Cinemas of Italian Migration - 11 Angebote vergleichen
| Preise | Feb. 17 | Apr. 23 | Juli 23 |
|---|---|---|---|
| Schnitt | Fr. 86.05 (€ 87.99)¹ | Fr. 71.64 (€ 73.26)¹ | Fr. 67.48 (€ 69.00)¹ |
| Nachfrage |
1
TV Glokal: Zur Vielfalt europäischer Fernseh- und Onlineserien. (Marburger Schriften zur Medienforschung 53) (German Edition) (2015)
DE NW EB DLISBN: 9783741000027 bzw. 3741000027, in Deutsch, 296 Seiten, Schüren Verlag, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, ebook for download, Free shipping.
Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa. Kindle Edition, Format: Kindle eBook, Label: Schüren Verlag, Schüren Verlag, Product group: eBooks, Published: 2015-12-08, Release date: 2015-12-08, Studio: Schüren Verlag.
Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa. Kindle Edition, Format: Kindle eBook, Label: Schüren Verlag, Schüren Verlag, Product group: eBooks, Published: 2015-12-08, Release date: 2015-12-08, Studio: Schüren Verlag.
2
TV Glokal - Zur Vielfalt europäischer Fernseh- und Onlineserien.
DE NW EB DLISBN: 9783741000027 bzw. 3741000027, in Deutsch, Schären Verlag Gmbh, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Versandkostenfrei.
TV Glokal: Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa. Ebook.
TV Glokal: Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa. Ebook.
3
TV Glokal - Zur Vielfalt europäischer Fernseh- und Onlineserien.
DE NW EB DLISBN: 9783741000027 bzw. 3741000027, in Deutsch, Schüren Verlag, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, E-Book zum Download.
Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa.
Der Band vereint Beiträge zu europäische Fernsehserien. Der Schwerpunkt liegt auf den romanischen Ländern, aber es gibt auch Artikel zu osteuropäischen Serien. Gefragt wird nach glokalen Strukturen, d.h. nach der Aneignung globaler (US-amerikanischer) Formate in Europa.
6
The Cinemas of Italian Migration : European and Transatlantic Narratives (2010)
EN NW EB DLISBN: 9781443869942 bzw. 1443869945, in Englisch, Cambridge Scholars Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Vereinigtes Königreich Grossbritannien und Nordirland, Despatched same working day before 3pm.
Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film level in New Italian Cinema of recent decades. Thus, three forms of migration have affected politics as well as Italy's film history; the latter, through the development of new genres and sub-genres. In this manner, questions concerning cultural studies are intersected with those of film aesthetics in this volume.The Cinemas of Italian Migration: European and Transatlantic Narratives brings together for the first time international contributions on early post-WWII cinema such as Il cammino della speranza (The Road to Hope, Pietro Germi, 1950) and I magliari (The Magliari, Francesco Rosi, 1959), with Migrant Road Movie classics like Lamerica (Gianni Amelio, 1994) and contemporary Italian comedies like Into Paradiso (Into Paradise, Paola Randi, 2010). Additionally, this volume includes articles dealing with often marginalized filmmakers (e.g. Vincenzo Marra and Roberta Torre), independent productions (among others, Carmine Amoroso's Cover Boy, 2006) and genres such as contemporary Italian documentary films (e.g. Andrea Segre's A Sud di Lampedusa/South of Lampedusa, 2006). The migration narratives are shaped by European and transatlantic filmmakers, not only by Ferzan Ozpetek but also by Werner Schroeter from Germany, Denis Rabaglia from Switzerland, Martin Scorsese from the US and Sandra Gugliotta from Argentina, to name just a few examples.
Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film level in New Italian Cinema of recent decades. Thus, three forms of migration have affected politics as well as Italy's film history; the latter, through the development of new genres and sub-genres. In this manner, questions concerning cultural studies are intersected with those of film aesthetics in this volume.The Cinemas of Italian Migration: European and Transatlantic Narratives brings together for the first time international contributions on early post-WWII cinema such as Il cammino della speranza (The Road to Hope, Pietro Germi, 1950) and I magliari (The Magliari, Francesco Rosi, 1959), with Migrant Road Movie classics like Lamerica (Gianni Amelio, 1994) and contemporary Italian comedies like Into Paradiso (Into Paradise, Paola Randi, 2010). Additionally, this volume includes articles dealing with often marginalized filmmakers (e.g. Vincenzo Marra and Roberta Torre), independent productions (among others, Carmine Amoroso's Cover Boy, 2006) and genres such as contemporary Italian documentary films (e.g. Andrea Segre's A Sud di Lampedusa/South of Lampedusa, 2006). The migration narratives are shaped by European and transatlantic filmmakers, not only by Ferzan Ozpetek but also by Werner Schroeter from Germany, Denis Rabaglia from Switzerland, Martin Scorsese from the US and Sandra Gugliotta from Argentina, to name just a few examples.
7
Cinemas of Italian Migration (2014)
~EN NW EB DLISBN: 9781443869942 bzw. 1443869945, vermutlich in Englisch, 340 Seiten, Cambridge Scholars Publishing, neu, E-Book, elektronischer Download.
Lieferung aus: Deutschland, Download sofort lieferbar.
European and Transatlantic Narratives, eBooks, eBook Download (PDF), Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film level in New Italian Cinema of recent decades. Thus, three forms of migration have affected politics as well as Italy's film history; the latter, through the development of new genres and sub-genres. In this manner, questions concerning cultural studies are intersected with those of film aesthetics in this volume. The Cinemas of Italian Migration: European and Transatlantic Narratives brings together for the first time international contributions on early post-WWII cinema such as Il cammino della speranza (The Road to Hope, Pietro Germi, 1950) and I magliari (The Magliari, Francesco Rosi, 1959), with Migrant Road Movie classics like Lamerica (Gianni Amelio, 1994) and contemporary Italian comedies like Into Paradiso (Into Paradise, Paola Randi, 2010). Additionally, this volume includes articles dealing with often marginalized filmmakers (e.g. Vincenzo Marra and Roberta Torre), independent productions (among others, Carmine Amoroso's Cover Boy, 2006) and genres such as contemporary Italian documentary films (e.g. Andrea Segre's A Sud di Lampedusa/South of Lampedusa, 2006). The migration narratives are shaped by European and transatlantic filmmakers, not only by Ferzan Ozpetek but also by Werner Schroeter from Germany, Denis Rabaglia from Switzerland, Martin Scorsese from the US and Sandra Gugliotta from Argentina, to name just a few examples.
European and Transatlantic Narratives, eBooks, eBook Download (PDF), Italy is more strongly influenced by the experiences of migrants than many other European countries. This includes an historically ongoing internal migration from the south to the north, which is strongly echoed in neo-realism; a mass emigration mainly to western Europe and North and South America that is connected with mafia films, among others, in Italy's collective imaginary; as well as a more recent immigration influx from the southwestern Mediterranean, which is dealt with at a film level in New Italian Cinema of recent decades. Thus, three forms of migration have affected politics as well as Italy's film history; the latter, through the development of new genres and sub-genres. In this manner, questions concerning cultural studies are intersected with those of film aesthetics in this volume. The Cinemas of Italian Migration: European and Transatlantic Narratives brings together for the first time international contributions on early post-WWII cinema such as Il cammino della speranza (The Road to Hope, Pietro Germi, 1950) and I magliari (The Magliari, Francesco Rosi, 1959), with Migrant Road Movie classics like Lamerica (Gianni Amelio, 1994) and contemporary Italian comedies like Into Paradiso (Into Paradise, Paola Randi, 2010). Additionally, this volume includes articles dealing with often marginalized filmmakers (e.g. Vincenzo Marra and Roberta Torre), independent productions (among others, Carmine Amoroso's Cover Boy, 2006) and genres such as contemporary Italian documentary films (e.g. Andrea Segre's A Sud di Lampedusa/South of Lampedusa, 2006). The migration narratives are shaped by European and transatlantic filmmakers, not only by Ferzan Ozpetek but also by Werner Schroeter from Germany, Denis Rabaglia from Switzerland, Martin Scorsese from the US and Sandra Gugliotta from Argentina, to name just a few examples.
8
TV Glokal als eBook Download von
DE NW EBISBN: 9783741000027 bzw. 3741000027, in Deutsch, Schüren Verlag, neu, E-Book.
Die Beschreibung dieses Angebotes ist von geringer Qualität oder in einer Fremdsprache. Trotzdem anzeigen
Lade…