is simple and complex at the same time: There is no question that refugees are stateless, displaced peoples, with none of the legal rights that citizens have and take for granted. Still, after the initial trauma and shock, they adapt to their new, strange, often hostile environments, and get on with their lives. What mystifies and confuses their host-nations is precisely their resilience: Refugees are hopeful survivors, not hopeless dependents. They remind us that you cannot survive if all you try to do is survive. The only way every human being can survive is to live, and this is one of the reasons citizens develop ambivalent if not downright hostile attitudes about them. Still, as the great American novelist John Irving once suggested, "we are all refugees, we are all terminal cases". Rosefeldt shows that "home" is the fantasy and exile the real condition of humanity. An absolute "must-have" title for Julian Rosefeldt collectors. This copy is very boldly and beautifully signed in black pen-marker on the bellyband DJ itself by Julian Rosefeldt. It is signed directly on the page itself, not on a tipped-in page. This title is now collectible. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. One of the finest artist/photographers of our time. A fine copy. . ISBN 3775715126.
3
Living in Oblivion & The Shift (2011)
DE PB US FEISBN: 9783940208118 bzw. 3940208116, in Deutsch, Kerber Art, Berlin, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, buchhilde, [4276434].
Julian Rosefeldts (*1965) Filminstallationen inszenieren mit subtiler Komik und Ironie das Paradox-Irrationale moderner Lebens- und Arbeitswelten. Als diesjähriger Preisträger des "Vattenfall Contemporary" präsentiert er die Einzelausstellung "Living in Oblivion" in der Berlinischen Galerie und konzipierte die vorliegende aufwendig gestaltete Publikation. In zahlreichen Bildern wird die aktuelle Arbeit "The Shift" (2008) dokumentiert und mit neu arrangierten Arbeiten aus den 1990er Jahren kombiniert. Die weniger bekannten frühen Arbeiten, die noch in Zusammenarbeit mit Piero Steinle entstanden sind, markieren den Ausgangspunkt einer Beschäftigung des Künstlers mit vergessenen und verborgenen Orten. In "The Shift" mutieren diese zum klaustrophoben Innenleben einer technoiden, menschenleeren Zukunftswelt. Paperback, wie neu, 27 x 23 cm, 670g, 1. Auflage.
Von Privat, buchhilde, [4276434].
Julian Rosefeldts (*1965) Filminstallationen inszenieren mit subtiler Komik und Ironie das Paradox-Irrationale moderner Lebens- und Arbeitswelten. Als diesjähriger Preisträger des "Vattenfall Contemporary" präsentiert er die Einzelausstellung "Living in Oblivion" in der Berlinischen Galerie und konzipierte die vorliegende aufwendig gestaltete Publikation. In zahlreichen Bildern wird die aktuelle Arbeit "The Shift" (2008) dokumentiert und mit neu arrangierten Arbeiten aus den 1990er Jahren kombiniert. Die weniger bekannten frühen Arbeiten, die noch in Zusammenarbeit mit Piero Steinle entstanden sind, markieren den Ausgangspunkt einer Beschäftigung des Künstlers mit vergessenen und verborgenen Orten. In "The Shift" mutieren diese zum klaustrophoben Innenleben einer technoiden, menschenleeren Zukunftswelt. Paperback, wie neu, 27 x 23 cm, 670g, 1. Auflage.
4
Living in Oblivion & The Shift (2011)
DE PB US FEISBN: 9783940208118 bzw. 3940208116, in Deutsch, 104 Seiten, Kerber Art, Berlin, Taschenbuch, gebraucht, Erstausgabe.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Privat, buchhilde, [4276434].
Julian Rosefeldts (*1965) Filminstallationen inszenieren mit subtiler Komik und Ironie das Paradox-Irrationale moderner Lebens- und Arbeitswelten. Als diesjähriger Preisträger des "Vattenfall Contemporary" präsentiert er die Einzelausstellung "Living in Oblivion" in der Berlinischen Galerie und konzipierte die vorliegende aufwendig gestaltete Publikation. In zahlreichen Bildern wird die aktuelle Arbeit "The Shift" (2008) dokumentiert und mit neu arrangierten Arbeiten aus den 1990er Jahren kombiniert. Die weniger bekannten frühen Arbeiten, die noch in Zusammenarbeit mit Piero Steinle entstanden sind, markieren den Ausgangspunkt einer Beschäftigung des Künstlers mit vergessenen und verborgenen Orten. In "The Shift" mutieren diese zum klaustrophoben Innenleben einer technoiden, menschenleeren Zukunftswelt. 2011, Paperback, wie neu, 27 x 23 cm, 670g, 1. Auflage, 104, Banküberweisung.
Von Privat, buchhilde, [4276434].
Julian Rosefeldts (*1965) Filminstallationen inszenieren mit subtiler Komik und Ironie das Paradox-Irrationale moderner Lebens- und Arbeitswelten. Als diesjähriger Preisträger des "Vattenfall Contemporary" präsentiert er die Einzelausstellung "Living in Oblivion" in der Berlinischen Galerie und konzipierte die vorliegende aufwendig gestaltete Publikation. In zahlreichen Bildern wird die aktuelle Arbeit "The Shift" (2008) dokumentiert und mit neu arrangierten Arbeiten aus den 1990er Jahren kombiniert. Die weniger bekannten frühen Arbeiten, die noch in Zusammenarbeit mit Piero Steinle entstanden sind, markieren den Ausgangspunkt einer Beschäftigung des Künstlers mit vergessenen und verborgenen Orten. In "The Shift" mutieren diese zum klaustrophoben Innenleben einer technoiden, menschenleeren Zukunftswelt. 2011, Paperback, wie neu, 27 x 23 cm, 670g, 1. Auflage, 104, Banküberweisung.
5
News : eine Videoinstallation von & Piero Steinle ; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 14.07 -12.08.1998. (1998)
DE USISBN: 9783926154361 bzw. 3926154365, in Deutsch, Kehrer Verlag, gebraucht.
Von Händler/Antiquariat, Petra Gros [1048006], Koblenz, Germany.
103 Seiten; +1 CD Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäss entwidmet. Sprache: Deutsch Gewicht in Gramm: 1000, Books.
103 Seiten; +1 CD Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäss entwidmet. Sprache: Deutsch Gewicht in Gramm: 1000, Books.
6
News : eine Videoinstallation von & Piero Steinle Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 14.07 -12.08.1998. (1998)
DE USISBN: 9783926154361 bzw. 3926154365, in Deutsch, Kehrer Verlag, gebraucht.
Lieferung aus: Deutschland, Versandkosten nach: Deutschland.
Von Händler/Antiquariat, Petra Gros, [3076014].
103 Seiten +1 CD Hardcover-Grossfromat Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch ordnungsgemäss entwidmet. 1998. gebraucht gut, 1000g, Internationaler Versand, offene Rechnung (Vorkasse vorbehalten), PayPal, offene Rechnung.
Von Händler/Antiquariat, Petra Gros, [3076014].
103 Seiten +1 CD Hardcover-Grossfromat Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch ordnungsgemäss entwidmet. 1998. gebraucht gut, 1000g, Internationaler Versand, offene Rechnung (Vorkasse vorbehalten), PayPal, offene Rechnung.
8
Mark Gisbourne, Toni Grisoni, Joachim Jager, Marius von Mayenburg, Luc Perceval, David Thorp, Christiane Zentgraf
Rosefeldt Asylum /Anglais (2005)
EN NWISBN: 9783775715126 bzw. 3775715126, in Englisch, 148 Seiten, Hatje Cantz, neu.
Neu ab: EUR 141,32 (3 Angebote)
Gebraucht ab: EUR 8,32 (5 Angebote)
Zu den weiteren 8 Angeboten bei Amazon.es (Int.)
Lieferung aus: Spanien, Normalmente se envía en el plazo de 1-2 días laborable.
Von Händler/Antiquariat, thebookcommunity_es.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, thebookcommunity_es.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
10
Asylum (2005)
DE HC NWISBN: 9783775715126 bzw. 3775715126, in Deutsch, 148 Seiten, Hatje Cantz Verlag, gebundenes Buch, neu.
Lieferung aus: Deutschland, Versandfertig in 1 - 2 Werktagen.
Von Händler/Antiquariat, Antiquariat-Rosebud2.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Von Händler/Antiquariat, Antiquariat-Rosebud2.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
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