The Philosophy of Film Noir (The Philosophy of Popular Culture)
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Philosophy of Film Noir
ISBN: 9780813123776 bzw. 0813123771, in Englisch, The University Press of Kentucky, neu, E-Book.
Performing Arts, The Philosophy of Film Noir, From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture. eBook.
The Philosophy of Film Noir (2005)
ISBN: 9780813123776 bzw. 0813123771, vermutlich in Englisch, University Press of Kentucky, gebundenes Buch, gebraucht, guter Zustand.
Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Books.
The Philosophy of Film Noir (2000)
ISBN: 9780813123776 bzw. 0813123771, vermutlich in Englisch, University Press of Kentucky, Vereinigte Staaten von Amerika, gebraucht.
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films -- themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
The Philosophy of Film Noir
ISBN: 0813123771 bzw. 9780813123776, in Englisch, The University Press of Kentucky, gebraucht.
history and criticism,humor and entertainment,movies,philosophy,politics and social sciences,theory, The Philosophy of Film Noir (The Philosophy of Popular Culture), A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films -- themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenc.
The Philosophy of Film Noir (The Philosophy of Popular Culture) (2005)
ISBN: 9780813123776 bzw. 0813123771, vermutlich in Englisch, The University Press of Kentucky, gebundenes Buch, gebraucht, akzeptabler Zustand.
Independent family-run bookstore for over 50 years! Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within, Books.
The Philosophy of Film Noir (The Philosophy of Popular Culture) (2005)
ISBN: 9780813123776 bzw. 0813123771, vermutlich in Englisch, The University Press of Kentucky, gebundenes Buch, gebraucht, guter Zustand.
Von Händler/Antiquariat, Broad Street Books.
The University Press of Kentucky, 2005-01-27. Hardcover. Like New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.
The Philosophy of Film Noir (The Philosophy of Popular Culture) (2005)
ISBN: 9780813123776 bzw. 0813123771, vermutlich in Englisch, The University Press of Kentucky, gebundenes Buch, gebraucht, akzeptabler Zustand.
a name is written on the outside edge of the cover; Satisfaction 100% guaranteed, Books.